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Sutton Selective Eligibility Test · Stage 1

Sutton SET English Mock Paper 9

Preparation for the Sutton Selective Eligibility Test, sat for admission to Wilson's School, Sutton Grammar School, Wallington County Grammar School, Nonsuch High School for Girls and Wallington High School for Girls. This is an original mock paper written by Revision Library. It is not a past paper and it is not an official specimen.

Print the paper (PDF)Paper and mark scheme (PDF)

Time allowed
50 minutes
Total marks
62
Questions
62
Level
Hard
  • You have 50 minutes for this paper. There are 62 questions and every question is worth 1 mark.
  • The paper has four sections. The recommended times are 5 minutes for Section A, 25 minutes for Section B, 10 minutes for Section C and 10 minutes for Section D. These times are advice, not rules. You may spend longer on a section if you need to, and you may go back to earlier questions at any point.
  • Every question gives you five options, A to E. Mark your answers on the separate answer sheet in pencil. If you change your mind, rub the old mark out completely so that only one mark is left.
  • Most questions have one answer. Some ask you to choose exactly two options, and some ask you to choose all the options that apply. Those questions say so, so read each one carefully.
  • There is no negative marking, so a wrong answer costs you nothing. It is worth answering every question.

Section A: Spelling (about 5 minutes)

In each question, one of the five spellings is correct and the other four are not.

Choose the correct spelling and mark one answer for each question.

  1. 11 mark

    Choose the correct spelling.

    The goose became ____ when anyone approached its nest.

    1. Aagressive
    2. Baggresive
    3. Caggresssive
    4. Daggressive
    5. Eaggressiv
  2. 21 mark

    Choose the correct spelling.

    Although he was an ____, Luis completed the race confidently.

    1. Aamatuer
    2. Bamateur
    3. Camature
    4. Dameteur
    5. Eamatteur
  3. 31 mark

    Choose the correct spelling.

    An ____ oak tree marks the entrance to the wood.

    1. Aancient
    2. Banceint
    3. Canciet
    4. Danciant
    5. Eanncient
  4. 41 mark

    Choose the correct spelling.

    It soon became ____ that the gate was locked.

    1. Aaparrent
    2. Bapparant
    3. Caparent
    4. Dapparrent
    5. Eapparent
  5. 51 mark

    Choose the correct spelling.

    The ____ rainfall for April is shown on the chart.

    1. Aavarage
    2. Baverge
    3. Cavverage
    4. Daverage
    5. Eaverrage
  6. 61 mark

    Choose the correct spelling.

    The whole ____ helped to clear litter from the park.

    1. Acomunity
    2. Bcommmunity
    3. Ccommunity
    4. Dcommunitty
    5. Ecommiunity
  7. 71 mark

    Choose the correct spelling.

    The proposal caused ____ among local residents.

    1. Acontroversey
    2. Bcontraversy
    3. Ccontroversie
    4. Dcontroversy
    5. Econtoversy
  8. 81 mark

    Choose the correct spelling.

    The seedlings will ____ stronger roots in a larger pot.

    1. Adevelope
    2. Bdevellop
    3. Cdevolop
    4. Ddevelopp
    5. Edevelop
  9. 91 mark

    Choose the correct spelling.

    The tune sounded strangely ____ to Imogen.

    1. Afamilliar
    2. Bfamilier
    3. Cfamilar
    4. Dfamiliar
    5. Efammiliar
  10. 101 mark

    Choose the correct spelling.

    The local ____ published its plans for the new bridge.

    1. Agoverment
    2. Bgovernmant
    3. Cgouvernment
    4. Dgovenment
    5. Egovernment

Section B: Text 1 (about 25 minutes)

Read Text 1 carefully, then answer questions 11 to 38.

Most questions have one answer. Where a question asks for exactly two answers, or for all the answers that apply, it says so.

