Comprehension: Classic Fiction Set 3 - Worksheets, Questions and Revision

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11+ · English - Reading (Classic-Style Fiction)

EP.E32 Comprehension: Classic Fiction Set 3

GL ASSESSMENT / CSSE 11+ Entrance English (GL Assessment / CSSE style) · Calculators not allowed · about 65 minutes
Total Marks
Name: _______________________________    Date: ____ / ____ / ______
Answer ALL questions. Show all your working.

The Light at Cobbe's Point

Source written for Revision Library in a classic literary style (original, copyright-free).

It was the equinoctial gale of that year which first taught Verity Ashworth the true meaning of the word "storm", for she had lived the whole of her twelve years within sound of the sea, and had supposed, until that night, that she knew something of its temper. She stood upon the iron gallery that encircled the lantern of Cobbe's Point, her shawl drawn tight against a wind that seemed bent upon tearing the very stones from their mortar, and watched the sea below her labouring in the darkness like some vast and maddened creature that could not be still.

Her father, Mr Ashworth, had kept the light at Cobbe's Point for the better part of twenty years, and Verity herself had known no other home since her fifth year, when her mother had died of a fever one wet November and left the two of them, father and daughter, to keep house together upon their lonely rock. It was, she sometimes thought, a strange manner of childhood, set apart from the ordinary business of villages and schoolrooms; yet she would not, on the whole, have exchanged it for any other, being of a temperament not easily daunted by solitude, nor, as this night was shortly to prove, by very much else besides.

Below, in the lamp-room, her father laboured over the great light itself, trimming the wicks and polishing the reflectors with a care he gave to nothing else in this world, for, as it was his wont to remark, a neglected lamp was no less than a murderer, though a slow and a patient one. The wind, meanwhile, continued to rise, until it no longer howled but shrieked, a long, importunate cry that set Verity's teeth on edge and made the whole tower shudder upon its foundation of rock.

It was Verity's turn to keep the watch upon the gallery while her father saw to the lamp below, and it was thus that she was first to observe, far out upon the tumbling water, a light that was not the beam of her own lighthouse: a small, wavering point, now visible, now lost among the troughs of the waves, accompanied, some minutes later, by the dull report of a distress gun, scarcely to be distinguished from the general tumult of the gale. She called down the stair to her father in a voice she scarcely recognised as her own, and heard, in reply, only the single word "Wreck", uttered with a grim composure that frightened her more than any cry of alarm could have done.

There followed some hours of which Verity afterwards found she could remember only fragments: the lifeboat men labouring up the path from the cove with lanterns held high against the rain, in search of such succour as the keeper's cottage might afford; her father's low voice giving orders that were somehow both urgent and unhurried; and, presently, an importunate knocking upon the keeper's door below, which she ran down to answer before her father could forbid her.

She had expected, she could not afterwards have said quite what: a bearded giant of a man, perhaps, roaring with the sea still in his lungs. What she found, wrapped in a borrowed coat far too large for him and shivering upon the doorstep between two of the lifeboat men, was a boy of perhaps her own age, his face the colour of tallow, his eyes wide with a terror he was plainly too proud, or too exhausted, to give voice to. "Ship's boy off the Mercy Ann," said one of the men, setting him down gently in the nearest chair. "Rest of the crew we cannot speak to yet, miss, but this one came off the wreck alive, and that is more than we looked for an hour since."

Verity, without quite deciding to do so, found that she had already fetched the blanket from her own bed and was wrapping it about the boy's shoulders, and pressing into his cold hands a cup from which the steam rose thin and grey in the lamplight. He was, she could see, loath to speak of what he had witnessed, and she did not press him, but watched him instead with an expression she thought she understood very well, having worn something like it herself on the night her mother died: the look of a person who has been, for a little while, entirely alone in the world, and cannot yet quite believe that this is no longer so.

By the time the grey light of morning crept in at the small window, the wind had abated to no more than a stiff breeze, and the boy, whose name they had by then learned was Daniel, slept at last beside the dying fire, worn out with cold and grief and the sheer labour of having survived. "You did well tonight," her father said, pausing on the stair only long enough to say it, before returning to his lamp, for the light, he always said, would not tend itself; and Verity found that four such words, spoken so plainly, pleased her rather more than a great deal of embracing would have done. She climbed once more to the gallery, where the sea, though still restless, no longer wore the aspect of a beast but only of water, tired, like everything else that night, from its own violence. She was not, she told herself, a person given to imagining that she had done anything very remarkable; and yet she found, watching the light sweep its slow circle over the calming water, a small, steady satisfaction in the thought that when the importunate knock had come, she had not been afraid to answer it.

