Daily Practice · A Level

September 1992 - A Level 5-a-day

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September 1992

30 sheets · 150 questions · A Level

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Every sheet in September 1992

The same date always regenerates the same five questions, so a sheet you print today is the sheet a classmate prints tomorrow.

  1. 1st September 1992How can AO3 be addressed in an unseen where no author or date is given?
  2. 2nd September 1992Identify the semantic field used in the phrase 'the beam still turns, still finds the rocks.'
  3. 3rd September 1992A child uses 'car' only for the family car and not for any other cars. What is this process called?
  4. 4th September 1992What is the effect of enjambment, a line running on without punctuation into the next?
  5. 5th September 1992How can flouting a Gricean maxim be an exercise of power?
  6. 6th September 1992Give one risk of using a comparison grid, and how to avoid it.
  7. 7th September 1992What is meant by a 'structural shift' in an unseen text?
  8. 8th September 1992Name the linguist associated with the 'damp spoon', 'crumbling castle' and 'infectious disease' images of prescriptivist attitudes.
  9. 9th September 1992Identify one way this stage direction creates foreboding: 'Thunder, distant. The lamp flickers and does not right itself.'
  10. 10th September 1992What term describes a variety of language used in a specific social setting or for a specific purpose?
  11. 11th September 1992Identify the narrative structure technique where the story jumps back in time to an earlier event.
  12. 12th September 1992Give two of Halliday's functions of language and an example utterance for each.
  13. 13th September 1992Rewrite this weak sentence to earn AO2 credit: 'The writer uses a simile to describe the house, which makes it more interesting.'
  14. 14th September 1992Explain in one sentence why comparing structure, not just content, matters when comparing two poems.
  15. 15th September 1992A child calls all four-legged animals 'doggie'. What is this process called?
  16. 16th September 1992A poem has four-line stanzas. What is this stanza form called?
  17. 17th September 1992Define synthetic personalisation and give an example.
  18. 18th September 1992Convert this into a comparative sentence: 'In poem A the sea is a threat. In poem B the sea is a comfort.'
  19. 19th September 1992What should you do first when reading an unseen extract in an exam?
  20. 20th September 1992The word 'dog' once referred to one specific breed but now refers to the whole species. Name this type of semantic change.
  21. 21st September 1992In the line 'I have kept this light for twenty-six years, and the sea has never once told me my business,' identify the tone.
  22. 22nd September 1992Give one example of a linguistic feature typical of unplanned spoken discourse.
  23. 23rd September 1992What is the effect of a very short, simple sentence placed after a long, complex one?
  24. 24th September 1992Why should an answer analysing children's writing not simply list spelling errors?
  25. 25th September 1992The final sentence of an extract is a fragment: 'Rain, again.' Suggest two effects worth arguing for.
  26. 26th September 1992In 'I sold the lamp for scrap and kept the key,' identify the contrast being set up.
  27. 27th September 1992Calculate the MLU in morphemes for these three utterances: 'I want juice' (3 morphemes), 'the dog barked' (4 morphemes, counting -ed as one), 'mummy gone now' (3 morphemes).
  28. 28th September 1992Identify the technique in 'the silence screamed.'
  29. 29th September 1992Explain how an agentless passive can exercise power.
  30. 30th September 1992Explain why comparing subject matter alone rarely reaches the higher bands.

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