Daily Practice · A Level

August 2000 - A Level 5-a-day

Every A Level sheet published in August 2000, with answers. A Level - discourse, register, framework analysis and language change.

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August 2000

31 sheets · 155 questions · A Level

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The batch download puts all 5 tiers' August 2000 sheets in a single PDF, each tier behind its own divider page - 155 sheets in one file.

Every sheet in August 2000

The same date always regenerates the same five questions, so a sheet you print today is the sheet a classmate prints tomorrow.

  1. 1st August 2000Define a virtuous error and explain why it matters theoretically.
  2. 2nd August 2000A student writes: 'The sibilance creates a soft, sinister mood.' What is missing?
  3. 3rd August 2000Explain in one sentence why comparing structure, not just content, matters when comparing two poems.
  4. 4th August 2000A child calls all four-legged animals 'doggie'. What is this process called?
  5. 5th August 2000A poem has four-line stanzas. What is this stanza form called?
  6. 6th August 2000Give two spoken features that typically mark a less powerful participant.
  7. 7th August 2000A poem in regular iambic pentameter breaks the metre in one line only. Suggest how to analyse it.
  8. 8th August 2000What should you do first when reading an unseen extract in an exam?
  9. 9th August 2000The word 'dog' once referred to one specific breed but now refers to the whole species. Name this type of semantic change.
  10. 10th August 2000In the line 'I have kept this light for twenty-six years, and the sea has never once told me my business,' identify the tone.
  11. 11th August 2000Give one example of a linguistic feature typical of unplanned spoken discourse.
  12. 12th August 2000What is the effect of a very short, simple sentence placed after a long, complex one?
  13. 13th August 2000Distinguish a recast from an expansion in caregiver speech.
  14. 14th August 2000Why is an unseen essay that works through the extract chronologically usually limited to the middle bands?
  15. 15th August 2000In 'I sold the lamp for scrap and kept the key,' identify the contrast being set up.
  16. 16th August 2000Calculate the MLU in morphemes for these three utterances: 'I want juice' (3 morphemes), 'the dog barked' (4 morphemes, counting -ed as one), 'mummy gone now' (3 morphemes).
  17. 17th August 2000Identify the technique in 'the silence screamed.'
  18. 18th August 2000Distinguish instrumental from influential power with one example each.
  19. 19th August 2000Explain the effect of enjambment that runs across a stanza break.
  20. 20th August 2000Give one reason subject terminology should be used carefully in unseen analysis.
  21. 21st August 2000The word 'nice' once meant 'foolish or fussy' but now means 'pleasant'. Name this type of semantic change.
  22. 22nd August 2000A tragic hero's downfall is usually explained by two competing forces. Name them.
  23. 23rd August 2000Identify which is more likely to use nominalisation and passive voice: a casual spoken chat or a formal council report.
  24. 24th August 2000Identify the technique in this phrase: 'the silence pressed against the windows like a living thing.'
  25. 25th August 2000Name the stage in which function words are systematically omitted, and give an approximate age range.
  26. 26th August 2000Define free indirect discourse and give one reason a writer might use it.
  27. 27th August 2000What does the term 'volta' mean in poetry?
  28. 28th August 2000Name the theorist associated with the Language Acquisition Device (LAD).
  29. 29th August 2000What term describes a pause or break within a line of poetry, often marked by punctuation?
  30. 30th August 2000What does a presupposition do in a question such as 'when did you stop checking the figures?'
  31. 31st August 2000Why is it worth comparing the final lines of two poems specifically?

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