Upstairs

Rain has been knocking on our windows since breakfast, but at ten past eight Dad opens the back door and the weather comes indoors. Brown water lies across the yard, perfectly flat except where it nudges the dustbin. Dad shuts the door carefully, as if the flood might not have noticed us. Mum says, "Right. Upstairs first, decisions later." She does not say what the decisions are.

Our house stands on the fen where the fields are lower than the road. Usually the drainage ditch beyond our willow carries water away. Tonight its white marker post shows only three black stripes instead of six. Mr Bell from next door wades to our gate in his orange waterproofs and tells Dad the pumping station has stopped. "They are bringing another engine," he says. Dad asks when. Mr Bell looks towards the invisible fields and answers, "They know we're here."

Mum gives each of us a job. My brother Kit carries blankets and the battery radio to my room, which is above the kitchen. I take tins from the bottom cupboard: beans, peaches, tomato soup, then the tin opener after Mum calls me back. Dad lifts the microwave from its shelf and climbs sideways, gripping it against his chest.

Some choices are easy. The photograph albums go up in a laundry basket. So do Gran's letters, our passports, Kit's asthma pump and Mum's blue work folder. Dad stares at the piano, presses one key and closes its lid. Mum puts both hands around the china bowl Gran gave her, then sets it back because the basket is full. "Second trip," she says. There is no second trip for either of them.

Water slides under the back door while I am carrying saucepans. It is only a finger-wide shine at first. Then the hall mat darkens from one edge. Mum rolls towels against the gap, although the towels drink quickly and the shine passes beneath them. Kit asks whether fish will come into the kitchen. Dad says, "Not if they have any sense." Kit laughs. Mum does not. She writes the electricity number on my wrist in blue pen and tells Dad to switch the power off before the water reaches the sockets.

The house changes height. Downstairs belongs to water; upstairs must do everything. Dad carries up the toolbox, two dining chairs and the camping stove, then carries the stove down again because it cannot be used inside. We leave the sofa balanced on four food tins, the fridge humming, and six muddy boots on the rack. I rescue only one of my school shoes because the other has slipped behind the washing machine.

At half past nine the lights go out. Dad has switched them off, but the sudden dark still feels like a failure. We use my torch while Mum counts: four people, three phones, two power banks, one radio. The numbers should be comforting. They are not. From the stairs I hear the fridge slow to silence and something small knock against a cupboard door. Dad says it is probably the mop bucket. He does not go and see.

We settle in my room. Kit and I sit on the mattress with our coats over our pyjamas. Mum keeps refreshing the flood warning on her phone, though the same red box returns each time. Dad watches through the window. The road has vanished, and torchlight moves where neighbours are carrying bags upstairs. In the yard, our green watering can floats out from under the bench, turns once and slips through the open gate. "Always hated that thing," Mum says. Nobody smiles.

Near midnight, an engine begins far off, a steady metal thudding beyond the rain. Dad says it could be the replacement pump. Mum says it could be a tractor. Neither says what will happen if it is neither. The radio advises people to remain on upper floors and wait for instructions. I lie down without taking off my coat. Beneath us, a pan falls with a bright clang, then rolls until the wall stops it. We all listen to the water arranging our kitchen, and pretend that listening is the same as knowing.

This passage was written for Revision Library.

  1. 111 mark

    In the paragraph describing the drainage ditch, how many black stripes remain visible on the marker post?

    1. Athree
    2. Btwo
    3. Cfour
    4. Dfive
    5. Esix
  2. 121 mark

    Which three tins does the narrator carry from the bottom cupboard?

    1. Abeans, peaches and tomato soup
    2. Bpeas, peaches and chicken soup
    3. Cbeans, pears and tomato soup
    4. Dbeans, peaches and rice pudding
    5. Epeas, pears and vegetable soup
  3. 131 mark

    Which group of items is carried upstairs in the laundry basket?

