Comprehension: Fiction Set 7 - Worksheets, Questions and Revision

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11+ · English - Reading and Writing

EP.E37 Comprehension: Fiction Set 7

GL ASSESSMENT / CSSE 11+ Entrance English (GL Assessment / CSSE style) · Calculators not allowed · about 50 minutes
Total Marks
Name: _______________________________    Date: ____ / ____ / ______
Answer ALL questions. Show all your working.

The Flood at Bramcote Lock

Original story written for Revision Library.

Nadia Kowalski had lived aboard the narrowboat Skylark for exactly six months, and she still could not quite believe that home now meant an eighteen-metre stretch of steel rather than the pebble-dashed semi she had grown up in. That Tuesday evening felt ordinary enough: her father, Tomasz, was frying onions in the tiny galley while rain pattered against the cabin roof in a rhythm so familiar she barely noticed it, and Nadia sat cross-legged on the fold-out bench doing her homework by lamplight. The forecast had promised a light shower clearing by nine. Somewhere beyond Cranmoor Bridge, though, thunder was already grumbling low and long, like something clearing its throat.

By half past seven the light shower had become something else entirely. Rain hammered the cabin roof so hard that Nadia had to raise her voice to be heard, and when she pulled back the curtain to look out, she barely recognised the towpath she walked along every morning. The canal, usually so still it mirrored the willows perfectly, had turned the colour of strong tea and was moving with a restless, muscular energy that made her stomach tighten. Tomasz came to stand beside her, wiping his hands on a tea towel, and for a long moment he said nothing at all, which frightened Nadia more than shouting would have done.

'The gauge on the lock beam,' he said eventually, nodding towards the white-painted post just visible through the downpour, 'it should not be rising this fast. Not from one evening's rain.' Skylark was moored on the short pound above Bramcote Lock, barely eighty metres from the top gates and, beyond them, the stone lip of the old flood weir that carried excess water away with a roar Nadia usually found soothing rather than sinister. Tonight the roar had deepened into something closer to a growl, and every few minutes a fresh surge of brown water slapped hard against the hull, rocking the boat harder than any passing barge ever had.

A torch beam swung across the cabin window, and moments later there was a sharp rap on the roof. It was Mr Iqbal from the boat moored ahead of them, Heron, a retired lock-keeper who had lived on this stretch of canal for nearly forty years and knew its moods the way other people knew their own street. 'You need to move down past the second bridge, now, while you still can,' he called through the rain, his voice carrying an urgency Nadia had never heard from him before. 'Water's coming off the fields upstream faster than the weir can take it. Another hour and that bridge hole will be too tight to get a boat through.'

There was no time to argue and, Nadia realised with a lurch, no real choice either. Tomasz pulled on his waterproofs and started the engine, its familiar chug rising to a determined growl beneath her feet, his voice, when he called out instructions, staying remarkably measured even though Nadia could see his hands were not. She hauled on her own coat and clambered out onto the sodden gunwale to deal with the mooring ropes, her fingers already numb and clumsy in the driving rain. The stern rope, swollen with water and pulled painfully taut by the current, refused to loosen at first, and she had to brace her boots against the deck and haul with her whole body weight before the wet coil finally slithered free into her arms.

They cast off into a canal Nadia barely recognised. What had always felt like a gentle, contained ribbon of water now pulled at Skylark with real strength, tugging the bow sideways the moment the ropes let go, so that Tomasz had to fight the tiller hard over just to hold their course down the middle of the cut. Behind them, the weir's roar had grown into something like the sound of a passing freight train, constant and enormous, and Nadia found she could not stop glancing back towards it even though there was nothing to see through the rain but a churning smear of white water and darkness.

Ahead, Mr Iqbal had already cast off Heron and was easing his own boat forward, torch held high so that its beam bounced off the rain and marked the safest line down the centre of the channel. 'Keep tight behind me and stay off the towpath side,' he shouted back over his shoulder. 'There's a shopping trolley sunk out there somewhere and I am not fishing either of us off it tonight.' Despite everything, Nadia found herself almost smiling. It was such a small, ordinary danger to mention in the middle of what felt like an enormous one, and somehow that steadied her more than any reassurance could have done.

The first bridge passed without incident, its brick arch still comfortably clear of the water, but the second one, when it finally loomed out of the darkness, looked different. The swollen canal had risen so far that the familiar dark mouth of the bridge hole had shrunk to what looked, from the bow, like barely enough space for the chimney to pass beneath. 'Duck the chimney and keep her dead centre,' Tomasz called, his knuckles white on the tiller, and Nadia scrambled forward to unhook the little stove chimney and lay it flat along the roof, rain running straight down the back of her collar as she worked.

