Daily Practice · A Level
April 2009 - A Level 5-a-day
Every A Level sheet published in April 2009, with answers. A Level - discourse, register, framework analysis and language change.
Printing for a group?
The batch download puts all 5 tiers' April 2009 sheets in a single PDF, each tier behind its own divider page - 150 sheets in one file.
Every sheet in April 2009
The same date always regenerates the same five questions, so a sheet you print today is the sheet a classmate prints tomorrow.
- 1st April 2009Identify one way this stage direction creates foreboding: 'Thunder, distant. The lamp flickers and does not right itself.'
- 2nd April 2009What term describes a variety of language used in a specific social setting or for a specific purpose?
- 3rd April 2009Identify the narrative structure technique where the story jumps back in time to an earlier event.
- 4th April 2009Give two of Halliday's functions of language and an example utterance for each.
- 5th April 2009Rewrite this weak sentence to earn AO2 credit: 'The writer uses a simile to describe the house, which makes it more interesting.'
- 6th April 2009Explain in one sentence why comparing structure, not just content, matters when comparing two poems.
- 7th April 2009A child calls all four-legged animals 'doggie'. What is this process called?
- 8th April 2009A poem has four-line stanzas. What is this stanza form called?
- 9th April 2009Define synthetic personalisation and give an example.
- 10th April 2009Convert this into a comparative sentence: 'In poem A the sea is a threat. In poem B the sea is a comfort.'
- 11th April 2009What should you do first when reading an unseen extract in an exam?
- 12th April 2009The word 'dog' once referred to one specific breed but now refers to the whole species. Name this type of semantic change.
- 13th April 2009In the line 'I have kept this light for twenty-six years, and the sea has never once told me my business,' identify the tone.
- 14th April 2009Give one example of a linguistic feature typical of unplanned spoken discourse.
- 15th April 2009What is the effect of a very short, simple sentence placed after a long, complex one?
- 16th April 2009Why should an answer analysing children's writing not simply list spelling errors?
- 17th April 2009The final sentence of an extract is a fragment: 'Rain, again.' Suggest two effects worth arguing for.
- 18th April 2009In 'I sold the lamp for scrap and kept the key,' identify the contrast being set up.
- 19th April 2009Calculate the MLU in morphemes for these three utterances: 'I want juice' (3 morphemes), 'the dog barked' (4 morphemes, counting -ed as one), 'mummy gone now' (3 morphemes).
- 20th April 2009Identify the technique in 'the silence screamed.'
- 21st April 2009Explain how an agentless passive can exercise power.
- 22nd April 2009Explain why comparing subject matter alone rarely reaches the higher bands.
- 23rd April 2009Give one reason subject terminology should be used carefully in unseen analysis.
- 24th April 2009The word 'nice' once meant 'foolish or fussy' but now means 'pleasant'. Name this type of semantic change.
- 25th April 2009A tragic hero's downfall is usually explained by two competing forces. Name them.
- 26th April 2009Identify which is more likely to use nominalisation and passive voice: a casual spoken chat or a formal council report.
- 27th April 2009Identify the technique in this phrase: 'the silence pressed against the windows like a living thing.'
- 28th April 2009Define a virtuous error and explain why it matters theoretically.
- 29th April 2009A student writes: 'The sibilance creates a soft, sinister mood.' What is missing?
- 30th April 2009What does the term 'volta' mean in poetry?