Literature: Modern Prose Essay (themes only) - Worksheets, Questions and Revision

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GCSE · English Literature

GE.T-ModernProse Literature: Modern Prose Essay (themes only)

AQA 8702 · Calculators not allowed · about 150 minutes
Total Marks
Name: _______________________________    Date: ____ / ____ / ______
Answer ALL questions. Show all your working.

The Visitor

Extract written for Revision Library (original, copyright-free). An original piece of modern prose written for revision practice only; not derived from any published or past-paper text.

The kettle had been boiled four times since breakfast, and still Mum hadn't sat down.

'She'll want proper tea,' Mum said, not for the first time, lining up cups that did not match. 'Not the bags. The leaves. In the pot with the chip in the spout, because that's the one Nani always used.'

I did not remind her that Nani had not been in this kitchen for eleven years. I did not remind her of anything, in fact, because Mum's hands were shaking slightly, and there is a particular kind of quiet you learn to keep around a person whose hands are shaking.

Outside, a taxi pulled up in front of our house on Marigold Close, engine idling in the thin Tuesday light. I watched from behind the net curtain as the driver opened the boot and a small, upright woman in a green cardigan stepped out and stood very still, looking up at the pebble dashed front of our house as though she were reading something written there.

'Priya. Door.' Mum's voice had gone somewhere high and tight.

I opened it before the bell rang.

Nani's eyes found mine straight away, skipping past Mum entirely, and she said my name the way nobody else said it, with the stress falling in the wrong place, in the right place, in the place I had almost forgotten was possible.

'You have your father's chin,' she said, 'and my mother's ears. Nobody tells you these things, and then one day there is no one left who can.'

I did not know what to do with a sentence like that, so I carried her case inside instead.

Mum hovered in the kitchen doorway, tea towel wound tight around one hand. 'You didn't say what train you'd got. I'd have come to the station.'

'I am not so old that I cannot find a taxi, Kavita.'

Something crossed Mum's face then, quick as a bird's shadow over grass, and I understood, in the way you understand things without being told, that this sentence was not really about a taxi at all. It was about a girl who had once got on a plane instead of finishing university, and a mother who had not come to the airport to see her off, and twenty years of silence that had somehow both healed and not healed at all.

Nani settled herself at the kitchen table without being asked, in the chair that faced the garden, and looked around the room as if she were checking it against a photograph in her memory. 'Same table,' she said. 'Different family sitting at it.'

'We're still the same family,' Mum said quietly.

'Are you.' It was not really a question.

I busied myself with the teapot, the one with the chip in the spout, and poured three cups, and nobody spoke while I did it, and the silence was not empty the way silences usually are in our house. It was full, the way a held breath is full, of everything that was about to be said, or almost said, or said badly and then said again, better, later, over more cups of tea than anyone in that kitchen could yet imagine.

I set a cup in front of each of them and sat down in the third chair, the one that faced neither the garden nor the door, and waited to find out which family I was actually in.

1
List four details we learn about Nani (Priya's grandmother) in this extract.
(Total for Question 1 is 4 marks)
2
Identify two quotations from the extract that suggest the relationship between Mum and Nani is strained.
(Total for Question 2 is 2 marks)
3
Explain how the writer's word choice in the opening paragraph ('The kettle had been boiled four times since breakfast, and still Mum hadn't sat down') presents Mum's feelings before Nani arrives.
(Total for Question 3 is 4 marks)
4
Explain how the writer presents Priya's feelings towards her mother in the sentence 'there is a particular kind of quiet you learn to keep around a person whose hands are shaking'.
(Total for Question 4 is 4 marks)
5
Explain how the writer presents the idea of home in the description of the kitchen table and its chairs.
(Total for Question 5 is 6 marks)
6
Explain the effect of the simile 'quick as a bird's shadow over grass' in this extract.
(Total for Question 6 is 6 marks)
7
Explain how the writer presents Nani's character through her words 'You have your father's chin, and my mother's ears. Nobody tells you these things, and then one day there is no one left who can.'
(Total for Question 7 is 8 marks)
8
Explain how tension between Mum and Nani is created through their exchange about the taxi and the station.
(Total for Question 8 is 8 marks)
9
Explore the significance of the teapot 'with the chip in the spout' in this extract.
(Total for Question 9 is 8 marks)
10
Analyse how the writer presents the theme of silence in the extract as a whole.
(Total for Question 10 is 10 marks)
11
Analyse how the writer's structural choices build tension around family conflict across the extract as a whole.
(Total for Question 11 is 10 marks)
12
Write about how the writer presents the theme of belonging in this extract.
(Total for Question 12 is 12 marks)
13
Write about how the writer presents ideas about cultural and generational identity in this extract.
(Total for Question 13 is 12 marks)
14
Write about how the possibility of reconciliation is suggested in this extract.
(Total for Question 14 is 12 marks)
15
Write about how the writer explores the theme of belonging in this extract, and comment on why modern prose writers often use family settings to explore ideas about identity.
(Total for Question 15 is 15 marks)
16
Write about how the writer presents family relationships as complicated by the past in this extract, and comment on why stories about migration and separated families remain relevant to readers today.
(Total for Question 16 is 15 marks)
17
'Home is not simply a place; it is the people we are willing to make room for.'

Using this statement as a starting point, write about how the writer explores the idea of home in this extract.
(Total for Question 17 is 20 marks)
18
Starting with this extract, write about how the writer presents the theme of belonging and identity, and evaluate the extent to which contemporary readers might relate to a story about family, migration and generational change.

In your response you should discuss:
- how the writer presents ideas about belonging and identity in this extract
- how the writer's methods create meaning
- the extent to which contemporary readers might relate to this kind of family story
(Total for Question 18 is 30 marks)
Mark scheme · GE.T-ModernProse Literature: Modern Prose Essay (themes only)

Question 1

Question 2

Question 3

Question 4

Question 5

Question 6

Question 7

Question 8

Question 9

Question 10

Question 11

Question 12

Question 13

Question 14

Question 15

Question 16

Question 17

Question 18