Comprehension: Classic Fiction Set 4 - Worksheets, Questions and Revision

24 original exam-style questions - 8 pages of questions with a full mark scheme - free printable PDF.

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11+ · English - Reading (Classic-Style Fiction)

EP.E40 Comprehension: Classic Fiction Set 4

GL ASSESSMENT / CSSE 11+ Entrance English (GL Assessment / CSSE style) · Calculators not allowed · about 65 minutes
Total Marks
Name: _______________________________    Date: ____ / ____ / ______
Answer ALL questions. Show all your working.

The Arrival at Marsh End

Source written for Revision Library in a classic literary style (original, copyright-free).

The carriage had been climbing since noon, and still the moor rolled away on every side, vast and colourless beneath a sky the hue of pewter. Eleanor Marsh pressed her gloved hand to the window and watched the last farmhouse recede into that grey immensity, until nothing remained to mark the road save the wheel-ruts filling slowly with rain. She had been travelling since dawn, and weariness had long since given way to a quieter apprehension: the sense, not easily reasoned away, that she was passing out of one life and into another from which there could be no easy return.

It was nearly five o'clock, and the light failing fast, when the carriage turned at last between two crumbling stone pillars and entered an avenue of limes so ancient and so densely grown that their branches met overhead in a dripping vault. Eleanor caught her first sight of the house through this tunnel of wet leaves: a long, low frontage of grey stone, its windows dark and numerous as the cells of a hive, its roofline broken by a solitary weathervane that turned, with a mournful creak, first one way and then another, as though undecided which quarter of the wind to trust. She had been told the house was called Marsh End, and she thought, as the carriage drew up before its door, that no name could have suited it better; for it seemed indeed to stand at the very end of things, forbidding further passage, admitting nothing beyond itself but the moor and the failing light.

The door was opened before she had properly descended by a woman of perhaps fifty years, spare and upright, in a gown of such severe black that Eleanor took her, for one uncertain moment, to be in mourning. This was Mrs Kelsall, the housekeeper, whose greeting, though civil enough in its words, was delivered with a reticence that Eleanor would come to know well in the weeks that followed: a manner of speaking that gave away no more than duty strictly required, and left the rest, always, to be guessed at. "You will be tired from the journey, Miss Marsh," said she, taking up one of the smaller boxes herself. "The master is from home until Thursday. You will meet your pupil directly."

Eleanor followed her across a vestibule floored in black and white stone, and into a hall so vast and so ill-lit that the portraits ranged along its walls seemed less to hang there than to lurk, their painted eyes following her progress with an attention she found it difficult entirely to dismiss as fancy. No sound reached her but the ticking of a great clock upon the stair, and, once, from some upper region of the house, what she took at first for the wind in a chimney, and then, listening again, was no longer sure that it had been the wind at all.

It was in this hall that Mrs Kelsall paused, and turned, and for the first time looked at Eleanor directly. "Master Julian is a delicate child," she said, choosing her words, it seemed to Eleanor, with unusual care, "and much altered since his poor mother died. You will find him quiet. I would not have you expect otherwise, nor" - here she hesitated, and the pause lengthened until Eleanor thought she did not mean to finish the sentence at all - "nor be surprised by anything he may tell you. Children imagine a great deal, in a house like this one, with no one but servants for company." She said no more, but led the way up the staircase with the air of one who had already said too much.

Eleanor's room, when she reached it, proved small but not uncomfortable, with a narrow bed, a washstand, and a single window that looked out, not upon the avenue by which she had come, but upon the marsh itself, stretching away grey and featureless to a horizon she could no longer distinguish from the sky. She stood at this window some minutes after Mrs Kelsall had gone, watching the last light drain out of the day, and turning over in her mind all that had been said, and, more particularly, all that had been left unsaid. She was one and twenty, and had faced, she told herself, worse trials than an old house and a taciturn housekeeper. And yet, as the dark came down at last over the marsh, and a single light appeared, briefly, in a window she could not account for, she found her resolve required rather more effort to maintain than she had expected it would.

