Daily Practice · A Level
July 1951 5-a-day
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Every sheet in July 1951
The same date always regenerates the same five questions, so a sheet you print today is the sheet a classmate prints tomorrow.
- 1st July 1951Identify the narrative structure technique where the story jumps back in time to an earlier event.
- 2nd July 1951Explain how a transcript could be used as evidence against Skinner's account.
- 3rd July 1951How can AO3 be addressed in an unseen where no author or date is given?
- 4th July 1951Explain in one sentence why comparing structure, not just content, matters when comparing two poems.
- 5th July 1951A child calls all four-legged animals 'doggie'. What is this process called?
- 6th July 1951A poem has four-line stanzas. What is this stanza form called?
- 7th July 1951How can flouting a Gricean maxim be an exercise of power?
- 8th July 1951Give one risk of using a comparison grid, and how to avoid it.
- 9th July 1951What should you do first when reading an unseen extract in an exam?
- 10th July 1951The word 'dog' once referred to one specific breed but now refers to the whole species. Name this type of semantic change.
- 11th July 1951In the line 'I have kept this light for twenty-six years, and the sea has never once told me my business,' identify the tone.
- 12th July 1951Give one example of a linguistic feature typical of unplanned spoken discourse.
- 13th July 1951What is the effect of a very short, simple sentence placed after a long, complex one?
- 14th July 1951Give two of Halliday's functions of language and an example utterance for each.
- 15th July 1951Rewrite this weak sentence to earn AO2 credit: 'The writer uses a simile to describe the house, which makes it more interesting.'
- 16th July 1951In 'I sold the lamp for scrap and kept the key,' identify the contrast being set up.
- 17th July 1951Calculate the MLU in morphemes for these three utterances: 'I want juice' (3 morphemes), 'the dog barked' (4 morphemes, counting -ed as one), 'mummy gone now' (3 morphemes).
- 18th July 1951Identify the technique in 'the silence screamed.'
- 19th July 1951Define synthetic personalisation and give an example.
- 20th July 1951Convert this into a comparative sentence: 'In poem A the sea is a threat. In poem B the sea is a comfort.'
- 21st July 1951Give one reason subject terminology should be used carefully in unseen analysis.
- 22nd July 1951The word 'nice' once meant 'foolish or fussy' but now means 'pleasant'. Name this type of semantic change.
- 23rd July 1951A tragic hero's downfall is usually explained by two competing forces. Name them.
- 24th July 1951Identify which is more likely to use nominalisation and passive voice: a casual spoken chat or a formal council report.
- 25th July 1951Identify the technique in this phrase: 'the silence pressed against the windows like a living thing.'
- 26th July 1951Why should an answer analysing children's writing not simply list spelling errors?
- 27th July 1951The final sentence of an extract is a fragment: 'Rain, again.' Suggest two effects worth arguing for.
- 28th July 1951What does the term 'volta' mean in poetry?
- 29th July 1951Name the theorist associated with the Language Acquisition Device (LAD).
- 30th July 1951What term describes a pause or break within a line of poetry, often marked by punctuation?
- 31st July 1951Explain how an agentless passive can exercise power.