Grammar schools / Sutton SET English (multiple choice) / Mock 9
Sutton Selective Eligibility Test · Stage 1
Sutton SET English Mock Paper 9
Preparation for the Sutton Selective Eligibility Test, sat for admission to Wilson's School, Sutton Grammar School, Wallington County Grammar School, Nonsuch High School for Girls and Wallington High School for Girls. This is an original mock paper written by Revision Library. It is not a past paper and it is not an official specimen.
Print the paper (PDF)Paper and mark scheme (PDF)
- Time allowed
- 50 minutes
- Total marks
- 62
- Questions
- 62
- Level
- Hard
- You have 50 minutes for this paper. There are 62 questions and every question is worth 1 mark.
- The paper has four sections. The recommended times are 5 minutes for Section A, 25 minutes for Section B, 10 minutes for Section C and 10 minutes for Section D. These times are advice, not rules. You may spend longer on a section if you need to, and you may go back to earlier questions at any point.
- Every question gives you five options, A to E. Mark your answers on the separate answer sheet in pencil. If you change your mind, rub the old mark out completely so that only one mark is left.
- Most questions have one answer. Some ask you to choose exactly two options, and some ask you to choose all the options that apply. Those questions say so, so read each one carefully.
- There is no negative marking, so a wrong answer costs you nothing. It is worth answering every question.
Section A: Spelling (about 5 minutes)
In each question, one of the five spellings is correct and the other four are not.
Choose the correct spelling and mark one answer for each question.
- 11 mark
Choose the correct spelling.
The goose became ____ when anyone approached its nest.
- 21 mark
Choose the correct spelling.
Although he was an ____, Luis completed the race confidently.
- 31 mark
Choose the correct spelling.
An ____ oak tree marks the entrance to the wood.
- 41 mark
Choose the correct spelling.
It soon became ____ that the gate was locked.
- 51 mark
Choose the correct spelling.
The ____ rainfall for April is shown on the chart.
- 61 mark
Choose the correct spelling.
The whole ____ helped to clear litter from the park.
- 71 mark
Choose the correct spelling.
The proposal caused ____ among local residents.
- 81 mark
Choose the correct spelling.
The seedlings will ____ stronger roots in a larger pot.
- 91 mark
Choose the correct spelling.
The tune sounded strangely ____ to Imogen.
- 101 mark
Choose the correct spelling.
The local ____ published its plans for the new bridge.
Section B: Text 1 (about 25 minutes)
Read Text 1 carefully, then answer questions 11 to 38.
Most questions have one answer. Where a question asks for exactly two answers, or for all the answers that apply, it says so.
Upstairs
Rain has been knocking on our windows since breakfast, but at ten past eight Dad opens the back door and the weather comes indoors. Brown water lies across the yard, perfectly flat except where it nudges the dustbin. Dad shuts the door carefully, as if the flood might not have noticed us. Mum says, "Right. Upstairs first, decisions later." She does not say what the decisions are.
Our house stands on the fen where the fields are lower than the road. Usually the drainage ditch beyond our willow carries water away. Tonight its white marker post shows only three black stripes instead of six. Mr Bell from next door wades to our gate in his orange waterproofs and tells Dad the pumping station has stopped. "They are bringing another engine," he says. Dad asks when. Mr Bell looks towards the invisible fields and answers, "They know we're here."
Mum gives each of us a job. My brother Kit carries blankets and the battery radio to my room, which is above the kitchen. I take tins from the bottom cupboard: beans, peaches, tomato soup, then the tin opener after Mum calls me back. Dad lifts the microwave from its shelf and climbs sideways, gripping it against his chest.
Some choices are easy. The photograph albums go up in a laundry basket. So do Gran's letters, our passports, Kit's asthma pump and Mum's blue work folder. Dad stares at the piano, presses one key and closes its lid. Mum puts both hands around the china bowl Gran gave her, then sets it back because the basket is full. "Second trip," she says. There is no second trip for either of them.
