Daily Practice · A Level

October 1977 5-a-day

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October 1977

31 sheets · 155 questions · A Level

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  1. 1st October 1977Give two of Halliday's functions of language and an example utterance for each.
  2. 2nd October 1977Rewrite this weak sentence to earn AO2 credit: 'The writer uses a simile to describe the house, which makes it more interesting.'
  3. 3rd October 1977In 'I sold the lamp for scrap and kept the key,' identify the contrast being set up.
  4. 4th October 1977Calculate the MLU in morphemes for these three utterances: 'I want juice' (3 morphemes), 'the dog barked' (4 morphemes, counting -ed as one), 'mummy gone now' (3 morphemes).
  5. 5th October 1977Identify the technique in 'the silence screamed.'
  6. 6th October 1977Define synthetic personalisation and give an example.
  7. 7th October 1977Convert this into a comparative sentence: 'In poem A the sea is a threat. In poem B the sea is a comfort.'
  8. 8th October 1977Give one reason subject terminology should be used carefully in unseen analysis.
  9. 9th October 1977The word 'nice' once meant 'foolish or fussy' but now means 'pleasant'. Name this type of semantic change.
  10. 10th October 1977A tragic hero's downfall is usually explained by two competing forces. Name them.
  11. 11th October 1977Identify which is more likely to use nominalisation and passive voice: a casual spoken chat or a formal council report.
  12. 12th October 1977Identify the technique in this phrase: 'the silence pressed against the windows like a living thing.'
  13. 13th October 1977Why should an answer analysing children's writing not simply list spelling errors?
  14. 14th October 1977The final sentence of an extract is a fragment: 'Rain, again.' Suggest two effects worth arguing for.
  15. 15th October 1977What does the term 'volta' mean in poetry?
  16. 16th October 1977Name the theorist associated with the Language Acquisition Device (LAD).
  17. 17th October 1977What term describes a pause or break within a line of poetry, often marked by punctuation?
  18. 18th October 1977Explain how an agentless passive can exercise power.
  19. 19th October 1977Explain why comparing subject matter alone rarely reaches the higher bands.
  20. 20th October 1977True or false: unseen answers are marked mainly on how much of the text you cover.
  21. 21st October 1977What term describes a speaker adjusting their speech to sound more like their listener?
  22. 22nd October 1977Define the term 'hamartia' as used in the study of tragedy.
  23. 23rd October 1977Define 'mode' as a linguistic term.
  24. 24th October 1977What term describes a narrator who knows the thoughts and feelings of all characters?
  25. 25th October 1977Define a virtuous error and explain why it matters theoretically.
  26. 26th October 1977A student writes: 'The sibilance creates a soft, sinister mood.' What is missing?
  27. 27th October 1977Define 'extended metaphor'.
  28. 28th October 1977A child says 'I have two foots.' Identify the grammatical process.
  29. 29th October 1977What term describes giving human qualities to a non-human thing, e.g. 'the wind whispered'?
  30. 30th October 1977Give two spoken features that typically mark a less powerful participant.
  31. 31st October 1977A poem in regular iambic pentameter breaks the metre in one line only. Suggest how to analyse it.

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