Comprehension: Fiction Set 3 - Worksheets, Questions and Revision

24 original exam-style questions - 8 pages of questions with a full mark scheme - free printable PDF.

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11+ · English - Reading and Writing

EP.E14 Comprehension: Fiction Set 3

GL ASSESSMENT / CSSE 11+ Entrance English (GL Assessment / CSSE style) · Calculators not allowed · about 45 minutes
Total Marks
Name: _______________________________    Date: ____ / ____ / ______
Answer ALL questions. Show all your working.

The Signal on the Roof

Source written for Revision Library (original, copyright-free). Fictional narrative created for 11+ comprehension practice.

Aaliyah had lived on the ninth floor of Nelson House for as long as she could remember, yet she had never once been through the door at the end of the corridor marked ROOF ACCESS - STAFF ONLY. It was painted the same tired grey as everything else in the block, and the handle rattled uselessly whenever anyone tried it. Today, though, someone had wedged a folded newspaper beneath it, and the door hung open by the width of a hand.

She should have gone straight to the shops, as her mother had asked. Instead, she found herself climbing the last flight of concrete steps, her trainers slapping against stone that smelled of rain and pigeons. At the top, a second door led out into daylight so sudden and bright that she had to blink several times before the roof came into focus.

It was nothing like she had expected. Rows of terracotta pots lined the edge nearest the railings, sprouting runner beans and a tangle of nasturtiums the colour of flame. A wooden bench, silvered with age, stood beside a shed no bigger than a garden cupboard. Crouched beside the shed, sorting through a wooden crate of brightly coloured flags, was a man she recognised at once: Mr Adeyemi from the third floor, who fixed clocks in his kitchen window and never seemed to go anywhere in a hurry.

'You found the garden, then,' he said, not looking up. His voice carried the trace of an accent she could never quite place, softened by forty years in the city. 'Took someone long enough. I stopped locking that door months ago.' Aaliyah stayed by the railings, unsure whether she was in trouble. 'What are the flags for?' she asked.

'Semaphore,' Mr Adeyemi said. He held up two flags, one yellow and one blue, and crossed them into an X above his head before letting his arms fall. 'Before radios were reliable, sailors signalled to each other across open water this way. Each position of the arms means a different letter.' He nodded towards the horizon, where the glass tower of an office block caught the afternoon sun. 'There is somebody over there who still remembers it, if you know where to look.' Aaliyah followed his gaze but saw only windows, dozens of them, blank and identical. 'Nobody could see flags from all the way over there,' she said doubtfully. 'Watch,' he said simply, and began to move.

She had assumed the flags would be clumsy in his weathered hands, but instead they became fluid, almost graceful, cutting sharp angles against the sky. Left arm high, right arm low; both arms wide; both crossed at the chest. He repeated the sequence twice, unhurried, as though he had all the patience in the world and nowhere better to spend it.

For a long moment, nothing happened. Aaliyah began to suspect the whole thing was a game, harmless but pointless, the kind of story old men told to fill an afternoon. Then, high on the seventeenth floor of the glass tower, a single light flickered. On. Off. On, on. Off.

'There,' Mr Adeyemi said, and for the first time he smiled properly, deep creases folding around his eyes. 'My brother. Eighty-one years old and still faster with a torch than most people are with a telephone.' 'He lives all the way over there?' Aaliyah asked. 'He cleans the offices at night,' Mr Adeyemi said. 'Has done for eleven years. We are not permitted visitors, and neither of us much likes the telephone, so.' He shrugged, as though this explained everything, and perhaps, Aaliyah thought, it did.

She looked again at the flags in the crate, their colours dulled by years of sun, and then at the small steady light still blinking its patient reply across the rooftops. Somewhere beneath her, buses groaned along the high street and a siren rose and fell, but up here, none of it seemed to matter very much. 'Could you teach me?' she asked.

Mr Adeyemi held out the yellow flag without a word, and Aaliyah realised, taking it, that her hand was shaking, though she could not have said whether it was nerves or something closer to excitement. She lifted her arm the way he showed her, felt the flag catch the wind and pull taut, and for a moment she was not a girl who had forgotten to go to the shops. She was a signal, waiting to be read.