Water slides under the back door while I am carrying saucepans. It is only a finger-wide shine at first. Then the hall mat darkens from one edge. Mum rolls towels against the gap, although the towels drink quickly and the shine passes beneath them. Kit asks whether fish will come into the kitchen. Dad says, "Not if they have any sense." Kit laughs. Mum does not. She writes the electricity number on my wrist in blue pen and tells Dad to switch the power off before the water reaches the sockets.
The house changes height. Downstairs belongs to water; upstairs must do everything. Dad carries up the toolbox, two dining chairs and the camping stove, then carries the stove down again because it cannot be used inside. We leave the sofa balanced on four food tins, the fridge humming, and six muddy boots on the rack. I rescue only one of my school shoes because the other has slipped behind the washing machine.
At half past nine the lights go out. Dad has switched them off, but the sudden dark still feels like a failure. We use my torch while Mum counts: four people, three phones, two power banks, one radio. The numbers should be comforting. They are not. From the stairs I hear the fridge slow to silence and something small knock against a cupboard door. Dad says it is probably the mop bucket. He does not go and see.
We settle in my room. Kit and I sit on the mattress with our coats over our pyjamas. Mum keeps refreshing the flood warning on her phone, though the same red box returns each time. Dad watches through the window. The road has vanished, and torchlight moves where neighbours are carrying bags upstairs. In the yard, our green watering can floats out from under the bench, turns once and slips through the open gate. "Always hated that thing," Mum says. Nobody smiles.
Near midnight, an engine begins far off, a steady metal thudding beyond the rain. Dad says it could be the replacement pump. Mum says it could be a tractor. Neither says what will happen if it is neither. The radio advises people to remain on upper floors and wait for instructions. I lie down without taking off my coat. Beneath us, a pan falls with a bright clang, then rolls until the wall stops it. We all listen to the water arranging our kitchen, and pretend that listening is the same as knowing.
This passage was written for Revision Library.
- 111 mark
In the paragraph describing the drainage ditch, how many black stripes remain visible on the marker post?
- 121 mark
Which three tins does the narrator carry from the bottom cupboard?
- 131 mark
Which group of items is carried upstairs in the laundry basket?
- 141 mark
Where and how does Mum record the electricity number?
- 151 mark
Why does Dad carry the camping stove downstairs again?
- 161 mark
In the opening paragraph, Dad shuts the door 'as if the flood might not have noticed us'.
Which option best explains this description?
- 171 mark
Mr Bell answers Dad's question about when help will arrive by saying, 'They know we're here.'
What does his answer most precisely suggest?
- 181 mark
The narrator takes three tins upstairs, then returns for the tin opener only after Mum calls them back.
What does this detail best show?
- 191 mark
Where the family chooses what to save, Dad presses one piano key and closes the lid.
Which option best explains this action?
- 201 mark
Mum puts Gran's china bowl back and says, 'Second trip,' although the narrator says there will be no second trip.
Why does Mum say this?
- 211 mark
When Kit asks about fish entering the kitchen, Dad replies, 'Not if they have any sense.'
What is the most precise purpose of his reply?
- 221 mark
Mum writes the electricity number on the narrator's wrist rather than simply saying it aloud.
Which option best explains this choice?
- 231 mark
In the paragraph beginning 'At half past nine', Mum counts people, phones, power banks and the radio.
Why are the numbers not comforting to the narrator?
- 241 mark
Mum says she 'always hated' the watering can as it floats away, but nobody smiles.
Which option best explains the moment?
- 251 mark
The water 'nudges' the dustbin in the opening paragraph.
Select the TWO phrases closest to nudges as it is used here.
Select TWO answers.
- 261 mark
The towels 'drink quickly' when Mum rolls them against the door.
Select the TWO options that best express drink in this image.
Select TWO answers.
- 271 mark
A pan falls downstairs with a 'bright clang'.
