Daily Practice · A Level

March 1956 5-a-day

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March 1956

31 sheets · 155 questions · A Level

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The batch download puts all 5 tiers' March 1956 sheets in a single PDF, each tier behind its own divider page - 155 sheets in one file.

Every sheet in March 1956

The same date always regenerates the same five questions, so a sheet you print today is the sheet a classmate prints tomorrow.

  1. 1st March 1956Why should an answer analysing children's writing not simply list spelling errors?
  2. 2nd March 1956The final sentence of an extract is a fragment: 'Rain, again.' Suggest two effects worth arguing for.
  3. 3rd March 1956Name one comparative connective a writer could use to link two ideas across texts.
  4. 4th March 1956What is meant by the 'holophrastic stage'?
  5. 5th March 1956What term describes a comparison using 'like' or 'as'?
  6. 6th March 1956Explain how an agentless passive can exercise power.
  7. 7th March 1956Explain why comparing subject matter alone rarely reaches the higher bands.
  8. 8th March 1956Identify one language technique in 'the wind came straight through.'
  9. 9th March 1956Name one social factor, other than region, that can cause variation in a person's language use.
  10. 10th March 1956Name the term for the moment the audience senses danger the protagonist does not yet see.
  11. 11th March 1956Name one contextual factor, other than mode, that can affect a text's linguistic choices.
  12. 12th March 1956What term describes a narrative told using 'I' and limited to one character's knowledge?
  13. 13th March 1956Define a virtuous error and explain why it matters theoretically.
  14. 14th March 1956A student writes: 'The sibilance creates a soft, sinister mood.' What is missing?
  15. 15th March 1956Identify the semantic field used in the phrase 'the beam still turns, still finds the rocks.'
  16. 16th March 1956A child uses 'car' only for the family car and not for any other cars. What is this process called?
  17. 17th March 1956What is the effect of enjambment, a line running on without punctuation into the next?
  18. 18th March 1956Give two spoken features that typically mark a less powerful participant.
  19. 19th March 1956A poem in regular iambic pentameter breaks the metre in one line only. Suggest how to analyse it.
  20. 20th March 1956What is meant by a 'structural shift' in an unseen text?
  21. 21st March 1956Name the linguist associated with the 'damp spoon', 'crumbling castle' and 'infectious disease' images of prescriptivist attitudes.
  22. 22nd March 1956Identify one way this stage direction creates foreboding: 'Thunder, distant. The lamp flickers and does not right itself.'
  23. 23rd March 1956What term describes a variety of language used in a specific social setting or for a specific purpose?
  24. 24th March 1956Identify the narrative structure technique where the story jumps back in time to an earlier event.
  25. 25th March 1956Distinguish a recast from an expansion in caregiver speech.
  26. 26th March 1956Why is an unseen essay that works through the extract chronologically usually limited to the middle bands?
  27. 27th March 1956Explain in one sentence why comparing structure, not just content, matters when comparing two poems.
  28. 28th March 1956A child calls all four-legged animals 'doggie'. What is this process called?
  29. 29th March 1956A poem has four-line stanzas. What is this stanza form called?
  30. 30th March 1956Distinguish instrumental from influential power with one example each.
  31. 31st March 1956Explain the effect of enjambment that runs across a stanza break.

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