    1. Aphotograph albums, piano music, passports, a radio and a work folder
    2. Bphotograph albums, the china bowl, passports, medicines and a laptop
    3. Cschool books, Gran's letters, passports, an asthma pump and a toolbox
    4. Dphotograph albums, Gran's letters, passports, an asthma pump and a work folder
    5. Eblankets, saucepans, passports, an asthma pump and a work folder
  4. 141 mark

    Where and how does Mum record the electricity number?

    1. Aon the narrator's wrist in blue pen
    2. Bon her phone in a blue note
    3. Con Dad's palm in black pen
    4. Don the work folder in pencil
    5. Eon Kit's wrist in black pen
  5. 151 mark

    Why does Dad carry the camping stove downstairs again?

    1. AIt cannot be used safely indoors.
    2. BIts fuel has run out.
    3. CIt is too heavy for the landing.
    4. DThe radio says to leave it behind.
    5. EMum needs its space for the toolbox.
  6. 161 mark

    In the opening paragraph, Dad shuts the door 'as if the flood might not have noticed us'.

    Which option best explains this description?

    1. AHis care contrasts with the rain's repeated knocking and makes the kitchen suddenly tense.
    2. BClosing the door is a practical attempt to keep some weather outside while the family decides what to do.
    3. CHis quiet action prevents the children from seeing how urgently the adults are judging the water.
    4. DThe personification makes the water seem capable of choosing which property to enter.
    5. EHis careful movement briefly treats the flood like a visitor that might pass by, revealing controlled denial of a threat already at the house.
  7. 171 mark

    Mr Bell answers Dad's question about when help will arrive by saying, 'They know we're here.'

    What does his answer most precisely suggest?

    1. AHe trusts that the engineers have been told which homes are affected.
    2. BHe offers the only reassurance he can without pretending to know when the replacement engine will arrive.
    3. CHe avoids giving a time because the invisible fields make travel difficult to judge.
    4. DHe reminds Dad that the neighbours have not been forgotten during the wider emergency.
    5. EHe wants Dad to focus on help being organised rather than on the failed station.
  8. 181 mark

    The narrator takes three tins upstairs, then returns for the tin opener only after Mum calls them back.

    What does this detail best show?

    1. AMum is keeping track of whether the food will actually be usable upstairs.
    2. BThe narrator obeys quickly once a missing item is pointed out.
    3. CIn the rush, the narrator first notices the obvious supplies but overlooks the small tool that makes them useful.
    4. DThe family is choosing food that does not depend on the electricity staying on.
    5. EThe bottom cupboard contains both emergency food and the equipment needed to open it.
  9. 191 mark

    Where the family chooses what to save, Dad presses one piano key and closes the lid.

    Which option best explains this action?

    1. AHe confirms that the piano is still working before leaving it downstairs.
    2. BThe single note gives him a private farewell to something too large to rescue, while closing the lid accepts that it must stay.
    3. CHe avoids discussing the piano because the family needs to use its time on smaller objects.
    4. DTouching the key shows that the piano has emotional value even though practical choices come first.
    5. EClosing the lid offers the instrument a little protection from dirt and splashing water.
  10. 201 mark

    Mum puts Gran's china bowl back and says, 'Second trip,' although the narrator says there will be no second trip.

    Why does Mum say this?

    1. AShe wants to keep the basket available for documents and medicine that matter immediately.
    2. BShe uses a practical phrase so the children can continue working without pausing over the loss.
    3. CShe still hopes the water may rise slowly enough for the family to return downstairs.
    4. DShe postpones admitting aloud that an object connected with Gran must be abandoned.
    5. EShe has not yet finished deciding which treasured objects deserve the limited space.
  11. 211 mark

    When Kit asks about fish entering the kitchen, Dad replies, 'Not if they have any sense.'

    What is the most precise purpose of his reply?

