Daily Practice · A Level

July 1960 5-a-day

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July 1960

31 sheets · 155 questions · A Level

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Every sheet in July 1960

The same date always regenerates the same five questions, so a sheet you print today is the sheet a classmate prints tomorrow.

  1. 1st July 1960What term describes an object or image that represents a wider idea, e.g. a wilting flower representing decline?
  2. 2nd July 1960Give two of Halliday's functions of language and an example utterance for each.
  3. 3rd July 1960Rewrite this weak sentence to earn AO2 credit: 'The writer uses a simile to describe the house, which makes it more interesting.'
  4. 4th July 1960Name one comparative connective a writer could use to link two ideas across texts.
  5. 5th July 1960What is meant by the 'holophrastic stage'?
  6. 6th July 1960What term describes a comparison using 'like' or 'as'?
  7. 7th July 1960Define synthetic personalisation and give an example.
  8. 8th July 1960Convert this into a comparative sentence: 'In poem A the sea is a threat. In poem B the sea is a comfort.'
  9. 9th July 1960Identify one language technique in 'the wind came straight through.'
  10. 10th July 1960Name one social factor, other than region, that can cause variation in a person's language use.
  11. 11th July 1960Name the term for the moment the audience senses danger the protagonist does not yet see.
  12. 12th July 1960Name one contextual factor, other than mode, that can affect a text's linguistic choices.
  13. 13th July 1960What term describes a narrative told using 'I' and limited to one character's knowledge?
  14. 14th July 1960Why should an answer analysing children's writing not simply list spelling errors?
  15. 15th July 1960The final sentence of an extract is a fragment: 'Rain, again.' Suggest two effects worth arguing for.
  16. 16th July 1960Identify the semantic field used in the phrase 'the beam still turns, still finds the rocks.'
  17. 17th July 1960A child uses 'car' only for the family car and not for any other cars. What is this process called?
  18. 18th July 1960What is the effect of enjambment, a line running on without punctuation into the next?
  19. 19th July 1960Explain how an agentless passive can exercise power.
  20. 20th July 1960Explain why comparing subject matter alone rarely reaches the higher bands.
  21. 21st July 1960What is meant by a 'structural shift' in an unseen text?
  22. 22nd July 1960Name the linguist associated with the 'damp spoon', 'crumbling castle' and 'infectious disease' images of prescriptivist attitudes.
  23. 23rd July 1960Identify one way this stage direction creates foreboding: 'Thunder, distant. The lamp flickers and does not right itself.'
  24. 24th July 1960What term describes a variety of language used in a specific social setting or for a specific purpose?
  25. 25th July 1960Identify the narrative structure technique where the story jumps back in time to an earlier event.
  26. 26th July 1960Define a virtuous error and explain why it matters theoretically.
  27. 27th July 1960A student writes: 'The sibilance creates a soft, sinister mood.' What is missing?
  28. 28th July 1960Explain in one sentence why comparing structure, not just content, matters when comparing two poems.
  29. 29th July 1960A child calls all four-legged animals 'doggie'. What is this process called?
  30. 30th July 1960A poem has four-line stanzas. What is this stanza form called?
  31. 31st July 1960Give two spoken features that typically mark a less powerful participant.

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