Daily Practice · A Level
January 2013 - A Level 5-a-day
Every A Level sheet published in January 2013, with answers. A Level - discourse, register, framework analysis and language change.
Printing for a group?
The batch download puts all 5 tiers' January 2013 sheets in a single PDF, each tier behind its own divider page - 155 sheets in one file.
Every sheet in January 2013
The same date always regenerates the same five questions, so a sheet you print today is the sheet a classmate prints tomorrow.
- 1st January 2013Define a virtuous error and explain why it matters theoretically.
- 2nd January 2013A student writes: 'The sibilance creates a soft, sinister mood.' What is missing?
- 3rd January 2013Explain in one sentence why comparing structure, not just content, matters when comparing two poems.
- 4th January 2013A child calls all four-legged animals 'doggie'. What is this process called?
- 5th January 2013A poem has four-line stanzas. What is this stanza form called?
- 6th January 2013Give two spoken features that typically mark a less powerful participant.
- 7th January 2013A poem in regular iambic pentameter breaks the metre in one line only. Suggest how to analyse it.
- 8th January 2013What should you do first when reading an unseen extract in an exam?
- 9th January 2013The word 'dog' once referred to one specific breed but now refers to the whole species. Name this type of semantic change.
- 10th January 2013In the line 'I have kept this light for twenty-six years, and the sea has never once told me my business,' identify the tone.
- 11th January 2013Give one example of a linguistic feature typical of unplanned spoken discourse.
- 12th January 2013What is the effect of a very short, simple sentence placed after a long, complex one?
- 13th January 2013Distinguish a recast from an expansion in caregiver speech.
- 14th January 2013Why is an unseen essay that works through the extract chronologically usually limited to the middle bands?
- 15th January 2013In 'I sold the lamp for scrap and kept the key,' identify the contrast being set up.
- 16th January 2013Calculate the MLU in morphemes for these three utterances: 'I want juice' (3 morphemes), 'the dog barked' (4 morphemes, counting -ed as one), 'mummy gone now' (3 morphemes).
- 17th January 2013Identify the technique in 'the silence screamed.'
- 18th January 2013Distinguish instrumental from influential power with one example each.
- 19th January 2013Explain the effect of enjambment that runs across a stanza break.
- 20th January 2013Give one reason subject terminology should be used carefully in unseen analysis.
- 21st January 2013The word 'nice' once meant 'foolish or fussy' but now means 'pleasant'. Name this type of semantic change.
- 22nd January 2013A tragic hero's downfall is usually explained by two competing forces. Name them.
- 23rd January 2013Identify which is more likely to use nominalisation and passive voice: a casual spoken chat or a formal council report.
- 24th January 2013Identify the technique in this phrase: 'the silence pressed against the windows like a living thing.'
- 25th January 2013Name the stage in which function words are systematically omitted, and give an approximate age range.
- 26th January 2013Define free indirect discourse and give one reason a writer might use it.
- 27th January 2013What does the term 'volta' mean in poetry?
- 28th January 2013Name the theorist associated with the Language Acquisition Device (LAD).
- 29th January 2013What term describes a pause or break within a line of poetry, often marked by punctuation?
- 30th January 2013What does a presupposition do in a question such as 'when did you stop checking the figures?'
- 31st January 2013Why is it worth comparing the final lines of two poems specifically?