    1. AHe answers Kit without making a firm promise that the kitchen will remain dry.
    2. BHe turns the frightening possibility into a joke, briefly helping Kit while revealing that he cannot offer real reassurance.
    3. CHe suggests that the moving water would be an unsafe place even for fish.
    4. DHe keeps Kit involved in the family's conversation rather than dismissing the question.
    5. EHis humour contrasts with Mum's attention to the spreading water and electricity.
  12. 221 mark

    Mum writes the electricity number on the narrator's wrist rather than simply saying it aloud.

    Which option best explains this choice?

    1. AThe blue ink will remain visible when the house becomes dark.
    2. BA wrist cannot be misplaced among the many objects being carried upstairs.
    3. CShe creates a durable, immediately available record while preparing for power trouble without frightening the children with a speech.
    4. DShe gives the narrator a useful responsibility during the move upstairs.
    5. EThe phones may be needed for warnings, so she avoids relying on one device for the number.
  13. 231 mark

    In the paragraph beginning 'At half past nine', Mum counts people, phones, power banks and the radio.

    Why are the numbers not comforting to the narrator?

    1. AThe count confirms that four people are crowded into one upstairs room.
    2. BSome useful equipment is present, but none of it shows how high the water will rise or when help will come.
    3. CThe decreasing pattern from four to one makes their supplies sound limited.
    4. DCounting is Mum's attempt to impose order after the lights have gone out.
    5. EThe list reminds the narrator that communication and news now depend on batteries.
  14. 241 mark

    Mum says she 'always hated' the watering can as it floats away, but nobody smiles.

    Which option best explains the moment?

    1. AThe can is a minor possession compared with the valuable things the family has tried to save.
    2. BMum attempts to make one small loss sound welcome, but the failed joke exposes how frightened everyone is by what the floating can proves.
    3. CWatching the can leave confirms that water can now carry objects through the open gate.
    4. DHer remark continues the adults' habit of using ordinary language instead of naming the likely damage.
    5. ENobody wants to challenge Mum's claim while they are waiting for new instructions.
  15. 251 mark

    The water 'nudges' the dustbin in the opening paragraph.

    Select the TWO phrases closest to nudges as it is used here.

    Select TWO answers.

    1. Apushes slightly
    2. Bpresses gently
    3. Cknocks over
    4. Dflows around
    5. Ecarries away
  16. 261 mark

    The towels 'drink quickly' when Mum rolls them against the door.

    Select the TWO options that best express drink in this image.

    Select TWO answers.

    1. Aabsorb
    2. Bsoak up
    3. Crepel
    4. Drelease
    5. Edry
  17. 271 mark

    A pan falls downstairs with a 'bright clang'.

    Select the TWO words that best describe bright in this sound image.

    Select TWO answers.

    1. Ashining
    2. Bsharp
    3. Cringing
    4. Dmuffled
    5. Econtinuous
  18. 281 mark

    Consider what the adults say and leave unsaid throughout the night.

    Select the TWO most accurate words for their manner of speaking.

    Select TWO answers.

    1. Arestrained
    2. Bevasive
    3. Cpanicked
    4. Dcertain
    5. Echeerful
  19. 291 mark

    Several treasured or essential items are considered in the fourth paragraph. Which item is NOT carried upstairs?

    1. Athe photograph albums
    2. BGran's letters
    3. Cthe passports
    4. DKit's asthma pump
    5. EGran's china bowl
  20. 301 mark

    Which statement about the water's progress through the home is NOT correct?

    1. AIt lies across the yard before entering the house.
    2. BIt passes beneath towels rolled at the back door.
    3. CIt darkens the hall mat from one edge.
    4. DIt reaches the electrical sockets before Dad turns off the power.
    5. EIt later moves objects in the kitchen.
  21. 311 mark

    Dad performs many practical tasks during the evening. Which action does he NOT perform?

    1. AHe carries the microwave upstairs.
    2. BHe moves two dining chairs.
    3. CHe turns off the electricity.
    4. DHe watches the road from a bedroom window.
    5. EHe restarts the failed pumping station.
  22. 321 mark

    Four statements accurately describe the family's arrangements upstairs. Which one does NOT?

