Daily Practice · A Level

January 1969 5-a-day

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January 1969

31 sheets · 155 questions · A Level

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Every sheet in January 1969

The same date always regenerates the same five questions, so a sheet you print today is the sheet a classmate prints tomorrow.

  1. 1st January 1969Name the term for the moment the audience senses danger the protagonist does not yet see.
  2. 2nd January 1969Name one contextual factor, other than mode, that can affect a text's linguistic choices.
  3. 3rd January 1969What term describes a narrative told using 'I' and limited to one character's knowledge?
  4. 4th January 1969Give two of Halliday's functions of language and an example utterance for each.
  5. 5th January 1969Rewrite this weak sentence to earn AO2 credit: 'The writer uses a simile to describe the house, which makes it more interesting.'
  6. 6th January 1969Identify the semantic field used in the phrase 'the beam still turns, still finds the rocks.'
  7. 7th January 1969A child uses 'car' only for the family car and not for any other cars. What is this process called?
  8. 8th January 1969What is the effect of enjambment, a line running on without punctuation into the next?
  9. 9th January 1969Define synthetic personalisation and give an example.
  10. 10th January 1969Convert this into a comparative sentence: 'In poem A the sea is a threat. In poem B the sea is a comfort.'
  11. 11th January 1969What is meant by a 'structural shift' in an unseen text?
  12. 12th January 1969Name the linguist associated with the 'damp spoon', 'crumbling castle' and 'infectious disease' images of prescriptivist attitudes.
  13. 13th January 1969Identify one way this stage direction creates foreboding: 'Thunder, distant. The lamp flickers and does not right itself.'
  14. 14th January 1969What term describes a variety of language used in a specific social setting or for a specific purpose?
  15. 15th January 1969Identify the narrative structure technique where the story jumps back in time to an earlier event.
  16. 16th January 1969Why should an answer analysing children's writing not simply list spelling errors?
  17. 17th January 1969The final sentence of an extract is a fragment: 'Rain, again.' Suggest two effects worth arguing for.
  18. 18th January 1969Explain in one sentence why comparing structure, not just content, matters when comparing two poems.
  19. 19th January 1969A child calls all four-legged animals 'doggie'. What is this process called?
  20. 20th January 1969A poem has four-line stanzas. What is this stanza form called?
  21. 21st January 1969Explain how an agentless passive can exercise power.
  22. 22nd January 1969Explain why comparing subject matter alone rarely reaches the higher bands.
  23. 23rd January 1969What should you do first when reading an unseen extract in an exam?
  24. 24th January 1969The word 'dog' once referred to one specific breed but now refers to the whole species. Name this type of semantic change.
  25. 25th January 1969In the line 'I have kept this light for twenty-six years, and the sea has never once told me my business,' identify the tone.
  26. 26th January 1969Give one example of a linguistic feature typical of unplanned spoken discourse.
  27. 27th January 1969What is the effect of a very short, simple sentence placed after a long, complex one?
  28. 28th January 1969Define a virtuous error and explain why it matters theoretically.
  29. 29th January 1969A student writes: 'The sibilance creates a soft, sinister mood.' What is missing?
  30. 30th January 1969In 'I sold the lamp for scrap and kept the key,' identify the contrast being set up.
  31. 31st January 1969Calculate the MLU in morphemes for these three utterances: 'I want juice' (3 morphemes), 'the dog barked' (4 morphemes, counting -ed as one), 'mummy gone now' (3 morphemes).

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