Skylark slid beneath the bridge with what felt like inches to spare, brickwork slick and black inches above Nadia's head, the noise of the engine suddenly huge and echoing in the narrow stone tunnel. For three or four seconds the world shrank to that dripping, thundering darkness, and then, as suddenly as it had closed around them, it opened out again into rain and grey evening light on the far side. Nadia realised she had been holding her breath the entire way through, and let it out in a long, shaking rush.

Beyond the bridge the canal widened and the current eased, just enough that Tomasz could finally relax his grip on the tiller. Mr Iqbal guided them to a stretch of bank well clear of any bridge or weir, where the towpath rose in a shallow bank instead of dropping straight to the water, and the three of them worked quickly and wordlessly in the rain, driving mooring pins deep into the sodden ground and doubling every rope against the current for good measure. By the time Nadia straightened up, her arms ached, her boots were full of water, and she had never in her life been so glad to feel a boat sit still beneath her feet.

'You did well,' Mr Iqbal said simply, coiling his own spare rope over one arm as the rain finally began to ease into something closer to ordinary drizzle. 'First flood's always the worst one. After that, you know what the water sounds like before it tells you, and you're already moving by the time it matters.' Nadia thought about that, water still dripping steadily from her hood, and realised he was not talking only about tonight. He was talking about the low growl of the weir changing pitch, the particular slap of the current against the hull, all the small warnings she had been too new to the canal to notice until this evening had forced her to learn them properly.

Inside the cabin at last, wrapped in a towel with both hands around a mug of hot chocolate that Tomasz had somehow produced despite everything, Nadia listened to the rain drumming steadily but harmlessly on the roof and thought about how different that same sound had felt only an hour earlier. Tomasz sat opposite her, unusually quiet, and when she caught his eye he gave her a small, tired smile that said more than any speech about how proud, and how relieved, he was.

By morning the rain had stopped completely and the canal, though still running higher and faster than usual, had lost its frightening, muscular edge. Nadia stood on the towpath in the pale early sunlight, looking back towards Bramcote Lock where a tangle of branches and one very sad-looking traffic cone had come to rest against the weir gates, evidence of quite how much water had passed through in the night. Mr Iqbal appeared beside her with two mugs of tea, handed one over without a word, and together they watched the water slide past, calmer now, but not yet still.

That evening, back in the galley, Nadia found herself listening properly to the canal for the first time, not just hearing it the way background noise gets ignored, but actually listening, the way Mr Iqbal had described. She could not have explained exactly what had changed, only that the boat felt more like home than it had done that morning, in a way that had nothing to do with the furniture or the familiar mugs in the cupboard. She had learned, in the space of one frightening evening, what it actually meant to live on the water, and, for the first time since they had moved aboard, she was glad of it.

