Daily Practice · A Level

March 2016 - A Level 5-a-day

Every A Level sheet published in March 2016, with answers. A Level - discourse, register, framework analysis and language change.

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March 2016

31 sheets · 155 questions · A Level

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The batch download puts all 5 tiers' March 2016 sheets in a single PDF, each tier behind its own divider page - 155 sheets in one file.

Every sheet in March 2016

The same date always regenerates the same five questions, so a sheet you print today is the sheet a classmate prints tomorrow.

  1. 1st March 2016A child calls all four-legged animals 'doggie'. What is this process called?
  2. 2nd March 2016A poem has four-line stanzas. What is this stanza form called?
  3. 3rd March 2016Define synthetic personalisation and give an example.
  4. 4th March 2016Convert this into a comparative sentence: 'In poem A the sea is a threat. In poem B the sea is a comfort.'
  5. 5th March 2016What should you do first when reading an unseen extract in an exam?
  6. 6th March 2016The word 'dog' once referred to one specific breed but now refers to the whole species. Name this type of semantic change.
  7. 7th March 2016In the line 'I have kept this light for twenty-six years, and the sea has never once told me my business,' identify the tone.
  8. 8th March 2016Give one example of a linguistic feature typical of unplanned spoken discourse.
  9. 9th March 2016What is the effect of a very short, simple sentence placed after a long, complex one?
  10. 10th March 2016Why should an answer analysing children's writing not simply list spelling errors?
  11. 11th March 2016The final sentence of an extract is a fragment: 'Rain, again.' Suggest two effects worth arguing for.
  12. 12th March 2016In 'I sold the lamp for scrap and kept the key,' identify the contrast being set up.
  13. 13th March 2016Calculate the MLU in morphemes for these three utterances: 'I want juice' (3 morphemes), 'the dog barked' (4 morphemes, counting -ed as one), 'mummy gone now' (3 morphemes).
  14. 14th March 2016Identify the technique in 'the silence screamed.'
  15. 15th March 2016Explain how an agentless passive can exercise power.
  16. 16th March 2016Explain why comparing subject matter alone rarely reaches the higher bands.
  17. 17th March 2016Give one reason subject terminology should be used carefully in unseen analysis.
  18. 18th March 2016The word 'nice' once meant 'foolish or fussy' but now means 'pleasant'. Name this type of semantic change.
  19. 19th March 2016A tragic hero's downfall is usually explained by two competing forces. Name them.
  20. 20th March 2016Identify which is more likely to use nominalisation and passive voice: a casual spoken chat or a formal council report.
  21. 21st March 2016Identify the technique in this phrase: 'the silence pressed against the windows like a living thing.'
  22. 22nd March 2016Define a virtuous error and explain why it matters theoretically.
  23. 23rd March 2016A student writes: 'The sibilance creates a soft, sinister mood.' What is missing?
  24. 24th March 2016What does the term 'volta' mean in poetry?
  25. 25th March 2016Name the theorist associated with the Language Acquisition Device (LAD).
  26. 26th March 2016What term describes a pause or break within a line of poetry, often marked by punctuation?
  27. 27th March 2016Give two spoken features that typically mark a less powerful participant.
  28. 28th March 2016A poem in regular iambic pentameter breaks the metre in one line only. Suggest how to analyse it.
  29. 29th March 2016True or false: unseen answers are marked mainly on how much of the text you cover.
  30. 30th March 2016What term describes a speaker adjusting their speech to sound more like their listener?
  31. 31st March 2016Define the term 'hamartia' as used in the study of tragedy.

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