Select the TWO words that best describe bright in this sound image.
Select TWO answers.
- 281 mark
Consider what the adults say and leave unsaid throughout the night.
Select the TWO most accurate words for their manner of speaking.
Select TWO answers.
- 291 mark
Several treasured or essential items are considered in the fourth paragraph. Which item is NOT carried upstairs?
- 301 mark
Which statement about the water's progress through the home is NOT correct?
- 311 mark
Dad performs many practical tasks during the evening. Which action does he NOT perform?
- 321 mark
Four statements accurately describe the family's arrangements upstairs. Which one does NOT?
- 331 mark
Which items does the family move upstairs specifically because they contain information, memories or identity records?
Select ALL that apply.
Select ALL the answers that are correct.
- 341 mark
The adults repeatedly avoid stating the full danger or loss. Which details show that pattern?
Select ALL that apply.
Select ALL the answers that are correct.
- 351 mark
Which observations show that water has crossed or erased familiar boundaries around the home?
Select ALL that apply.
Select ALL the answers that are correct.
- 361 mark
Which actions directly prepare the family to remain safe or receive information while they wait upstairs?
Select ALL that apply.
Select ALL the answers that are correct.
- 371 mark
By the time everyone settles in the bedroom, which belongings have definitely been left downstairs?
Select ALL that apply.
Select ALL the answers that are correct.
- 381 mark
Which sounds make the family aware of events they cannot fully see or identify?
Select ALL that apply.
Select ALL the answers that are correct.
Section C: Text 2 (about 10 minutes)
Read Text 2 carefully, then answer questions 39 to 50.
Text 2 is shorter than Text 1, but the questions expect the same close reading.
The River's Account
They say I have been straightened. Men measured a clean course across the fen, cut away my bends and pressed high banks against my sides. From above, I now resemble a ruled line. Water is expected to understand such instructions.
I remember before there were fields here. Reeds stitched the shallows to the sky, and winter spread me thinly across miles of silt. I moved a pebble for a hundred seasons and no one called me late. The sea came nearer, withdrew, came nearer again. Human maps changed more quickly than the mud beneath them.
The banks do not offend me. Clay, concrete and willow roots are all materials I have carried. Pumps borrow my water and gates delay it. I accept each interruption as I accept a fallen tree: I gather, test the edges and continue wherever the ground permits. A straight channel does not make the land level, nor does a wall teach rain to stop.
Sometimes, after many wet days, I revisit an old turning beneath a wheat field. I do not choose revenge. The hollow remains, and water recognises depth. For one night a road becomes a shining reach; chairs climb stairs; people listen for engines. By morning they may call me contained again.
Let them. I have no quarrel with the word. Their embankments may stand for generations, which is a long promise to a family and a brief pause to me. I carry yesterday's hill grain towards tomorrow's sea. Given time, every line softens. I am not hurrying.
This passage was written for Revision Library.
- 391 mark
In the opening paragraph, the river says, 'Water is expected to understand such instructions.'
Which option best explains the effect of this sentence?
- 401 mark
The river observes that 'Human maps changed more quickly than the mud beneath them.'
What does this most precisely reveal?
- 411 mark
In the paragraph beginning 'The banks do not offend me', the river compares engineering works with a fallen tree.
Why does it make this comparison?
- 421 mark
The river says it may 'revisit an old turning beneath a wheat field' but denies choosing revenge.
Which option best explains why the water returns there?
- 431 mark
At the end, the river allows people to call it 'contained' again and says, 'Let them.'
What does this response most precisely show?
- 441 mark
The river recalls the fen before modern fields. Which detail is NOT part of that memory?
- 451 mark
Which human attempt to control or redirect the river is NOT mentioned in Text 2?
- 461 mark
Which statement about the river's attitude is NOT supported by its account?
- 471 mark
Which details specifically establish the river's memory as far longer than a human lifetime?
Select ALL that apply.