1
Are the following statements about the opening of the extract True or False? Write True or False for each.
(a)Verity's father is the keeper of the lighthouse at Cobbe's Point.(1)
  • True
  • False
(b)Verity's mother helps her prepare the lighthouse for the storm.(1)
  • True
  • False
(c)The storm and the rescue of the boy take place during the night.(1)
  • True
  • False
(Total for Question 1 is 3 marks)
2
Look closely at the wording of the extract.
(a)Find and copy one phrase from the first paragraph that compares the sea to a living creature.(1)
(b)Find and copy one phrase from the paragraph describing the rescued boy that shows how frightened he was.(1)
(Total for Question 2 is 2 marks)
3
Number the following events 1 to 4 to show the order in which they happen in the extract: 'Verity's father tells her she did well, before returning to his lamp', 'Verity first feels the full force of the equinoctial gale on the gallery', 'Verity answers an importunate knocking at the keeper's door', 'Verity sights a distress light and hears the report of a gun far out at sea'.
(Total for Question 3 is 4 marks)
4
In the phrase 'the equinoctial gale of that year', the word 'equinoctial' most nearly means:
  • A) occurring around the time of year when day and night are of equal length
  • B) happening only once in a person's lifetime
  • C) caused by unusually warm weather
  • D) taking place far out at sea, away from land
  • E) lasting for exactly one full year
(Total for Question 4 is 1 mark)
5
'watched the sea below her labouring in the darkness' - 'labouring' here means the sea was:
  • A) glowing gently
  • B) working or straining with great effort
  • C) falling completely silent
  • D) freezing solid
  • E) shrinking smaller
(Total for Question 5 is 1 mark)
6
'being of a temperament not easily daunted by solitude' - 'daunted' means:
  • A) discouraged or intimidated
  • B) delighted and amused
  • C) confused about directions
  • D) made physically tired
  • E) offended or insulted
(Total for Question 6 is 1 mark)
7
'as it was his wont to remark' - 'wont' here means:
  • A) his fear
  • B) his habitual practice or custom
  • C) his mistake
  • D) his hope
  • E) his private opinion, rarely shared aloud
(Total for Question 7 is 1 mark)
8
'an importunate knocking upon the keeper's door below' - 'importunate' means the knocking was:
  • A) barely audible
  • B) persistent and demanding immediate attention
  • C) cheerful and light-hearted
  • D) accidental and brief
  • E) coming from a great distance
(Total for Question 8 is 1 mark)
9
The word 'watch' appears twice in the extract: as a noun in 'It was Verity's turn to keep the watch upon the gallery' (paragraph 4), and as a verb in 'she did not press him, but watched him instead' (paragraph 7). Explain the meaning of the word in each of its two different uses.
(a)Explain what 'watch' means when it is used as a noun, as in 'keep the watch'.(1)
(b)Explain what 'watch' means when it is used as a verb, as in 'watched him instead'.(1)
(c)Explain how a reader can tell, from the surrounding words, which of these two meanings is intended each time 'watch' is used.(1)
(Total for Question 9 is 3 marks)
10
'scarcely to be distinguished from the general tumult of the gale' - 'tumult' means:
  • A) a period of complete calm
  • B) a loud, chaotic uproar or disturbance
  • C) a gentle, repeated pattern
  • D) a single, sudden flash of light
  • E) a pleasant musical sound
(Total for Question 10 is 1 mark)
11
List four details the writer gives about the appearance or condition of the rescued boy when he is first brought to the door.
(Total for Question 11 is 4 marks)
12
'in search of such succour as the keeper's cottage might afford' - 'succour' means:
  • A) help or aid given in a time of difficulty
  • B) payment demanded for a service
  • C) punishment for wrongdoing
  • D) a formal introduction
  • E) a written record of events
(Total for Question 12 is 1 mark)
13
Give two details the text provides about how Mr Ashworth tends the lighthouse lamp during the storm.
(Total for Question 13 is 2 marks)
14
'and, presently, an importunate knocking upon the keeper's door below' - in this older usage, 'presently' means:
  • A) currently, at this very moment
  • B) a short time afterwards
  • C) never again
  • D) many years earlier
  • E) repeatedly, over and over
(Total for Question 14 is 1 mark)
15
In the first paragraph, the sea is described as 'labouring in the darkness like some vast and maddened creature that could not be still'. Explain what this simile suggests about the storm and about Verity's feelings as she stands on the gallery.
(Total for Question 15 is 4 marks)
16
By the end of the extract, the sea 'no longer wore the aspect of a beast but only of water, tired, like everything else that night, from its own violence'. Explain what this description suggests about the change in mood by the close of the extract.
(Total for Question 16 is 4 marks)
17
'his face the colour of tallow' - 'tallow' is closest in meaning to:
  • A) a pale, yellowish-white colour, like candle wax
  • B) a deep, healthy red
  • C) a bright, cheerful pink
  • D) a dark, sun-browned tan
  • E) a vivid green
(Total for Question 17 is 1 mark)
18
'He was, she could see, loath to speak of what he had witnessed' - 'loath' means he was:
  • A) eager and willing
  • B) unable to, due to injury
  • C) reluctant and unwilling
  • D) forbidden by an adult
  • E) too young to understand
(Total for Question 18 is 1 mark)
19
'the wind had abated to no more than a stiff breeze' - 'abated' means the wind had:
  • A) grown stronger
  • B) lessened in force
  • C) changed direction completely
  • D) stopped and then started again
  • E) become colder
(Total for Question 19 is 1 mark)
20
The writer describes Verity finding 'that she had already fetched the blanket from her own bed and was wrapping it about the boy's shoulders' before she had 'quite decided to do so'. Explain what this detail suggests about Verity's character.
(Total for Question 20 is 4 marks)
21
Re-read the moment when Verity's father says only, "You did well tonight," before returning to his lamp. Explain what impression the reader forms of Mr Ashworth's character, and of his relationship with Verity, from this brief exchange.
(Total for Question 21 is 4 marks)
22
Compare the mood created by the writer at the very beginning of the extract with the mood at the very end. Use evidence from across the text to support your ideas.
(Total for Question 22 is 5 marks)
23
Explain how the writer structures the extract as a whole to build tension around the shipwreck before allowing the tension to ease at the very end.
(Total for Question 23 is 5 marks)
24
A reader said, 'Verity is presented as no more than a passive witness to the night's events.' To what extent do you agree? Support your response with detailed reference to the text, including the writer's use of language and structure.
(Total for Question 24 is 8 marks)
Mark scheme · EP.E32 Comprehension: Classic Fiction Set 3

Question 1

Question 2

Question 3

Question 4

Question 5

Question 6

Question 7

Question 8

Question 9

Question 10

Question 11

Question 12

Question 13

Question 14

Question 15

Question 16

Question 17

Question 18

Question 19

Question 20

Question 21

Question 22

Question 23

Question 24