Comprehension: Fiction Set 9 - Worksheets, Questions and Revision

26 original exam-style questions - 9 pages of questions with a full mark scheme - free printable PDF.

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11+ · English - Reading and Writing

EP.E51 Comprehension: Fiction Set 9

GL ASSESSMENT / CSSE 11+ Entrance English (GL Assessment / CSSE style) · Calculators not allowed · about 50 minutes
Total Marks
Name: _______________________________    Date: ____ / ____ / ______
Answer ALL questions. Show all your working.

The Owl at Marsh End Mill

Original story written for Revision Library.

The mill at Marsh End had not turned in forty years. Its great wooden sails hung motionless against the grey Suffolk sky, held together, so the village shop still kept a faded photograph to prove, by little more than rust and stubbornness. Ivy had climbed so far up the brick tower that from a distance the whole building looked as though it was slowly being swallowed by the hedgerow, and the last miller, according to Nia's grandmother, had locked its door in 1986 and never once come back for the key.

Nia Boateng free-wheeled her bicycle down the last stretch of Ferry Lane, her cousin Kofi pedalling hard to keep up behind her. Half-term stretched ahead of them, four whole days with nothing planned beyond helping Aunt Solange in the garden, and Nia had promised to be back before the storm the radio kept warning about, forecast to reach Marsh End by four o'clock.

'We're not supposed to go past the gate,' Kofi puffed, skidding to a stop beside her, his trainers spattering mud up the back of his jeans.

'We're not going past it,' Nia said, though she was already leaning her bike against the fence and peering through the rusted bars. 'We're just looking.'

The gate groaned open at her touch, as though it had been waiting years for someone to try it. Nia stepped into the long grass, and Kofi, muttering that this was exactly the sort of thing that got them into trouble, followed anyway, glancing back at the lane every few steps.

Up close, the mill was even more forbidding: broken windows like missing teeth, a door hanging from a single hinge, and a wind that seemed to bully the loose slates on the roof, rattling them again and again. Nia was about to suggest they turn back when she heard it, a scratching, high up in the tower, followed by a soft, broken cry, like a creaking gate that had never once been oiled.

'Did you hear that?' she whispered.

Kofi had gone very still. 'It's probably rats.'

'Rats don't sound like that.'

They edged around the base of the tower until they found a gap where the old millstone had been dragged aside, leaving a hole just wide enough for Nia to squeeze through. Inside, dust hung in the shafts of light like slow grey snow, and the smell of damp timber pressed against her throat. Somewhere above her, wooden gears the size of cartwheels stood frozen mid turn. She looked up.

Caught in a tangle of old fishing net, thirty feet above her, was a barn owl. Its heart shaped face turned towards her, pale as a paper moon, and one wing hung at a wrong, painful angle, feathers scattered beneath it on the floor like torn paper. It struggled once, twice, and then went still, exhausted.

'Nia, we have to go, it's starting to rain,' Kofi called from outside, his voice thin with worry.

But Nia could not leave. She had read enough about barn owls in her nature club to know that a bird tangled that long would not survive much more struggling, and a storm would finish what the net had started. She needed help, and she needed it before the rain closed in.

That was when she remembered old Mr Whitlock, who lived at Ivy Cottage at the end of the lane and who everyone in Marsh End said shouted at children for so much as stepping on his verge. She had never once spoken to him. But she had seen a battered blue van parked outside his gate more than once, WILDLIFE RESCUE painted along the side in letters that were flaking away, and she had always wondered about it.

'Kofi, get Mr Whitlock. Tell him there's an owl trapped in netting in the mill tower, and tell him to bring a ladder and gloves.'

'He'll shout at us.'

'Then he can shout at us after he's helped.' Nia had never spoken to Kofi in quite that tone before, and something in it made him turn and pedal off towards Ivy Cottage without another word.

It felt like hours before Nia heard a van's engine cough up the lane, though it could only have been fifteen minutes. Mr Whitlock climbed out, moving faster than she had expected for a man his age, a canvas bag already over his shoulder and Kofi close behind him, red faced from cycling.

