Daily Practice · A Level

November 1982 5-a-day

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November 1982

30 sheets · 150 questions · A Level

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Every sheet in November 1982

The same date always regenerates the same five questions, so a sheet you print today is the sheet a classmate prints tomorrow.

  1. 1st November 1982Identify one way this stage direction creates foreboding: 'Thunder, distant. The lamp flickers and does not right itself.'
  2. 2nd November 1982What term describes a variety of language used in a specific social setting or for a specific purpose?
  3. 3rd November 1982Identify the narrative structure technique where the story jumps back in time to an earlier event.
  4. 4th November 1982Why should an answer analysing children's writing not simply list spelling errors?
  5. 5th November 1982The final sentence of an extract is a fragment: 'Rain, again.' Suggest two effects worth arguing for.
  6. 6th November 1982Explain in one sentence why comparing structure, not just content, matters when comparing two poems.
  7. 7th November 1982A child calls all four-legged animals 'doggie'. What is this process called?
  8. 8th November 1982A poem has four-line stanzas. What is this stanza form called?
  9. 9th November 1982Explain how an agentless passive can exercise power.
  10. 10th November 1982Explain why comparing subject matter alone rarely reaches the higher bands.
  11. 11th November 1982What should you do first when reading an unseen extract in an exam?
  12. 12th November 1982The word 'dog' once referred to one specific breed but now refers to the whole species. Name this type of semantic change.
  13. 13th November 1982In the line 'I have kept this light for twenty-six years, and the sea has never once told me my business,' identify the tone.
  14. 14th November 1982Give one example of a linguistic feature typical of unplanned spoken discourse.
  15. 15th November 1982What is the effect of a very short, simple sentence placed after a long, complex one?
  16. 16th November 1982Define a virtuous error and explain why it matters theoretically.
  17. 17th November 1982A student writes: 'The sibilance creates a soft, sinister mood.' What is missing?
  18. 18th November 1982In 'I sold the lamp for scrap and kept the key,' identify the contrast being set up.
  19. 19th November 1982Calculate the MLU in morphemes for these three utterances: 'I want juice' (3 morphemes), 'the dog barked' (4 morphemes, counting -ed as one), 'mummy gone now' (3 morphemes).
  20. 20th November 1982Identify the technique in 'the silence screamed.'
  21. 21st November 1982Give two spoken features that typically mark a less powerful participant.
  22. 22nd November 1982A poem in regular iambic pentameter breaks the metre in one line only. Suggest how to analyse it.
  23. 23rd November 1982Give one reason subject terminology should be used carefully in unseen analysis.
  24. 24th November 1982The word 'nice' once meant 'foolish or fussy' but now means 'pleasant'. Name this type of semantic change.
  25. 25th November 1982A tragic hero's downfall is usually explained by two competing forces. Name them.
  26. 26th November 1982Identify which is more likely to use nominalisation and passive voice: a casual spoken chat or a formal council report.
  27. 27th November 1982Identify the technique in this phrase: 'the silence pressed against the windows like a living thing.'
  28. 28th November 1982Distinguish a recast from an expansion in caregiver speech.
  29. 29th November 1982Why is an unseen essay that works through the extract chronologically usually limited to the middle bands?
  30. 30th November 1982What does the term 'volta' mean in poetry?

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