Comprehension: Fiction Set 10 - Worksheets, Questions and Revision

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11+ · English - Reading and Writing

EP.E52 Comprehension: Fiction Set 10

GL ASSESSMENT / CSSE 11+ Entrance English (GL Assessment / CSSE style) · Calculators not allowed · about 50 minutes
Total Marks
Name: _______________________________    Date: ____ / ____ / ______
Answer ALL questions. Show all your working.

The Sphere on Cracked Sands

Original story written for Revision Library.

After the storm, the beach at Marram Bay looked as though it had been turned inside out. Ribbons of seaweed lay tangled across the sand, and the tideline was littered with driftwood, shattered shells and one lonely welly boot, filled with water and swaying like a tiny drowned boat. Leila Rahman picked her way along the shore, her boots crunching over broken razor clams, glad of the cold morning air after a night spent listening to the wind rattle the windows.

She was not looking for anything in particular, just breathing, and half hoping to find a good crab shell for her collection, when something caught the corner of her eye. Half buried near the old groyne, where the sand dipped into a shallow crater, sat a shape that did not belong. It was smooth and grey, roughly the size of a football, and it did not move the way driftwood moved when the waves nudged it. It simply sat, humming, as though it were waiting for someone to notice.

Leila crouched beside it. Up close, the sphere was dented on one side, its metal skin scored with thin silver scratches, and a narrow seam ran around its middle like the join on a conker shell. A small light near the seam blinked blue, then amber, then blue again, patient as a lighthouse. She did not touch it straight away. Instead she called across the beach to Kofi Mensah, who was scuffing along near the rock pools with his trousers rolled to the knee. 'Kofi! Come and look at this!'

He jogged over, and for a moment neither of them spoke. The gulls wheeled overhead, screeching as if they too wanted a closer look, and the wind combed through the marram grass on the dunes behind them.

'That's not off a boat,' Kofi said eventually, crouching down opposite her. 'Boats don't blink.' 'It might be a buoy. Washed loose in the storm.' 'Buoys don't have hinges.' He pointed. Leila looked again and saw it: a fine line, almost invisible, running around a third of the sphere, with a small recessed catch beside it. Her heart gave an odd little skip, the kind she usually only felt at the top of the helter-skelter on the pier.

'We should leave it,' she said, not moving. 'We should,' Kofi agreed, and pressed the catch anyway.

The hatch sighed open on some hidden spring, releasing a thin curl of vapour that smelled faintly of ozone, sharp and clean, like the air just after lightning. Nestled inside, wrapped in a silvery cocoon of foil, was a device no bigger than a hardback book, its casing etched with a pattern of tiny hexagons. As the sea air reached it, the device gave a soft click, and a beam of pale light unfolded upward, painting a flickering, waist-high map in the air between them: a coastline, a scatter of islands, and, further out, a small blinking cross above the words KESTREL STATION - SIGNAL LOST.

Neither of them breathed for a moment.

'Kestrel Station,' Leila read aloud. 'I've heard of that. It's the weather platform out past the sandbanks. Mum said it does readings for the shipping forecast.'

'Signal lost,' Kofi said slowly, 'means somebody stopped hearing from it.'

The light flickered again, and a thin, synthesised voice crackled out of the device, patched together from fragments, as though it had been recorded in a hurry: '...escape capsule deployed... crew safe... please relay coordinates to...' The message dissolved into static and did not return, however many times Kofi tapped the casing.

Above them, the clouds that had looked merely grey now looked heavier, stacking themselves along the horizon like crates on a lorry. The tide, Leila realised with a jolt, had crept further up the sand than she had expected, licking at the base of the groyne where minutes ago there had been dry sand.

'We can't leave it here,' she said. 'If the tide takes it back out, nobody will ever find it.'