Select ALL the answers that are correct.
- 481 mark
Which phrases present human engineering as an attempt to give water a fixed route or limit?
Select ALL that apply.
Select ALL the answers that are correct.
- 491 mark
The river insists that it is patient rather than vengeful. Which statements directly build that self-portrait?
Select ALL that apply.
Select ALL the answers that are correct.
- 501 mark
The river continues 'wherever the ground permits'.
Select the TWO options closest to permits in this context.
Select TWO answers.
Section D: Comparing Text 1 and Text 2 (about 10 minutes)
Use both Text 1 and Text 2 to answer questions 51 to 62.
Some questions ask for all the answers that apply. Read the wording carefully.
- 511 mark
The two accounts describe the same kind of fen flood from very different viewpoints. Which details are supported by BOTH texts?
Select ALL that apply.
Select ALL the answers that are correct.
- 521 mark
Which storytelling features create the immediate family emergency in Text 1, rather than the river's reflective account?
Select ALL that apply.
Select ALL the answers that are correct.
- 531 mark
Text 2 compresses the family's crisis into a few images. Which events in its fourth paragraph have clear counterparts in Text 1?
Select ALL that apply.
Select ALL the answers that are correct.
- 541 mark
How do the texts use different scales of time to shape the flood? Which comparisons are accurate?
Select ALL that apply.
Select ALL the answers that are correct.
- 551 mark
Uncertainty appears in both accounts, but the speakers respond differently. Which statements accurately compare those responses?
Select ALL that apply.
Select ALL the answers that are correct.
- 561 mark
Both writers use boundaries to examine whether water can be kept in its assigned place. Which connections are supported?
Select ALL that apply.
Select ALL the answers that are correct.
- 571 mark
Sound links the family's anxious present to the river's calmer account. Which observations about sound are accurate?
Select ALL that apply.
Select ALL the answers that are correct.
- 581 mark
The texts distinguish useful preparation from complete control. Which details contribute to that shared distinction?
Select ALL that apply.
Select ALL the answers that are correct.
- 591 mark
Text 1 measures the night with clock times, while Text 2 measures memory in seasons and generations. Which difference between the speakers does that choice reveal most clearly?
- 601 mark
Which option best contrasts what one night means to each narrator?
- 611 mark
Text 1's adults avoid saying what will happen next, while Text 2 says, 'Given time, every line softens.'
What is the most important contrast between these attitudes to the future?
- 621 mark
Text 1 ends with the family listening because they cannot know what the water will do. How does the ending of Text 2 most importantly change our view of that moment?
Answers, mark scheme and worked explanations
- 11 mark
D
Aggressive has double g, double s and the ending -ive: ag-gres-sive.
A drops a g, B drops an s, C adds a third s, and E drops the final e.
- 21 mark
B
Amateur ends with -teur: ama-teur.
A reverses the e and u, C uses the familiar but incorrect -ture ending, D changes the middle a to e, and E doubles the t.
- 31 mark
A
Ancient has the sequence -cient after an: an-cient.
B reverses the i and e, C drops the n, D changes the final e to a, and E adds a second n.
- 41 mark
E
Apparent begins with double p and has one r: ap-par-ent.
A and C lose a p, B changes the e to a, and D doubles the r.
- 51 mark
D
Average has the vowel pattern a-e-a-e: av-er-age.
A changes the second vowel, B drops the middle a, C doubles v, and E doubles r.
- 61 mark
C
Community has double m and one t: com-mun-i-ty.
A loses an m, B adds a third m, D doubles the t, and E inserts an extra i.
- 71 mark
D
Controversy has contro- at the start and ends -versy.
A adds an e, B changes the first o after contr to a, C uses -sie, and E drops the first r.
- 81 mark
E
Develop has one l, one p and no final e.
A adds a final e, B doubles l, C changes the middle e to o, and D doubles the final p.
- 91 mark
D
Familiar contains family without the y, followed by -iar: famil-iar.
