Daily Practice · A Level
November 1999 - A Level 5-a-day
Every A Level sheet published in November 1999, with answers. A Level - discourse, register, framework analysis and language change.
Printing for a group?
The batch download puts all 5 tiers' November 1999 sheets in a single PDF, each tier behind its own divider page - 150 sheets in one file.
Every sheet in November 1999
The same date always regenerates the same five questions, so a sheet you print today is the sheet a classmate prints tomorrow.
- 1st November 1999In 'I sold the lamp for scrap and kept the key,' identify the contrast being set up.
- 2nd November 1999Calculate the MLU in morphemes for these three utterances: 'I want juice' (3 morphemes), 'the dog barked' (4 morphemes, counting -ed as one), 'mummy gone now' (3 morphemes).
- 3rd November 1999Identify the technique in 'the silence screamed.'
- 4th November 1999Define synthetic personalisation and give an example.
- 5th November 1999Convert this into a comparative sentence: 'In poem A the sea is a threat. In poem B the sea is a comfort.'
- 6th November 1999Give one reason subject terminology should be used carefully in unseen analysis.
- 7th November 1999The word 'nice' once meant 'foolish or fussy' but now means 'pleasant'. Name this type of semantic change.
- 8th November 1999A tragic hero's downfall is usually explained by two competing forces. Name them.
- 9th November 1999Identify which is more likely to use nominalisation and passive voice: a casual spoken chat or a formal council report.
- 10th November 1999Identify the technique in this phrase: 'the silence pressed against the windows like a living thing.'
- 11th November 1999Why should an answer analysing children's writing not simply list spelling errors?
- 12th November 1999The final sentence of an extract is a fragment: 'Rain, again.' Suggest two effects worth arguing for.
- 13th November 1999What does the term 'volta' mean in poetry?
- 14th November 1999Name the theorist associated with the Language Acquisition Device (LAD).
- 15th November 1999What term describes a pause or break within a line of poetry, often marked by punctuation?
- 16th November 1999Explain how an agentless passive can exercise power.
- 17th November 1999Explain why comparing subject matter alone rarely reaches the higher bands.
- 18th November 1999True or false: unseen answers are marked mainly on how much of the text you cover.
- 19th November 1999What term describes a speaker adjusting their speech to sound more like their listener?
- 20th November 1999Define the term 'hamartia' as used in the study of tragedy.
- 21st November 1999Define 'mode' as a linguistic term.
- 22nd November 1999What term describes a narrator who knows the thoughts and feelings of all characters?
- 23rd November 1999Define a virtuous error and explain why it matters theoretically.
- 24th November 1999A student writes: 'The sibilance creates a soft, sinister mood.' What is missing?
- 25th November 1999Define 'extended metaphor'.
- 26th November 1999A child says 'I have two foots.' Identify the grammatical process.
- 27th November 1999What term describes giving human qualities to a non-human thing, e.g. 'the wind whispered'?
- 28th November 1999Give two spoken features that typically mark a less powerful participant.
- 29th November 1999A poem in regular iambic pentameter breaks the metre in one line only. Suggest how to analyse it.
- 30th November 1999In 'watching for headlights that were not, yet, her mother's,' what effect does the delayed final phrase have?