1
Are the following statements about the opening of the extract True or False? Write True or False for each.
(a)Eleanor arrives at Marsh End as darkness is falling.(1)
  • True
  • False
(b)Mrs Kelsall greets Eleanor with open warmth and affection.(1)
  • True
  • False
(c)Mrs Kelsall carries every one of Eleanor's boxes into the house herself.(1)
  • True
  • False
(Total for Question 1 is 3 marks)
2
Look closely at the wording of the extract.
(a)Find and copy one phrase from the first paragraph that describes the colour of the sky.(1)
(b)Find and copy one phrase from the fourth paragraph that shows the hall was poorly lit.(1)
(Total for Question 2 is 2 marks)
3
Number the following events 1 to 4 to show the order in which they happen in the extract: 'Eleanor notices a sound from the upper part of the house that she cannot explain', 'Eleanor first catches sight of Marsh End through the avenue of limes', 'Mrs Kelsall tells Eleanor she will meet her pupil directly', 'Eleanor watches a single light appear briefly outside her bedroom window'.
(Total for Question 3 is 4 marks)
4
'weariness had long since given way to a quieter apprehension' - 'apprehension' here means:
  • A) a feeling of anxious expectation
  • B) a burst of sudden joy
  • C) a complete lack of interest
  • D) a feeling of physical hunger
  • E) a moment of forgetfulness
(Total for Question 4 is 1 mark)
5
'forbidding further passage, admitting nothing beyond itself' - 'forbidding' here means the house appeared:
  • A) unwelcoming and threatening in appearance
  • B) brightly lit and inviting
  • C) newly built and modern
  • D) small and easily overlooked
  • E) surrounded by cheerful gardens
(Total for Question 5 is 1 mark)
6
'was delivered with a reticence that Eleanor would come to know well' - 'reticence' means:
  • A) an unwillingness to say more than necessary
  • B) a tendency to speak loudly and often
  • C) a habit of exaggerating the truth
  • D) a warm and generous manner
  • E) a nervous, stammering way of speaking
(Total for Question 6 is 1 mark)
7
'Eleanor followed her across a vestibule floored in black and white stone' - 'vestibule' means:
  • A) an entrance hall or lobby leading into a building
  • B) a small, enclosed garden
  • C) a room used for cooking
  • D) a narrow staircase
  • E) a cellar beneath a house
(Total for Question 7 is 1 mark)
8
'and much altered since his poor mother died' - 'altered' means:
  • A) changed
  • B) forgiven
  • C) delighted
  • D) punished
  • E) educated
(Total for Question 8 is 1 mark)
9
The word 'light' appears with two different meanings in the extract: in 'the light failing fast' (paragraph 2), and in 'a single light appeared, briefly, in a window' (paragraph 6). Explain the meaning of the word in each of its two different uses.
(a)Explain what 'light' means in 'the light failing fast'.(1)
(b)Explain what 'light' means in 'a single light appeared, briefly, in a window'.(1)
(c)Explain how a reader can tell, from the surrounding words, which of these two meanings is intended each time.(1)
(Total for Question 9 is 3 marks)
10
'worse trials than an old house and a taciturn housekeeper' - 'taciturn' means:
  • A) saying very little; reserved in speech
  • B) cheerful and talkative
  • C) elderly and forgetful
  • D) dishonest and untrustworthy
  • E) generous with money
(Total for Question 10 is 1 mark)
11
List four details the writer gives about the appearance or manner of Mrs Kelsall when she first opens the door to Eleanor.
(Total for Question 11 is 4 marks)
12
'Master Julian is a delicate child' - 'delicate' here means:
  • A) easily hurt or affected; fragile in health
  • B) rude and badly behaved
  • C) unusually tall for his age
  • D) extremely wealthy
  • E) skilled at outdoor sports
(Total for Question 12 is 1 mark)
13
Give two details the text provides about how Julian has changed since his mother died.
(Total for Question 13 is 2 marks)
14
'she found her resolve required rather more effort to maintain' - 'resolve' here means:
  • A) firm determination
  • B) a written promise
  • C) a feeling of sleepiness
  • D) a sudden idea
  • E) a formal apology
(Total for Question 14 is 1 mark)
15
The writer describes the weathervane which 'turned, with a mournful creak, first one way and then another, as though undecided which quarter of the wind to trust'. Explain what this description suggests about the atmosphere of Marsh End and about the mood the writer wants to create as Eleanor first arrives.
(Total for Question 15 is 4 marks)
16
By the end of the extract, Eleanor 'found her resolve required rather more effort to maintain than she had expected it would'. Explain what this description suggests about the change in Eleanor's feelings by the close of the extract.
(Total for Question 16 is 4 marks)
17
'watched the last farmhouse recede into that grey immensity' - 'immensity' means:
  • A) vastness; an enormous size or extent
  • B) a sudden, loud noise
  • C) a narrow, winding path
  • D) a bright and cheerful light
  • E) a small, enclosed space
(Total for Question 17 is 1 mark)
18
'in a gown of such severe black' - 'severe' here means the gown was:
  • A) stark and plain, without ornament
  • B) old and full of holes
  • C) far too large for her
  • D) brightly patterned
  • E) borrowed from someone else
(Total for Question 18 is 1 mark)
19
'the portraits ranged along its walls seemed less to hang there than to lurk' - 'lurk' means:
  • A) to remain hidden or half-seen, as if watching
  • B) to shine very brightly
  • C) to move about noisily
  • D) to fall suddenly to the ground
  • E) to be freshly painted
(Total for Question 19 is 1 mark)
20
Re-read the moment when Mrs Kelsall hesitates before saying, "nor be surprised by anything he may tell you," pausing so long that Eleanor 'thought she did not mean to finish the sentence at all'. Explain what impression the reader forms of Mrs Kelsall's character, and of what she may be choosing not to tell Eleanor, from this hesitation.
(Total for Question 20 is 4 marks)
21
Explain what impression the reader forms of Eleanor's character from the final paragraph, including her private thoughts about her own past trials and her reaction to the unexplained light.
(Total for Question 21 is 4 marks)
22
Compare the mood created by the writer at the very beginning of the extract with the mood at the very end. Use evidence from across the text to support your ideas.
(Total for Question 22 is 5 marks)
23
Explain how the writer structures the extract as a whole to build a growing sense of unease around Marsh End and its inhabitants.
(Total for Question 23 is 5 marks)
24
A reader said, 'Eleanor is presented as being in real danger from the very first page.' To what extent do you agree? Support your response with detailed reference to the text, including the writer's use of language and structure.
(Total for Question 24 is 8 marks)
Mark scheme · EP.E40 Comprehension: Classic Fiction Set 4

Question 1

Question 2

Question 3

Question 4

Question 5

Question 6

Question 7

Question 8

Question 9

Question 10

Question 11

Question 12

Question 13

Question 14

Question 15

Question 16

Question 17

Question 18

Question 19

Question 20

Question 21

Question 22

Question 23

Question 24