'Well,' he said, looking up at the tangled owl, his voice gruffer than his face, which had gone soft with concern the moment he saw the bird. 'Let's see what we can do, then.'

He worked in complete silence, setting the ladder against the old grain hoist, murmuring something low and steady to the owl as his gloved hands found the worst of the netting. Nia held her breath. When the bird finally came free, wrapped gently in a towel from his bag, its dark eyes blinking in the dusty light, she realised she had been gripping the edge of an old grain chute so hard her knuckles had gone white.

'Wing's broken, not shattered,' Mr Whitlock said, more to himself than to her. 'She'll fly again, this one. Given time. I'll keep her at the cottage till she's strong enough for the aviary.'

Outside, the rain had finally arrived, drumming on the broken slates, but for the first time since she had heard that scratching in the tower, Nia did not feel like running from the storm at all. Beside her, Kofi was already asking whether they could visit the owl tomorrow, and whether Mr Whitlock might, just possibly, let them help.

1
According to paragraph 1, how many years had the mill at Marsh End not turned?
  • A) Fourteen years
  • B) Twenty years
  • C) Forty years
  • D) Sixty years
  • E) A hundred years
(Total for Question 1 is 1 mark)
2
According to paragraph 1, in what year did the last miller lock the mill's door?
  • A) 1966
  • B) 1976
  • C) 1986
  • D) 1996
  • E) 2006
(Total for Question 2 is 1 mark)
3
What is the name of Nia's cousin?
  • A) Kofi
  • B) Marcus
  • C) Theo
  • D) Ade
  • E) Ravi
(Total for Question 3 is 1 mark)
4
According to paragraph 2, whose garden had Nia and Kofi been due to help in during half-term?
  • A) Aunt Solange's
  • B) Their grandmother's
  • C) Mr Whitlock's
  • D) A neighbour's
  • E) The school's
(Total for Question 4 is 1 mark)
5
According to paragraph 2, what time was the storm forecast to reach Marsh End?
  • A) Twelve o'clock
  • B) Two o'clock
  • C) Four o'clock
  • D) Six o'clock
  • E) Eight o'clock
(Total for Question 5 is 1 mark)
6
Look at paragraph 4. Nia says 'We're not going past it' while she is already climbing through the gate. What does this contradiction suggest about her character?
  • A) She is easily frightened and wants to turn back
  • B) She is honest and always keeps her promises
  • C) She says one thing but does another, showing she is determined and curious enough to bend the truth to get what she wants
  • D) She has forgotten what she agreed with Kofi
  • E) She wants Kofi to go home without her
(Total for Question 6 is 1 mark)
7
Look at paragraph 4. Explain the effect of the contradiction between what Nia says and what she is doing.
(Total for Question 7 is 2 marks)
8
What sound does Nia first hear coming from the tower, according to paragraph 6?
  • A) A scratching, followed by a soft, broken cry
  • B) A loud banging
  • C) Footsteps on the stairs
  • D) A dog barking
  • E) Water dripping
(Total for Question 8 is 1 mark)
9
'a wind that seemed to bully the loose slates on the roof' (paragraph 6) is an example of which technique?
  • A) Simile
  • B) Metaphor
  • C) Personification
  • D) Onomatopoeia
  • E) Alliteration
(Total for Question 9 is 1 mark)
10
Explain the effect of the personification in 'a wind that seemed to bully the loose slates on the roof' (paragraph 6).
(Total for Question 10 is 2 marks)
11
What does Kofi suggest might be making the noise, in paragraph 8?
  • A) Birds
  • B) The wind
  • C) Rats
  • D) Nia's imagination
  • E) A dog
(Total for Question 11 is 1 mark)
12
Looking at paragraphs 3, 5, 8 and 12 together, what do Kofi's words and actions suggest about his character compared to Nia's?
  • A) He is far more reckless and adventurous than Nia
  • B) He is more cautious and easily worried than Nia
