Daily Practice · A Level

May 1965 5-a-day

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May 1965

31 sheets · 155 questions · A Level

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Every sheet in May 1965

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  1. 1st May 1965Give two of Halliday's functions of language and an example utterance for each.
  2. 2nd May 1965Rewrite this weak sentence to earn AO2 credit: 'The writer uses a simile to describe the house, which makes it more interesting.'
  3. 3rd May 1965In 'I sold the lamp for scrap and kept the key,' identify the contrast being set up.
  4. 4th May 1965Calculate the MLU in morphemes for these three utterances: 'I want juice' (3 morphemes), 'the dog barked' (4 morphemes, counting -ed as one), 'mummy gone now' (3 morphemes).
  5. 5th May 1965Identify the technique in 'the silence screamed.'
  6. 6th May 1965Define synthetic personalisation and give an example.
  7. 7th May 1965Convert this into a comparative sentence: 'In poem A the sea is a threat. In poem B the sea is a comfort.'
  8. 8th May 1965Give one reason subject terminology should be used carefully in unseen analysis.
  9. 9th May 1965The word 'nice' once meant 'foolish or fussy' but now means 'pleasant'. Name this type of semantic change.
  10. 10th May 1965A tragic hero's downfall is usually explained by two competing forces. Name them.
  11. 11th May 1965Identify which is more likely to use nominalisation and passive voice: a casual spoken chat or a formal council report.
  12. 12th May 1965Identify the technique in this phrase: 'the silence pressed against the windows like a living thing.'
  13. 13th May 1965Why should an answer analysing children's writing not simply list spelling errors?
  14. 14th May 1965The final sentence of an extract is a fragment: 'Rain, again.' Suggest two effects worth arguing for.
  15. 15th May 1965What does the term 'volta' mean in poetry?
  16. 16th May 1965Name the theorist associated with the Language Acquisition Device (LAD).
  17. 17th May 1965What term describes a pause or break within a line of poetry, often marked by punctuation?
  18. 18th May 1965Explain how an agentless passive can exercise power.
  19. 19th May 1965Explain why comparing subject matter alone rarely reaches the higher bands.
  20. 20th May 1965True or false: unseen answers are marked mainly on how much of the text you cover.
  21. 21st May 1965What term describes a speaker adjusting their speech to sound more like their listener?
  22. 22nd May 1965Define the term 'hamartia' as used in the study of tragedy.
  23. 23rd May 1965Define 'mode' as a linguistic term.
  24. 24th May 1965What term describes a narrator who knows the thoughts and feelings of all characters?
  25. 25th May 1965Define a virtuous error and explain why it matters theoretically.
  26. 26th May 1965A student writes: 'The sibilance creates a soft, sinister mood.' What is missing?
  27. 27th May 1965Define 'extended metaphor'.
  28. 28th May 1965A child says 'I have two foots.' Identify the grammatical process.
  29. 29th May 1965What term describes giving human qualities to a non-human thing, e.g. 'the wind whispered'?
  30. 30th May 1965Give two spoken features that typically mark a less powerful participant.
  31. 31st May 1965A poem in regular iambic pentameter breaks the metre in one line only. Suggest how to analyse it.

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