A doubles l, B changes the a in the ending to e, C drops the second i, and E doubles m.
- 101 mark
E
Government keeps govern intact before -ment: govern-ment.
A drops the n, B changes the e in the ending to a, C adds a u, and D drops the r.
- 111 mark
A
The marker post shows three black stripes tonight, instead of the usual six.
Six is the normal number visible, while two, four and five are not given.
- 121 mark
A
The stated tins are beans, peaches and tomato soup.
Each other option replaces at least one of those three foods.
- 131 mark
D
The fourth paragraph lists the albums, letters, passports, Kit's asthma pump and Mum's blue work folder.
The other groups mix those saved items with objects carried separately or left downstairs.
- 141 mark
A
Mum writes the number on the narrator's wrist in blue pen.
The phone, folder, Dad and Kit all appear nearby, but none is where she records it.
- 151 mark
A
The passage states that the stove cannot be used inside, so taking it upstairs would not help.
No shortage of fuel, weight problem, radio instruction or competition for space is mentioned.
- 161 mark
E
E joins the practical gesture to its emotional meaning: the water is already across the yard, yet Dad acts for a moment as though quietness could avoid its attention.
A, B and C are true parts of the scene, while D explains the image. Only E includes both the pretence and what it reveals about Dad.
- 171 mark
B
B explains both halves of the exchange. Mr Bell cannot answer 'when', so he substitutes a limited but honest reassurance that help knows about them.
A, C, D and E all fit the circumstances, but each gives only one part of why his reply comforts without supplying the requested information.
- 181 mark
C
C turns the small mistake into evidence of haste: carrying food looks helpful, but without the opener the tins cannot be used.
A, B, D and E are all supported around the action. None explains the revealing gap between the narrator's first choice and Mum's correction as precisely.
- 191 mark
B
B accounts for the whole sequence: one sound acknowledges the piano's importance, and the closed lid ends the moment because it cannot be carried.
A, C, D and E are partly true or plausible effects, but they miss either the farewell or the reluctant acceptance expressed by both actions together.
- 201 mark
D
D best explains why her words conflict with what everyone can see. Calling it a second trip lets her delay naming the bowl's loss.
A, B, C and E all belong to the pressured choice, but D most precisely connects the bowl's family meaning, Mum's gesture and the narrator's correction.
- 211 mark
B
Kit laughs, so the joke works for him, but Mum does not. B captures both the comfort and its limit when Dad cannot honestly promise safety.
A, C, D and E are all partly supported. They describe the reply or its setting without explaining as fully why humour is useful and inadequate at once.
- 221 mark
C
C combines practical preparation and restraint. The number stays with a person even in confusion, and Mum acts on the danger instead of explaining it dramatically.
A, B, D and E are useful parts of the decision, but each is narrower than the double purpose captured by C.
- 231 mark
B
The counted items help the family wait, but they cannot answer the central unknowns. B explains why a sensible check fails to create safety.
A, C, D and E are real features of the count and its timing. They contribute to unease, but do not identify the limit of every item listed.
- 241 mark
B
B explains the joke and the silence. Pretending to dislike the can should reduce the loss, yet its movement shows the flood's power, so nobody can accept the humour.
A, C and D are parts of that effect, while E fits the tense silence. Only B connects all of them to the failed attempt at relief.
- 251 mark
A and B
A nudge is a small, gentle push, so A and B preserve both the contact and its slight force.
The dustbin is not overturned or carried away, and flowing around it does not necessarily mean pushing it.
- 261 mark
A and B
The towels absorb or soak up water as if they were drinking it.
Repel and release describe water moving away from the towels, while dry would mean removing moisture rather than taking it in.
- 271 mark
B and C
For a sound, bright suggests a sharp, ringing metallic note.
Shining belongs to light, muffled is the opposite kind of sound, and the pan rings and rolls but the clang itself is not described as continuous.