    1. AThe children sit on a mattress in their coats.
    2. BA battery radio is available.
    3. CTwo power banks have been counted.
    4. DThe camping stove remains ready for use in the bedroom.
    5. EThe narrator uses a torch after the lights go out.
  23. 331 mark

    Which items does the family move upstairs specifically because they contain information, memories or identity records?

    Select ALL that apply.

    Select ALL the answers that are correct.

    1. Athe photograph albums
    2. BGran's letters
    3. Cthe passports
    4. DMum's blue work folder
    5. Ethe microwave
  24. 341 mark

    The adults repeatedly avoid stating the full danger or loss. Which details show that pattern?

    Select ALL that apply.

    Select ALL the answers that are correct.

    1. AMum says 'decisions later' without naming them.
    2. BMr Bell replaces a requested arrival time with 'They know we're here.'
    3. CMum promises a 'second trip' for the bowl.
    4. DDad and Mum offer different guesses for the distant engine.
    5. EThe radio gives a direct instruction to stay upstairs.
  25. 351 mark

    Which observations show that water has crossed or erased familiar boundaries around the home?

    Select ALL that apply.

    Select ALL the answers that are correct.

    1. AThe weather comes indoors when Dad opens the back door.
    2. BThe shine passes beneath the towels at the threshold.
    3. CThe road disappears beneath water.
    4. DThe watering can floats through the open gate.
    5. EThe microwave plug trails behind Dad on the stairs.
  26. 361 mark

    Which actions directly prepare the family to remain safe or receive information while they wait upstairs?

    Select ALL that apply.

    Select ALL the answers that are correct.

    1. Ataking up the battery radio
    2. Btaking Kit's asthma pump
    3. Cturning off the electricity
    4. Dcounting the phones and power banks
    5. Ebalancing the sofa on food tins
  27. 371 mark

    By the time everyone settles in the bedroom, which belongings have definitely been left downstairs?

    Select ALL that apply.

    Select ALL the answers that are correct.

    1. Athe piano
    2. BGran's china bowl
    3. Cthe humming fridge
    4. Done school shoe
    5. Ethe photograph albums
  28. 381 mark

    Which sounds make the family aware of events they cannot fully see or identify?

    Select ALL that apply.

    Select ALL the answers that are correct.

    1. Aa small object knocking against a cupboard
    2. Bthe distant engine thudding beyond the rain
    3. Cthe pan clanging and rolling below
    4. Dthe radio advising them to remain upstairs
    5. Ethe watering can turning in the yard

Section C: Text 2 (about 10 minutes)

Read Text 2 carefully, then answer questions 39 to 50.

Text 2 is shorter than Text 1, but the questions expect the same close reading.

The River's Account

They say I have been straightened. Men measured a clean course across the fen, cut away my bends and pressed high banks against my sides. From above, I now resemble a ruled line. Water is expected to understand such instructions.

I remember before there were fields here. Reeds stitched the shallows to the sky, and winter spread me thinly across miles of silt. I moved a pebble for a hundred seasons and no one called me late. The sea came nearer, withdrew, came nearer again. Human maps changed more quickly than the mud beneath them.

The banks do not offend me. Clay, concrete and willow roots are all materials I have carried. Pumps borrow my water and gates delay it. I accept each interruption as I accept a fallen tree: I gather, test the edges and continue wherever the ground permits. A straight channel does not make the land level, nor does a wall teach rain to stop.

Sometimes, after many wet days, I revisit an old turning beneath a wheat field. I do not choose revenge. The hollow remains, and water recognises depth. For one night a road becomes a shining reach; chairs climb stairs; people listen for engines. By morning they may call me contained again.

Let them. I have no quarrel with the word. Their embankments may stand for generations, which is a long promise to a family and a brief pause to me. I carry yesterday's hill grain towards tomorrow's sea. Given time, every line softens. I am not hurrying.

This passage was written for Revision Library.

