Daily Practice · A Level

March 1988 5-a-day

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March 1988

31 sheets · 155 questions · A Level

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The same date always regenerates the same five questions, so a sheet you print today is the sheet a classmate prints tomorrow.

  1. 1st March 1988Define a virtuous error and explain why it matters theoretically.
  2. 2nd March 1988A student writes: 'The sibilance creates a soft, sinister mood.' What is missing?
  3. 3rd March 1988Explain in one sentence why comparing structure, not just content, matters when comparing two poems.
  4. 4th March 1988A child calls all four-legged animals 'doggie'. What is this process called?
  5. 5th March 1988A poem has four-line stanzas. What is this stanza form called?
  6. 6th March 1988Give two spoken features that typically mark a less powerful participant.
  7. 7th March 1988A poem in regular iambic pentameter breaks the metre in one line only. Suggest how to analyse it.
  8. 8th March 1988What should you do first when reading an unseen extract in an exam?
  9. 9th March 1988The word 'dog' once referred to one specific breed but now refers to the whole species. Name this type of semantic change.
  10. 10th March 1988In the line 'I have kept this light for twenty-six years, and the sea has never once told me my business,' identify the tone.
  11. 11th March 1988Give one example of a linguistic feature typical of unplanned spoken discourse.
  12. 12th March 1988What is the effect of a very short, simple sentence placed after a long, complex one?
  13. 13th March 1988Distinguish a recast from an expansion in caregiver speech.
  14. 14th March 1988Why is an unseen essay that works through the extract chronologically usually limited to the middle bands?
  15. 15th March 1988In 'I sold the lamp for scrap and kept the key,' identify the contrast being set up.
  16. 16th March 1988Calculate the MLU in morphemes for these three utterances: 'I want juice' (3 morphemes), 'the dog barked' (4 morphemes, counting -ed as one), 'mummy gone now' (3 morphemes).
  17. 17th March 1988Identify the technique in 'the silence screamed.'
  18. 18th March 1988Distinguish instrumental from influential power with one example each.
  19. 19th March 1988Explain the effect of enjambment that runs across a stanza break.
  20. 20th March 1988Give one reason subject terminology should be used carefully in unseen analysis.
  21. 21st March 1988The word 'nice' once meant 'foolish or fussy' but now means 'pleasant'. Name this type of semantic change.
  22. 22nd March 1988A tragic hero's downfall is usually explained by two competing forces. Name them.
  23. 23rd March 1988Identify which is more likely to use nominalisation and passive voice: a casual spoken chat or a formal council report.
  24. 24th March 1988Identify the technique in this phrase: 'the silence pressed against the windows like a living thing.'
  25. 25th March 1988Name the stage in which function words are systematically omitted, and give an approximate age range.
  26. 26th March 1988Define free indirect discourse and give one reason a writer might use it.
  27. 27th March 1988What does the term 'volta' mean in poetry?
  28. 28th March 1988Name the theorist associated with the Language Acquisition Device (LAD).
  29. 29th March 1988What term describes a pause or break within a line of poetry, often marked by punctuation?
  30. 30th March 1988What does a presupposition do in a question such as 'when did you stop checking the figures?'
  31. 31st March 1988Why is it worth comparing the final lines of two poems specifically?

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