- 281 mark
A and B
They are restrained because they control their words, and evasive because they repeatedly avoid naming losses, timings and worst outcomes.
Their actions show anxiety rather than panic, they are unsure rather than certain, and the jokes fail to create genuine cheerfulness.
- 291 mark
E
Mum sets the china bowl back because the basket is full, and there is no second trip.
The albums, letters, passports and asthma pump are all explicitly taken upstairs.
- 301 mark
D
Mum tells Dad to switch off the power before the water reaches the sockets, so D reverses the order.
A, B and C trace the approach and entry, while the falling pan and knocking object support E later.
- 311 mark
E
A replacement engine is being brought by others; Dad never goes to or restarts the station.
The microwave, chairs, electricity and watch at the window are all part of his actions at home.
- 321 mark
D
Dad returns the camping stove downstairs because it cannot be used indoors.
The mattress, coats, radio, power banks and torch are all present upstairs.
- 331 mark
A and B and C and D
Albums and letters preserve memories, passports record identity, and the work folder contains important information.
The microwave is moved for practical use, not for what it records or remembers.
- 341 mark
A and B and C and D
A to D all replace a feared fact with delay, reassurance or a limited possibility.
The radio does the opposite: it gives an explicit instruction rather than avoiding what people should do.
- 351 mark
A and B and C and D
A and B cross the house boundary, C erases the road, and D carries a garden object beyond the gate.
The microwave's movement is caused by Dad and does not show water breaking a boundary.
- 361 mark
A and B and C and D
The radio brings instructions, the asthma pump protects Kit, switching off power reduces electrical danger, and charged devices preserve communication.
Raising the sofa tries to protect furniture, not the family's immediate safety or access to information.
- 371 mark
A and B and C and D
The piano and bowl are abandoned, the fridge remains below until it falls silent, and one shoe stays behind the washing machine.
The photograph albums are among the first treasured items carried upstairs.
- 381 mark
A and B and C
They can only guess at the small object, cannot identify the distant engine, and hear the pan without seeing the water move it.
The radio's message is clearly identified, while the watering can is a silent event they watch through the window.
- 391 mark
B
B captures the quiet criticism: an engineered line is treated as an order, but water responds to land and rain rather than human confidence.
A, C, D and E are all true parts of the personification and setting. None states as precisely why the word 'expected' makes the instruction doubtful.
- 401 mark
C
C includes both timescale and viewpoint. Slow mud represents lasting physical form, while rapidly changed maps represent short human plans.
A, B, D and E are supported consequences of that contrast, but each leaves out either the river's long measure of time or the shallowness of mapped change.
- 411 mark
C
C explains why the comparison follows 'do not offend me'. To the river, a bank is another material obstacle, not an enemy.
A, B, D and E all accurately describe the comparison, but C most fully links those facts to the speaker's calm lack of anger.
- 421 mark
A
A follows the river's own explanation: 'The hollow remains, and water recognises depth.' Physical level, not revenge, determines the route.
B, C and D help make the return possible, while E explains a human interpretation the river rejects. A alone identifies the direct cause and absence of motive.
- 431 mark
C
C joins the calm permission to the river's timescale. 'Contained' may describe a period, but generations are only a pause to this speaker.
A, B, D and E are all supported around the ending. None explains as exactly why the river can accept the label while quietly outlasting its certainty.
- 441 mark
E
No stone houses or raised road appear in the river's early memory.
Reeds, winter water, the slowly moved pebble and the changing sea are all stated in the second paragraph.
- 451 mark
E
The river is never sent through an underground pipe.
The opening names cut bends and banks, and the third paragraph mentions both pumps and gates.
- 461 mark
D
The river repeatedly denies anger: the banks do not offend it, it chooses no revenge and it has no quarrel with 'contained'.
Its long timescale, acceptance, trust in depth and expectation that lines soften support A, B, C and E.
