Daily Practice · A Level

January 1957 5-a-day

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January 1957

31 sheets · 155 questions · A Level

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Every sheet in January 1957

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  1. 1st January 1957Define volta and explain why it is useful in comparison.
  2. 2nd January 1957What is meant by a 'structural shift' in an unseen text?
  3. 3rd January 1957Name the linguist associated with the 'damp spoon', 'crumbling castle' and 'infectious disease' images of prescriptivist attitudes.
  4. 4th January 1957Identify one way this stage direction creates foreboding: 'Thunder, distant. The lamp flickers and does not right itself.'
  5. 5th January 1957What term describes a variety of language used in a specific social setting or for a specific purpose?
  6. 6th January 1957Identify the narrative structure technique where the story jumps back in time to an earlier event.
  7. 7th January 1957Explain how a transcript could be used as evidence against Skinner's account.
  8. 8th January 1957How can AO3 be addressed in an unseen where no author or date is given?
  9. 9th January 1957Explain in one sentence why comparing structure, not just content, matters when comparing two poems.
  10. 10th January 1957A child calls all four-legged animals 'doggie'. What is this process called?
  11. 11th January 1957A poem has four-line stanzas. What is this stanza form called?
  12. 12th January 1957How can flouting a Gricean maxim be an exercise of power?
  13. 13th January 1957Give one risk of using a comparison grid, and how to avoid it.
  14. 14th January 1957What should you do first when reading an unseen extract in an exam?
  15. 15th January 1957The word 'dog' once referred to one specific breed but now refers to the whole species. Name this type of semantic change.
  16. 16th January 1957In the line 'I have kept this light for twenty-six years, and the sea has never once told me my business,' identify the tone.
  17. 17th January 1957Give one example of a linguistic feature typical of unplanned spoken discourse.
  18. 18th January 1957What is the effect of a very short, simple sentence placed after a long, complex one?
  19. 19th January 1957Give two of Halliday's functions of language and an example utterance for each.
  20. 20th January 1957Rewrite this weak sentence to earn AO2 credit: 'The writer uses a simile to describe the house, which makes it more interesting.'
  21. 21st January 1957In 'I sold the lamp for scrap and kept the key,' identify the contrast being set up.
  22. 22nd January 1957Calculate the MLU in morphemes for these three utterances: 'I want juice' (3 morphemes), 'the dog barked' (4 morphemes, counting -ed as one), 'mummy gone now' (3 morphemes).
  23. 23rd January 1957Identify the technique in 'the silence screamed.'
  24. 24th January 1957Define synthetic personalisation and give an example.
  25. 25th January 1957Convert this into a comparative sentence: 'In poem A the sea is a threat. In poem B the sea is a comfort.'
  26. 26th January 1957Give one reason subject terminology should be used carefully in unseen analysis.
  27. 27th January 1957The word 'nice' once meant 'foolish or fussy' but now means 'pleasant'. Name this type of semantic change.
  28. 28th January 1957A tragic hero's downfall is usually explained by two competing forces. Name them.
  29. 29th January 1957Identify which is more likely to use nominalisation and passive voice: a casual spoken chat or a formal council report.
  30. 30th January 1957Identify the technique in this phrase: 'the silence pressed against the windows like a living thing.'
  31. 31st January 1957Why should an answer analysing children's writing not simply list spelling errors?

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