They did not discuss it further. Kofi peeled off his jumper and wrapped it around the sphere, cradling it against his chest like something newly hatched, and together they half walked, half ran up the beach, the wind shoving at their backs as though it, too, wanted them to hurry. By the time they reached the coastguard station on the harbour wall, both of them were out of breath and speckled with the first fat drops of rain, but the sphere sat safe in Kofi's arms, its little light still blinking, patient as ever, blue then amber then blue again.

The duty officer, a woman called Mrs Whitlock with silver-streaked hair and no patience for nonsense, took one look at the device, one look at the two dripping children on her doorstep, and reached for the radio without a word of doubt. Within the hour, a coastguard launch was cutting out towards the sandbanks, and Leila and Kofi sat wrapped in blankets, watching the horizon, wondering what else the storm had washed up, and what it might yet reveal.

1
According to paragraph 1, which object was found on the tideline, filled with water and swaying like a tiny drowned boat?
  • A) A fishing net
  • B) A welly boot
  • C) A wooden crate
  • D) A round buoy
  • E) A plastic bucket
(Total for Question 1 is 1 mark)
2
Look at paragraph 1. What does 'tangled' most nearly mean as it is used here ('Ribbons of seaweed lay tangled across the sand')?
  • A) Neatly folded
  • B) Twisted together in a messy way
  • C) Burnt and blackened
  • D) Floating on the surface of the sea
  • E) Completely buried under the sand
(Total for Question 2 is 1 mark)
3
Look at paragraph 2. What was Leila hoping to find for her collection?
  • A) A good crab shell
  • B) A pretty pebble
  • C) A piece of sea glass
  • D) A starfish
  • E) A message in a bottle
(Total for Question 3 is 1 mark)
4
Look at paragraph 2. What does 'it simply sat, humming, as though it were waiting for someone to notice' suggest about the sphere?
  • A) It was completely broken and lifeless
  • B) It seemed quietly powered and almost expectant, as if it had a purpose
  • C) It was making a loud, harsh noise
  • D) It had just been thrown onto the beach by a wave
  • E) It was completely silent and motionless
(Total for Question 4 is 1 mark)
5
Look at paragraph 2. What size does the writer compare the sphere to?
  • A) A tennis ball
  • B) A football
  • C) A beach ball
  • D) A car wheel
  • E) A dustbin lid
(Total for Question 5 is 1 mark)
6
Look at paragraph 3. Explain the effect of the simile 'a small light near the seam blinked blue, then amber, then blue again, patient as a lighthouse'.
(Total for Question 6 is 2 marks)
7
What was Kofi doing when Leila first called out to him (paragraph 3)?
  • A) Sitting on the sea wall
  • B) Scuffing along near the rock pools with his trousers rolled to the knee
  • C) Building a sandcastle
  • D) Flying a kite
  • E) Collecting driftwood
(Total for Question 7 is 1 mark)
8
Look at paragraph 4. What does 'the wind combed through the marram grass' suggest?
  • A) The wind was destroying the grass completely
  • B) The wind moved through the grass gently and steadily, almost like a comb through hair
  • C) There was no wind at all on the dunes
  • D) The grass had recently been cut by machinery
  • E) The wind was extremely violent and sudden
(Total for Question 8 is 1 mark)
9
Look at paragraph 4. Identify the technique used in 'the wind combed through the marram grass' and explain its effect.
(Total for Question 9 is 2 marks)
10
According to paragraph 5, why does Kofi think the object cannot be a buoy?
  • A) Buoys are not grey
  • B) Buoys don't have hinges
  • C) Buoys don't float
  • D) Buoys are much bigger
  • E) Buoys don't make a humming noise
(Total for Question 10 is 1 mark)
11
Look at paragraph 5. Explain what 'her heart gave an odd little skip, the kind she usually only felt at the top of the helter-skelter on the pier' tells us about how Leila is feeling.
(Total for Question 11 is 2 marks)
12
Look at paragraph 6. What does the detail 'not moving' suggest about Leila?