- 471 mark
A and B and C and D
A to D range across changes in land, repeated seasons, sea movement and whole generations.
The single night in E links the river to the flood, but does not by itself demonstrate a memory longer than one lifetime.
- 481 mark
A and B and C and D
Measurement, cutting, banks and gates are all deliberate human methods for routing or limiting flow.
The sea's movement is a natural long-term change, not an engineering decision.
- 491 mark
A and B and C and D
A to D explicitly deny offence and revenge or affirm acceptance and patience.
The shining road is an image of flooding, but it does not directly describe the river's motive or pace.
- 501 mark
A and B
The ground permits flow where its shape allows or makes movement possible.
Measuring does not grant a route, delay is only a temporary slowing, and forbids is the opposite of permits.
- 511 mark
A and B and C and D
Text 1 names the fen, ditch, failed pump, vanished road and expected engine. Text 2 names the fen, pumps, a shining road and people listening for engines.
The child is anxious and the river is calm, but neither narrator expresses anger at the flood, so E is not shared.
- 521 mark
A and B and C and D
Times, named family roles, dialogue and the child's present-tense viewpoint keep Text 1 inside one urgent night.
The sea's repeated movement belongs only to the river's long memory in Text 2.
- 531 mark
A and B and C and D
Text 1's road vanishes, Dad carries chairs upstairs, the family hears an engine and the action lasts from evening towards midnight.
The wheat field hides an old bend in Text 2, but nobody harvests it in either account.
- 541 mark
A and B and C and D
A and C create the family's stretched, uncertain night. B and D place that night and the banks inside a far longer natural history.
Only the child is confined to the immediate wait. The river treats a generation, not one night, as brief, so E is wrong.
- 551 mark
A and B and C and D
Text 1 ends with competing guesses and the child's admission of not knowing. Text 2 calmly explains the old hollow and leaves containment to time.
Dad asks when an engine will come, but neither narrator demands an exact prediction of when the flood will fall, so E is unsupported.
- 561 mark
A and B and C and D
The door, road and division between floors fail or change in Text 1. The channel, banks, maps and surviving hollow provide the larger version in Text 2.
Water crosses the home's defences and revisits an old bend, so E contradicts both accounts.
- 571 mark
A and B and C and D
A and B show sound trapping the family in immediate uncertainty. C places that listening inside the river's memory, while 'I am not hurrying' gives D its calm close.
Only Text 1 ends with a pan falling, and even that does not prove a bank has broken, so E is false.
- 581 mark
A and B and C and D
A shows worthwhile safety measures, while B shows their limits. Text 2 similarly grants engineering a delaying effect but denies that it controls land and rain completely.
Neither text calls preparation pointless. The family benefits from it, and the river calls generations of protection a long promise to a family.
- 591 mark
C
Clock times tighten the child's anxious present, whereas seasons and generations express the river's unhurried, ancient scale.
A reverses each speaker's range, B invents certainty, D reverses their emotions, and E reverses the texts' relation to time.
- 601 mark
D
The child's whole house and sense of safety are changing now. The river places the flooded road and climbing chairs within its repeated return to an old hollow.
A reverses the time perspectives, B invents amusement and novelty, C overstates what one failure proves, and E reduces both accounts to one surface detail.
- 611 mark
E
E explains why silence and certainty can sit beside each other. Hours ahead are frighteningly unknown to the family, but slow change over generations is familiar to the river.
A and D flatten the speakers into claims they never make, B contradicts both texts, and C turns uncertainty into certainty and patience into revenge.
- 621 mark
B
The child's listening remains frightening and sensible, but the river's generations, softened lines and lack of hurry place those unknown hours inside a much longer movement of land and water.
A supplies certainty neither text gives, C dismisses useful advice, D contradicts the river's denial of revenge, and E wrongly mocks preparations that protect the family.
Sutton Selective Eligibility Test, Stage 1, English (multiple choice). Written by Revision Library on 2026-08-29, independent check pending.
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