1
On which floor of Nelson House did Aaliyah live?
  • A) Third
  • B) Seventh
  • C) Ninth
  • D) Seventeenth
  • E) Eighty-first
(Total for Question 1 is 1 mark)
2
What was written on the door at the end of the corridor?
  • A) No Entry
  • B) Private Property
  • C) ROOF ACCESS - STAFF ONLY
  • D) Keep Out
  • E) Fire Exit
(Total for Question 2 is 1 mark)
3
What had Aaliyah's mother asked her to do?
  • A) Clean her room
  • B) Go to the shops
  • C) Visit Mr Adeyemi
  • D) Water the plants
  • E) Do her homework
(Total for Question 3 is 1 mark)
4
In paragraph 1, what does the phrase 'the handle rattled uselessly' suggest about the door handle?
  • A) It was painted grey
  • B) It did not work properly
  • C) It was very heavy
  • D) It was brand new
  • E) It was kept locked with a key
(Total for Question 4 is 1 mark)
5
Find and copy one word from paragraph 1 that shows the newspaper had been pushed firmly under the door.
(Total for Question 5 is 1 mark)
6
What does the phrase 'she found herself climbing the last flight of concrete steps' (paragraph 2) suggest about Aaliyah's decision to go up to the roof?
  • A) She had planned carefully to visit the roof that day
  • B) She was drawn there almost without deciding to, despite knowing she should be doing something else
  • C) She was forced to climb by Mr Adeyemi
  • D) She had visited the roof many times before
  • E) She was completely unaware that she was climbing the stairs
(Total for Question 6 is 1 mark)
7
In paragraph 2, what does the word 'focus' mean in the phrase 'before the roof came into focus'?
  • A) A place to concentrate
  • B) Became clear and easy to see
  • C) A type of camera lens
  • D) An important decision
  • E) A sudden loud noise
(Total for Question 7 is 1 mark)
8
What was growing in the terracotta pots on the roof?
  • A) Roses and daisies
  • B) Tomatoes and herbs
  • C) Runner beans and nasturtiums
  • D) Sunflowers and daffodils
  • E) Ivy and moss
(Total for Question 8 is 1 mark)
9
Look at paragraph 3. Explain what the description of the bench as 'silvered with age' and the shed as 'no bigger than a garden cupboard' suggests about the rooftop garden.
(Total for Question 9 is 2 marks)
10
Why, most likely, does the writer wait until paragraph 3 to reveal that the rooftop is a garden, rather than describing it as soon as Aaliyah opens the door?
  • A) To make the ending of the story less predictable
  • B) To build surprise, contrasting Aaliyah's (and the reader's) uncertain expectations with the unexpected garden she actually finds
  • C) Because rooftop gardens are always described last in stories
  • D) To show that Aaliyah does not like gardens
  • E) To make the passage longer than necessary
(Total for Question 10 is 1 mark)
11
In paragraph 6, what does the word 'weathered' suggest about Mr Adeyemi's hands? Give one idea.
(Total for Question 11 is 1 mark)
12
What can the reader infer about how long Mr Adeyemi has been visiting the rooftop garden?
  • A) He has never been there before today
  • B) He has been going there for a long time, since he speaks about the garden and the flags with ease and familiarity
  • C) He is a brand new resident of Nelson House
  • D) He visits the roof only once a year
  • E) He was forced to go there today by the caretaker
(Total for Question 12 is 1 mark)
13
What two colours are the first flags that Mr Adeyemi holds up?
  • A) Red and green
  • B) Yellow and blue
  • C) Black and white
  • D) Orange and purple
  • E) Blue and white
(Total for Question 13 is 1 mark)
14
Look at paragraph 6. Explain how the writer's use of language shows that Mr Adeyemi is skilled at semaphore. Refer closely to the language in your answer.
(Total for Question 14 is 2 marks)
15
Why does Aaliyah 'begin to suspect the whole thing was a game, harmless but pointless' in paragraph 7?
  • A) Because Mr Adeyemi told her the signals were not real
  • B) Because nothing appears to happen for a while after he finishes signalling
  • C) Because she does not believe semaphore is a real method of communication
  • D) Because she wants to go back down to the shops instead
  • E) Because the flags are too heavy for Mr Adeyemi to use properly
(Total for Question 15 is 1 mark)
16
Which word from paragraph 7 is closest in meaning to 'flashed on and off quickly'?
  • A) rose
  • B) flickered
  • C) suspect
  • D) repeated
  • E) fill
(Total for Question 16 is 1 mark)
17
Look at paragraph 8. Why do Mr Adeyemi and his brother communicate using semaphore and light signals rather than visiting each other or using the telephone? Use evidence from the text to support your answer.
(Total for Question 17 is 2 marks)
18
On which floor of the glass tower does the light flicker?
  • A) Third
  • B) Ninth
  • C) Eleventh
  • D) Seventeenth
  • E) Eighty-first
(Total for Question 18 is 1 mark)
19
What is the effect of the short sentence 'Watch,' he said simply, and began to move.' at the end of paragraph 5?
  • A) It slows the pace right down to create a sense of boredom
  • B) It creates a sudden shift into action, drawing the reader's attention sharply to what Mr Adeyemi is about to do
  • C) It shows that Mr Adeyemi is annoyed with Aaliyah
  • D) It suggests the story is about to end
  • E) It has no particular effect on the reader
(Total for Question 19 is 1 mark)
20
In paragraph 8, what does the word 'permitted' mean?
  • A) Forgiven
  • B) Allowed
  • C) Invited
  • D) Expected
  • E) Warned
(Total for Question 20 is 1 mark)
21
At the end of the passage (paragraph 10), Aaliyah 'was not a girl who had forgotten to go to the shops. She was a signal, waiting to be read.' Explain what this final image suggests about how Aaliyah's feelings have changed during the passage.
(Total for Question 21 is 2 marks)
22
The writer compares Aaliyah to 'a signal, waiting to be read' in the final line of the passage. Explain why this is an effective way to end the passage.
(Total for Question 22 is 2 marks)
23
Which statement best explains why the writer chooses to reveal Mr Adeyemi's connection to his brother gradually, rather than explaining it fully at the start of the passage?
  • A) To confuse the reader unnecessarily
  • B) To mirror Aaliyah's own growing understanding, so the reader discovers the truth about the signals at roughly the same time she does
  • C) Because the brother is not actually important to the story
  • D) To make the passage shorter overall
  • E) Because Mr Adeyemi does not want Aaliyah to know about his brother
(Total for Question 23 is 1 mark)
24
Using evidence from across the whole passage, explain how the writer presents the relationship between Mr Adeyemi and his brother as meaningful despite the distance between them.
(Total for Question 24 is 3 marks)
Mark scheme · EP.E14 Comprehension: Fiction Set 3

Question 1

Question 2

Question 3

Question 4

Question 5

Question 6

Question 7

Question 8

Question 9

Question 10

Question 11

Question 12

Question 13

Question 14

Question 15

Question 16

Question 17

Question 18

Question 19

Question 20

Question 21

Question 22

Question 23

Question 24