  • A) She was too tired to move
  • B) She was hesitant and reluctant to act
  • C) She had fallen asleep on the sand
  • D) She was excited and eager to open the hatch
  • E) She had been told to stand still
(Total for Question 12 is 1 mark)
13
Look at paragraph 6. Explain what is surprising about Kofi's words and actions in this paragraph.
(Total for Question 13 is 2 marks)
14
Look at paragraph 7. What does 'ozone' mean as it is used here ('a thin curl of vapour that smelled faintly of ozone')?
  • A) A very unpleasant, rotten smell
  • B) A sharp, clean smell, like the air after a lightning storm
  • C) A sweet, flowery scent
  • D) The smell of burning rubber
  • E) A smell with no particular quality at all
(Total for Question 14 is 1 mark)
15
What pattern was etched onto the casing of the device found inside the sphere (paragraph 7)?
  • A) A row of numbers
  • B) A pattern of tiny hexagons
  • C) A picture of a compass
  • D) The word KESTREL
  • E) A spiral pattern
(Total for Question 15 is 1 mark)
16
Look at paragraph 7. Explain how the writer builds a sense of mystery and wonder as the hatch opens. Refer to at least two examples of the writer's language.
(Total for Question 16 is 3 marks)
17
What did the flickering map show, according to paragraph 7?
  • A) A treasure map with an X marking a spot
  • B) A coastline, islands and a blinking cross labelled KESTREL STATION - SIGNAL LOST
  • C) A weather forecast for the coming week
  • D) A picture of a spaceship
  • E) A diagram of the sphere itself
(Total for Question 17 is 1 mark)
18
Look at paragraph 11. What does 'synthesised' mean as it is used here ('a thin, synthesised voice crackled out')?
  • A) Recorded by a human speaking very quietly
  • B) Artificially produced, for example by a computer, rather than a real human voice
  • C) Extremely loud and clear
  • D) Spoken in a foreign language
  • E) Whispered secretly
(Total for Question 18 is 1 mark)
19
Look at paragraph 11. What can be inferred about the situation at Kestrel Station from the fragmented message?
(Total for Question 19 is 2 marks)
20
In your own words, explain how the atmosphere of the extract changes from the beginning to the end. Refer to at least three different moments in the story.
(Total for Question 20 is 3 marks)
21
Look at paragraph 12. Explain the effect of the simile describing the clouds 'stacking themselves along the horizon like crates on a lorry'.
(Total for Question 21 is 3 marks)
22
What does Leila's comment in paragraph 13, 'We can't leave it here... If the tide takes it back out, nobody will ever find it', reveal about her character?
  • A) She is selfish and wants to keep the sphere for herself
  • B) She is responsible and quick to recognise the urgency of the discovery
  • C) She is frightened and wants to run away
  • D) She does not care what happens to the sphere
  • E) She wants to bury the sphere again
(Total for Question 22 is 1 mark)
23
Look at paragraph 14. Explain how the writer creates a sense of urgency as the two children run to the coastguard station. Refer to at least two examples.
(Total for Question 23 is 3 marks)
24
Who did Leila and Kofi hand the sphere to at the coastguard station (paragraph 15)?
  • A) A museum curator
  • B) Mrs Whitlock, the duty officer
  • C) A police officer
  • D) Leila's mother
  • E) A ship's captain
(Total for Question 24 is 1 mark)
25
Look at paragraph 15. What impression do we get of Mrs Whitlock? Support your answer with evidence from the text.
(Total for Question 25 is 2 marks)
26
Using evidence from across the whole extract, explain what impression we get of Leila's character.
(Total for Question 26 is 4 marks)
Mark scheme · EP.E52 Comprehension: Fiction Set 10

Question 1

Question 2

Question 3

Question 4

Question 5

Question 6

Question 7

Question 8

Question 9

Question 10

Question 11

Question 12

Question 13

Question 14

Question 15

Question 16

Question 17

Question 18

Question 19

Question 20

Question 21

Question 22

Question 23

Question 24

Question 25

Question 26