Daily Practice · A Level
September 1952 5-a-day
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The batch download puts all 5 tiers' September 1952 sheets in a single PDF, each tier behind its own divider page - 150 sheets in one file.
Every sheet in September 1952
The same date always regenerates the same five questions, so a sheet you print today is the sheet a classmate prints tomorrow.
- 1st September 1952What is meant by a 'structural shift' in an unseen text?
- 2nd September 1952Name the linguist associated with the 'damp spoon', 'crumbling castle' and 'infectious disease' images of prescriptivist attitudes.
- 3rd September 1952Identify one way this stage direction creates foreboding: 'Thunder, distant. The lamp flickers and does not right itself.'
- 4th September 1952What term describes a variety of language used in a specific social setting or for a specific purpose?
- 5th September 1952Identify the narrative structure technique where the story jumps back in time to an earlier event.
- 6th September 1952Give two of Halliday's functions of language and an example utterance for each.
- 7th September 1952Rewrite this weak sentence to earn AO2 credit: 'The writer uses a simile to describe the house, which makes it more interesting.'
- 8th September 1952Explain in one sentence why comparing structure, not just content, matters when comparing two poems.
- 9th September 1952A child calls all four-legged animals 'doggie'. What is this process called?
- 10th September 1952A poem has four-line stanzas. What is this stanza form called?
- 11th September 1952Define synthetic personalisation and give an example.
- 12th September 1952Convert this into a comparative sentence: 'In poem A the sea is a threat. In poem B the sea is a comfort.'
- 13th September 1952What should you do first when reading an unseen extract in an exam?
- 14th September 1952The word 'dog' once referred to one specific breed but now refers to the whole species. Name this type of semantic change.
- 15th September 1952In the line 'I have kept this light for twenty-six years, and the sea has never once told me my business,' identify the tone.
- 16th September 1952Give one example of a linguistic feature typical of unplanned spoken discourse.
- 17th September 1952What is the effect of a very short, simple sentence placed after a long, complex one?
- 18th September 1952Why should an answer analysing children's writing not simply list spelling errors?
- 19th September 1952The final sentence of an extract is a fragment: 'Rain, again.' Suggest two effects worth arguing for.
- 20th September 1952In 'I sold the lamp for scrap and kept the key,' identify the contrast being set up.
- 21st September 1952Calculate the MLU in morphemes for these three utterances: 'I want juice' (3 morphemes), 'the dog barked' (4 morphemes, counting -ed as one), 'mummy gone now' (3 morphemes).
- 22nd September 1952Identify the technique in 'the silence screamed.'
- 23rd September 1952Explain how an agentless passive can exercise power.
- 24th September 1952Explain why comparing subject matter alone rarely reaches the higher bands.
- 25th September 1952Give one reason subject terminology should be used carefully in unseen analysis.
- 26th September 1952The word 'nice' once meant 'foolish or fussy' but now means 'pleasant'. Name this type of semantic change.
- 27th September 1952A tragic hero's downfall is usually explained by two competing forces. Name them.
- 28th September 1952Identify which is more likely to use nominalisation and passive voice: a casual spoken chat or a formal council report.
- 29th September 1952Identify the technique in this phrase: 'the silence pressed against the windows like a living thing.'
- 30th September 1952Define a virtuous error and explain why it matters theoretically.