Daily Practice · A Level

November 1956 5-a-day

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November 1956

30 sheets · 150 questions · A Level

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Every sheet in November 1956

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  1. 1st November 1956Define synthetic personalisation and give an example.
  2. 2nd November 1956Convert this into a comparative sentence: 'In poem A the sea is a threat. In poem B the sea is a comfort.'
  3. 3rd November 1956What should you do first when reading an unseen extract in an exam?
  4. 4th November 1956The word 'dog' once referred to one specific breed but now refers to the whole species. Name this type of semantic change.
  5. 5th November 1956In the line 'I have kept this light for twenty-six years, and the sea has never once told me my business,' identify the tone.
  6. 6th November 1956Give one example of a linguistic feature typical of unplanned spoken discourse.
  7. 7th November 1956What is the effect of a very short, simple sentence placed after a long, complex one?
  8. 8th November 1956Why should an answer analysing children's writing not simply list spelling errors?
  9. 9th November 1956The final sentence of an extract is a fragment: 'Rain, again.' Suggest two effects worth arguing for.
  10. 10th November 1956In 'I sold the lamp for scrap and kept the key,' identify the contrast being set up.
  11. 11th November 1956Calculate the MLU in morphemes for these three utterances: 'I want juice' (3 morphemes), 'the dog barked' (4 morphemes, counting -ed as one), 'mummy gone now' (3 morphemes).
  12. 12th November 1956Identify the technique in 'the silence screamed.'
  13. 13th November 1956Explain how an agentless passive can exercise power.
  14. 14th November 1956Explain why comparing subject matter alone rarely reaches the higher bands.
  15. 15th November 1956Give one reason subject terminology should be used carefully in unseen analysis.
  16. 16th November 1956The word 'nice' once meant 'foolish or fussy' but now means 'pleasant'. Name this type of semantic change.
  17. 17th November 1956A tragic hero's downfall is usually explained by two competing forces. Name them.
  18. 18th November 1956Identify which is more likely to use nominalisation and passive voice: a casual spoken chat or a formal council report.
  19. 19th November 1956Identify the technique in this phrase: 'the silence pressed against the windows like a living thing.'
  20. 20th November 1956Define a virtuous error and explain why it matters theoretically.
  21. 21st November 1956A student writes: 'The sibilance creates a soft, sinister mood.' What is missing?
  22. 22nd November 1956What does the term 'volta' mean in poetry?
  23. 23rd November 1956Name the theorist associated with the Language Acquisition Device (LAD).
  24. 24th November 1956What term describes a pause or break within a line of poetry, often marked by punctuation?
  25. 25th November 1956Give two spoken features that typically mark a less powerful participant.
  26. 26th November 1956A poem in regular iambic pentameter breaks the metre in one line only. Suggest how to analyse it.
  27. 27th November 1956True or false: unseen answers are marked mainly on how much of the text you cover.
  28. 28th November 1956What term describes a speaker adjusting their speech to sound more like their listener?
  29. 29th November 1956Define the term 'hamartia' as used in the study of tragedy.
  30. 30th November 1956Define 'mode' as a linguistic term.

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