Daily Practice · A Level

March 1960 5-a-day

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March 1960

31 sheets · 155 questions · A Level

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Every sheet in March 1960

The same date always regenerates the same five questions, so a sheet you print today is the sheet a classmate prints tomorrow.

  1. 1st March 1960Identify one way this stage direction creates foreboding: 'Thunder, distant. The lamp flickers and does not right itself.'
  2. 2nd March 1960What term describes a variety of language used in a specific social setting or for a specific purpose?
  3. 3rd March 1960Identify the narrative structure technique where the story jumps back in time to an earlier event.
  4. 4th March 1960Name the stage in which function words are systematically omitted, and give an approximate age range.
  5. 5th March 1960Define free indirect discourse and give one reason a writer might use it.
  6. 6th March 1960Explain in one sentence why comparing structure, not just content, matters when comparing two poems.
  7. 7th March 1960A child calls all four-legged animals 'doggie'. What is this process called?
  8. 8th March 1960A poem has four-line stanzas. What is this stanza form called?
  9. 9th March 1960What does a presupposition do in a question such as 'when did you stop checking the figures?'
  10. 10th March 1960Why is it worth comparing the final lines of two poems specifically?
  11. 11th March 1960What should you do first when reading an unseen extract in an exam?
  12. 12th March 1960The word 'dog' once referred to one specific breed but now refers to the whole species. Name this type of semantic change.
  13. 13th March 1960In the line 'I have kept this light for twenty-six years, and the sea has never once told me my business,' identify the tone.
  14. 14th March 1960Give one example of a linguistic feature typical of unplanned spoken discourse.
  15. 15th March 1960What is the effect of a very short, simple sentence placed after a long, complex one?
  16. 16th March 1960Identify the phonological process in 'gog' for dog and in 'nana' for banana.
  17. 17th March 1960Explain the difference between commenting on structure and commenting on language in an unseen prose response.
  18. 18th March 1960In 'I sold the lamp for scrap and kept the key,' identify the contrast being set up.
  19. 19th March 1960Calculate the MLU in morphemes for these three utterances: 'I want juice' (3 morphemes), 'the dog barked' (4 morphemes, counting -ed as one), 'mummy gone now' (3 morphemes).
  20. 20th March 1960Identify the technique in 'the silence screamed.'
  21. 21st March 1960Explain the difference between a positive and a negative face-threatening act.
  22. 22nd March 1960Define volta and explain why it is useful in comparison.
  23. 23rd March 1960Give one reason subject terminology should be used carefully in unseen analysis.
  24. 24th March 1960The word 'nice' once meant 'foolish or fussy' but now means 'pleasant'. Name this type of semantic change.
  25. 25th March 1960A tragic hero's downfall is usually explained by two competing forces. Name them.
  26. 26th March 1960Identify which is more likely to use nominalisation and passive voice: a casual spoken chat or a formal council report.
  27. 27th March 1960Identify the technique in this phrase: 'the silence pressed against the windows like a living thing.'
  28. 28th March 1960Explain how a transcript could be used as evidence against Skinner's account.
  29. 29th March 1960How can AO3 be addressed in an unseen where no author or date is given?
  30. 30th March 1960What does the term 'volta' mean in poetry?
  31. 31st March 1960Name the theorist associated with the Language Acquisition Device (LAD).

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