Daily Practice · A Level

February 1952 5-a-day

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February 1952

29 sheets · 145 questions · A Level

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Every sheet in February 1952

The same date always regenerates the same five questions, so a sheet you print today is the sheet a classmate prints tomorrow.

  1. 1st February 1952What term describes a variety of language used in a specific social setting or for a specific purpose?
  2. 2nd February 1952Identify the narrative structure technique where the story jumps back in time to an earlier event.
  3. 3rd February 1952Distinguish a recast from an expansion in caregiver speech.
  4. 4th February 1952Why is an unseen essay that works through the extract chronologically usually limited to the middle bands?
  5. 5th February 1952Explain in one sentence why comparing structure, not just content, matters when comparing two poems.
  6. 6th February 1952A child calls all four-legged animals 'doggie'. What is this process called?
  7. 7th February 1952A poem has four-line stanzas. What is this stanza form called?
  8. 8th February 1952Distinguish instrumental from influential power with one example each.
  9. 9th February 1952Explain the effect of enjambment that runs across a stanza break.
  10. 10th February 1952What should you do first when reading an unseen extract in an exam?
  11. 11th February 1952The word 'dog' once referred to one specific breed but now refers to the whole species. Name this type of semantic change.
  12. 12th February 1952In the line 'I have kept this light for twenty-six years, and the sea has never once told me my business,' identify the tone.
  13. 13th February 1952Give one example of a linguistic feature typical of unplanned spoken discourse.
  14. 14th February 1952What is the effect of a very short, simple sentence placed after a long, complex one?
  15. 15th February 1952Name the stage in which function words are systematically omitted, and give an approximate age range.
  16. 16th February 1952Define free indirect discourse and give one reason a writer might use it.
  17. 17th February 1952In 'I sold the lamp for scrap and kept the key,' identify the contrast being set up.
  18. 18th February 1952Calculate the MLU in morphemes for these three utterances: 'I want juice' (3 morphemes), 'the dog barked' (4 morphemes, counting -ed as one), 'mummy gone now' (3 morphemes).
  19. 19th February 1952Identify the technique in 'the silence screamed.'
  20. 20th February 1952What does a presupposition do in a question such as 'when did you stop checking the figures?'
  21. 21st February 1952Why is it worth comparing the final lines of two poems specifically?
  22. 22nd February 1952Give one reason subject terminology should be used carefully in unseen analysis.
  23. 23rd February 1952The word 'nice' once meant 'foolish or fussy' but now means 'pleasant'. Name this type of semantic change.
  24. 24th February 1952A tragic hero's downfall is usually explained by two competing forces. Name them.
  25. 25th February 1952Identify which is more likely to use nominalisation and passive voice: a casual spoken chat or a formal council report.
  26. 26th February 1952Identify the technique in this phrase: 'the silence pressed against the windows like a living thing.'
  27. 27th February 1952Identify the phonological process in 'gog' for dog and in 'nana' for banana.
  28. 28th February 1952Explain the difference between commenting on structure and commenting on language in an unseen prose response.
  29. 29th February 1952What does the term 'volta' mean in poetry?

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