  • C) He is completely unafraid of the mill
  • D) He does not care what happens to the owl
  • E) He is more curious than Nia about the mill's history
(Total for Question 12 is 1 mark)
13
Explain how the writer shows that Kofi is more cautious than Nia. Refer to at least two examples from across the extract.
(Total for Question 13 is 3 marks)
14
According to paragraph 11, how far above Nia was the owl caught in the netting?
  • A) Ten feet
  • B) Twenty feet
  • C) Thirty feet
  • D) Fifty feet
  • E) A hundred feet
(Total for Question 14 is 1 mark)
15
'pale as a paper moon' (paragraph 11) is an example of which technique?
  • A) Metaphor
  • B) Simile
  • C) Personification
  • D) Hyperbole
  • E) Onomatopoeia
(Total for Question 15 is 1 mark)
16
Explain what the simile 'feathers scattered beneath it on the floor like torn paper' (paragraph 11) suggests about the owl's condition.
(Total for Question 16 is 2 marks)
17
According to paragraph 13, what had Nia learned about barn owls from her nature club?
  • A) That they always hunt at night
  • B) That a bird tangled for a long time would not survive much more struggling
  • C) That barn owls build nests in old mills
  • D) That barn owls are not native to Suffolk
  • E) That barn owls cannot be handled by humans
(Total for Question 17 is 1 mark)
18
Explain why Nia feels a sense of urgency in paragraph 13. Give two reasons.
(Total for Question 18 is 2 marks)
19
According to paragraph 14, where does Mr Whitlock live?
  • A) Mill House
  • B) Ivy Cottage
  • C) The old vicarage
  • D) Marsh End Farm
  • E) Ferry Lane Cottage
(Total for Question 19 is 1 mark)
20
What is ironic about Mr Whitlock's local reputation, based on paragraphs 14 and 19?
  • A) He is said to be unfriendly, but he owns a wildlife rescue van and cares deeply about the injured owl
  • B) He is said to be kind, but he refuses to come and help
  • C) He is said to be young, but he turns out to be elderly
  • D) He is said to be a farmer, but he is really a mechanic
  • E) He is said to dislike animals, and this turns out to be true
(Total for Question 20 is 1 mark)
21
Explain how the writer's language in paragraphs 14, 19 and 21 shows that Mr Whitlock is kinder than his reputation suggests. Refer to at least two examples.
(Total for Question 21 is 3 marks)
22
According to paragraph 18, how long did it actually take for Mr Whitlock's van to arrive, even though it felt like hours to Nia?
  • A) Five minutes
  • B) Fifteen minutes
  • C) Thirty minutes
  • D) An hour
  • E) Two hours
(Total for Question 22 is 1 mark)
23
What does 'she realised she had been gripping the edge of an old grain chute so hard her knuckles had gone white' (paragraph 20) suggest about Nia?
  • A) She was bored and not paying attention
  • B) She was extremely tense and anxious while watching the rescue
  • C) She was in pain from an injury to her hand
  • D) She was trying to climb the grain chute
  • E) She was cold and shivering
(Total for Question 23 is 1 mark)
24
Using evidence from across the extract, explain what impression we get of Nia's character.
(Total for Question 24 is 3 marks)
25
In your own words, summarise how the atmosphere of the extract changes from the beginning to the end, referring to at least four stages of the story.
(Total for Question 25 is 4 marks)
26
Explain what the final paragraph (paragraph 22) adds to the reader's understanding of how Nia has changed by the end of the story.
(Total for Question 26 is 3 marks)
Mark scheme · EP.E51 Comprehension: Fiction Set 9

Question 1

Question 2

Question 3

Question 4

Question 5

Question 6

Question 7

Question 8

Question 9

Question 10

Question 11

Question 12

Question 13

Question 14

Question 15

Question 16

Question 17

Question 18

Question 19

Question 20

Question 21

Question 22

Question 23

Question 24

Question 25

Question 26