1
What was the name of the narrowboat Nadia lived on?
  • A) Heron
  • B) Skylark
  • C) Wren
  • D) Kingfisher
  • E) Cygnet
(Total for Question 1 is 1 mark)
2
How long had Nadia lived aboard Skylark when the story begins?
  • A) One month
  • B) Three months
  • C) Six months
  • D) One year
  • E) Two years
(Total for Question 2 is 1 mark)
3
What was Tomasz doing when the story begins?
  • A) Checking the engine
  • B) Frying onions in the galley
  • C) Reading a map
  • D) Mending a rope
  • E) Painting the cabin roof
(Total for Question 3 is 1 mark)
4
What had the forecast promised for that evening?
  • A) Thunderstorms all night
  • B) A light shower clearing by nine
  • C) Heavy snow
  • D) Dry, sunny weather
  • E) Fog rolling in from the fields
(Total for Question 4 is 1 mark)
5
Look at paragraph 1. What does 'grumbling' suggest about the thunder ('thunder was already grumbling low and long')?
  • A) It was completely silent
  • B) It was making a low, continuous rumbling sound
  • C) It was flashing brightly
  • D) It had already stopped
  • E) It sounded cheerful and light
(Total for Question 5 is 1 mark)
6
Look at paragraph 2. What does the simile 'turned the colour of strong tea' suggest about the canal?
  • A) The water had become clear and sparkling
  • B) The water had turned brown and murky, suggesting mud and debris had been stirred into it
  • C) The water had frozen over
  • D) The water had turned bright green with algae
  • E) The water had completely disappeared
(Total for Question 6 is 1 mark)
7
Look at paragraph 3. Explain the effect of the metaphor 'the roar had deepened into something closer to a growl'.
(Total for Question 7 is 2 marks)
8
Look at paragraph 3. What does 'surge' mean in 'a fresh surge of brown water slapped hard against the hull'?
  • A) A gentle trickle
  • B) A sudden, powerful rush
  • C) A complete stop
  • D) A quiet ripple
  • E) A slow drip
(Total for Question 8 is 1 mark)
9
According to paragraph 3, roughly how far was Skylark moored from the top gates of Bramcote Lock?
  • A) Eight metres
  • B) Eighty metres
  • C) Eight hundred metres
  • D) Eighteen metres
  • E) Eighty kilometres
(Total for Question 9 is 1 mark)
10
What does Mr Iqbal's voice carrying 'an urgency Nadia had never heard from him before' (paragraph 4) suggest?
  • A) He was joking with them
  • B) He recognised that the situation was genuinely dangerous, more serious than anything he had faced with them before
  • C) He was annoyed at being disturbed
  • D) He did not think they needed to move
  • E) He was talking about something unrelated to the flood
(Total for Question 10 is 1 mark)
11
Look at paragraph 7. Explain the effect of Mr Iqbal's comment about the shopping trolley.
(Total for Question 11 is 2 marks)
12
Look at paragraph 5. What does 'clambered' mean in 'clambered out onto the sodden gunwale'?
  • A) Walked smoothly and gracefully
  • B) Climbed awkwardly, using hands and feet with some difficulty
  • C) Ran quickly
  • D) Jumped high into the air
  • E) Crawled very slowly on the ground
(Total for Question 12 is 1 mark)
13
Look at paragraphs 5 and 6. Explain how the writer's language shows that the canal has become dangerous and difficult to control. Refer to at least two examples.
(Total for Question 13 is 3 marks)
14
Look at paragraph 6. Explain the effect of the simile 'like the sound of a passing freight train'.
(Total for Question 14 is 2 marks)
15
Look at paragraph 2. What is the effect of the statement that Tomasz's silence 'frightened Nadia more than shouting would have done'?
  • A) It shows Tomasz was too tired to speak
  • B) It suggests the situation was so serious that even a calm, quiet reaction felt alarming, more than any outburst would have
  • C) It shows Nadia wanted him to shout
  • D) It suggests Tomasz had not noticed the rain
  • E) It shows Nadia was not paying attention
(Total for Question 15 is 1 mark)
16
Look at paragraph 5. Explain what the description of Tomasz's voice staying 'remarkably measured, even though Nadia could see his hands were not' suggests about him.
(Total for Question 16 is 2 marks)
17
Look at paragraph 9. What is the effect of the description 'the world shrank to that dripping, thundering darkness'?
  • A) It suggests Nadia felt calm and safe
  • B) It conveys how overwhelming, frightening and disorientating those few seconds under the bridge felt, as if nothing else existed
  • C) It suggests the tunnel was brightly lit
  • D) It shows Nadia had fallen asleep
  • E) It suggests the engine had stopped working
(Total for Question 17 is 1 mark)
18
Look at paragraph 9. Explain the effect of the description 'brickwork slick and black inches above Nadia's head'.
(Total for Question 18 is 2 marks)
19
Look at paragraph 10. What does 'doubling' mean in 'doubling every rope against the current for good measure'?
  • A) Removing every second rope
  • B) Adding a second rope to each mooring point for extra safety
  • C) Cutting the ropes in half
  • D) Loosening the ropes deliberately
  • E) Replacing the ropes with chains
(Total for Question 19 is 1 mark)
20
Using evidence from across the extract, explain what impression we get of Mr Iqbal's character.
(Total for Question 20 is 3 marks)
21
Look at paragraphs 2 and 13. What does the shift from the canal's 'restless, muscular energy' to having 'lost its frightening, muscular edge' suggest?
  • A) The canal had completely dried up
  • B) The danger had passed and the water, while still higher than usual, was no longer threatening
  • C) The canal had frozen overnight
  • D) Nothing had changed about the canal
  • E) The weir had been destroyed
(Total for Question 21 is 1 mark)
22
Explain how the writer uses paragraph 9 to build tension as Skylark passes under the bridge. Refer to both structure and language in your answer.
(Total for Question 22 is 3 marks)
23
In your own words, summarise how the atmosphere of the extract changes from the beginning to the end, referring to at least three stages of the story.
(Total for Question 23 is 4 marks)
24
Explain what the final paragraph (paragraph 14) adds to the reader's understanding of Nadia as a character.
(Total for Question 24 is 3 marks)
Mark scheme · EP.E37 Comprehension: Fiction Set 7

Question 1

Question 2

Question 3

Question 4

Question 5

Question 6

Question 7

Question 8

Question 9

Question 10

Question 11

Question 12

Question 13

Question 14

Question 15

Question 16

Question 17

Question 18

Question 19

Question 20

Question 21

Question 22

Question 23

Question 24