Daily Practice · A Level

March 1961 5-a-day

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March 1961

31 sheets · 155 questions · A Level

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Every sheet in March 1961

The same date always regenerates the same five questions, so a sheet you print today is the sheet a classmate prints tomorrow.

  1. 1st March 1961Explain in one sentence why comparing structure, not just content, matters when comparing two poems.
  2. 2nd March 1961A child calls all four-legged animals 'doggie'. What is this process called?
  3. 3rd March 1961A poem has four-line stanzas. What is this stanza form called?
  4. 4th March 1961How can flouting a Gricean maxim be an exercise of power?
  5. 5th March 1961Give one risk of using a comparison grid, and how to avoid it.
  6. 6th March 1961What should you do first when reading an unseen extract in an exam?
  7. 7th March 1961The word 'dog' once referred to one specific breed but now refers to the whole species. Name this type of semantic change.
  8. 8th March 1961In the line 'I have kept this light for twenty-six years, and the sea has never once told me my business,' identify the tone.
  9. 9th March 1961Give one example of a linguistic feature typical of unplanned spoken discourse.
  10. 10th March 1961What is the effect of a very short, simple sentence placed after a long, complex one?
  11. 11th March 1961Give two of Halliday's functions of language and an example utterance for each.
  12. 12th March 1961Rewrite this weak sentence to earn AO2 credit: 'The writer uses a simile to describe the house, which makes it more interesting.'
  13. 13th March 1961In 'I sold the lamp for scrap and kept the key,' identify the contrast being set up.
  14. 14th March 1961Calculate the MLU in morphemes for these three utterances: 'I want juice' (3 morphemes), 'the dog barked' (4 morphemes, counting -ed as one), 'mummy gone now' (3 morphemes).
  15. 15th March 1961Identify the technique in 'the silence screamed.'
  16. 16th March 1961Define synthetic personalisation and give an example.
  17. 17th March 1961Convert this into a comparative sentence: 'In poem A the sea is a threat. In poem B the sea is a comfort.'
  18. 18th March 1961Give one reason subject terminology should be used carefully in unseen analysis.
  19. 19th March 1961The word 'nice' once meant 'foolish or fussy' but now means 'pleasant'. Name this type of semantic change.
  20. 20th March 1961A tragic hero's downfall is usually explained by two competing forces. Name them.
  21. 21st March 1961Identify which is more likely to use nominalisation and passive voice: a casual spoken chat or a formal council report.
  22. 22nd March 1961Identify the technique in this phrase: 'the silence pressed against the windows like a living thing.'
  23. 23rd March 1961Why should an answer analysing children's writing not simply list spelling errors?
  24. 24th March 1961The final sentence of an extract is a fragment: 'Rain, again.' Suggest two effects worth arguing for.
  25. 25th March 1961What does the term 'volta' mean in poetry?
  26. 26th March 1961Name the theorist associated with the Language Acquisition Device (LAD).
  27. 27th March 1961What term describes a pause or break within a line of poetry, often marked by punctuation?
  28. 28th March 1961Explain how an agentless passive can exercise power.
  29. 29th March 1961Explain why comparing subject matter alone rarely reaches the higher bands.
  30. 30th March 1961True or false: unseen answers are marked mainly on how much of the text you cover.
  31. 31st March 1961What term describes a speaker adjusting their speech to sound more like their listener?

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