Daily Practice · A Level

April 1952 5-a-day

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April 1952

30 sheets · 150 questions · A Level

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Every sheet in April 1952

The same date always regenerates the same five questions, so a sheet you print today is the sheet a classmate prints tomorrow.

  1. 1st April 1952Name one contextual factor, other than mode, that can affect a text's linguistic choices.
  2. 2nd April 1952What term describes a narrative told using 'I' and limited to one character's knowledge?
  3. 3rd April 1952Why should an answer analysing children's writing not simply list spelling errors?
  4. 4th April 1952The final sentence of an extract is a fragment: 'Rain, again.' Suggest two effects worth arguing for.
  5. 5th April 1952Identify the semantic field used in the phrase 'the beam still turns, still finds the rocks.'
  6. 6th April 1952A child uses 'car' only for the family car and not for any other cars. What is this process called?
  7. 7th April 1952What is the effect of enjambment, a line running on without punctuation into the next?
  8. 8th April 1952Explain how an agentless passive can exercise power.
  9. 9th April 1952Explain why comparing subject matter alone rarely reaches the higher bands.
  10. 10th April 1952What is meant by a 'structural shift' in an unseen text?
  11. 11th April 1952Name the linguist associated with the 'damp spoon', 'crumbling castle' and 'infectious disease' images of prescriptivist attitudes.
  12. 12th April 1952Identify one way this stage direction creates foreboding: 'Thunder, distant. The lamp flickers and does not right itself.'
  13. 13th April 1952What term describes a variety of language used in a specific social setting or for a specific purpose?
  14. 14th April 1952Identify the narrative structure technique where the story jumps back in time to an earlier event.
  15. 15th April 1952Define a virtuous error and explain why it matters theoretically.
  16. 16th April 1952A student writes: 'The sibilance creates a soft, sinister mood.' What is missing?
  17. 17th April 1952Explain in one sentence why comparing structure, not just content, matters when comparing two poems.
  18. 18th April 1952A child calls all four-legged animals 'doggie'. What is this process called?
  19. 19th April 1952A poem has four-line stanzas. What is this stanza form called?
  20. 20th April 1952Give two spoken features that typically mark a less powerful participant.
  21. 21st April 1952A poem in regular iambic pentameter breaks the metre in one line only. Suggest how to analyse it.
  22. 22nd April 1952What should you do first when reading an unseen extract in an exam?
  23. 23rd April 1952The word 'dog' once referred to one specific breed but now refers to the whole species. Name this type of semantic change.
  24. 24th April 1952In the line 'I have kept this light for twenty-six years, and the sea has never once told me my business,' identify the tone.
  25. 25th April 1952Give one example of a linguistic feature typical of unplanned spoken discourse.
  26. 26th April 1952What is the effect of a very short, simple sentence placed after a long, complex one?
  27. 27th April 1952Distinguish a recast from an expansion in caregiver speech.
  28. 28th April 1952Why is an unseen essay that works through the extract chronologically usually limited to the middle bands?
  29. 29th April 1952In 'I sold the lamp for scrap and kept the key,' identify the contrast being set up.
  30. 30th April 1952Calculate the MLU in morphemes for these three utterances: 'I want juice' (3 morphemes), 'the dog barked' (4 morphemes, counting -ed as one), 'mummy gone now' (3 morphemes).

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