  1. 391 mark

    In the opening paragraph, the river says, 'Water is expected to understand such instructions.'

    Which option best explains the effect of this sentence?

    1. AIt makes the measured channel sound like a message addressed to the river.
    2. BIt questions the human confidence that drawing a straight route is enough to command how water will behave.
    3. CIt contrasts the straight line seen from above with the bends that were cut away.
    4. DIt suggests that engineers designed the banks for water to follow rather than for people to admire.
    5. EIt gives the river a mind capable of considering what people demand from it.
  2. 401 mark

    The river observes that 'Human maps changed more quickly than the mud beneath them.'

    What does this most precisely reveal?

    1. APeople have redrawn the fen more often than its underlying hollows and levels have altered.
    2. BMaps can record new fields and channels before the land has fully adjusted to them.
    3. CThe river measures change by physical ground over long periods, making human plans seem brief and superficial.
    4. DMud preserves evidence of earlier watercourses that modern maps may no longer show.
    5. EThe river trusts the shape of the land more than the names and lines people place on it.
  3. 411 mark

    In the paragraph beginning 'The banks do not offend me', the river compares engineering works with a fallen tree.

    Why does it make this comparison?

    1. ABoth a bank and a tree can interrupt the river's easiest route.
    2. BThe river has carried natural and human-made materials during its long existence.
    3. CIt treats the works as temporary physical conditions to test and pass, not as personal insults deserving anger.
    4. DA fallen tree can redirect water just as gates and concrete can delay it.
    5. EThe comparison places human construction inside the river's much wider experience of obstacles.
  4. 421 mark

    The river says it may 'revisit an old turning beneath a wheat field' but denies choosing revenge.

    Which option best explains why the water returns there?

    1. AA lasting hollow guides water towards its former bend, so the return follows depth rather than intention.
    2. BThe wheat field now covers a route that belonged to the river before the field existed.
    3. CMany wet days give the river enough water to spread beyond the straight channel.
    4. DThe embankments can delay the river without removing every lower place beyond them.
    5. EPeople may interpret renewed flooding as an answer to their attempt to contain the river.
  5. 431 mark

    At the end, the river allows people to call it 'contained' again and says, 'Let them.'

    What does this response most precisely show?

    1. AThe river does not argue with the words people use about it.
    2. BPeople may feel secure again when the road is visible and the banks appear to work.
    3. CIts long memory makes the claim seem temporary, so it can accept the word without believing it is final.
    4. DThe river recognises that embankments can protect a family for many years.
    5. EIt is patient enough to let later changes test whether containment lasts.
  6. 441 mark

    The river recalls the fen before modern fields. Which detail is NOT part of that memory?

    1. AReeds joined shallow water and sky.
    2. BWinter water spread across miles of silt.
    3. CA pebble moved over a hundred seasons.
    4. DThe sea advanced and withdrew.
    5. EStone houses stood on the raised road.
  7. 451 mark

    Which human attempt to control or redirect the river is NOT mentioned in Text 2?

    1. Acutting away bends
    2. Bbuilding high banks
    3. Cusing pumps
    4. Dusing gates
    5. Edraining the river into an underground pipe
  8. 461 mark

    Which statement about the river's attitude is NOT supported by its account?

    1. AIt regards generations as a short interval.
    2. BIt accepts interruptions without treating them as insults.
    3. CIt believes physical hollows outlast some mapped changes.
    4. DIt is furious with the people who straightened it.
    5. EIt expects engineered lines to soften eventually.
  9. 471 mark

    Which details specifically establish the river's memory as far longer than a human lifetime?

    Select ALL that apply.

    Select ALL the answers that are correct.

    1. AIt remembers the fen before fields.
    2. BIt moves one pebble over a hundred seasons.
    3. CIt remembers the sea repeatedly advancing and withdrawing.
    4. DIt calls generations a brief pause.
    5. EIt hears people listening for an engine during one night.
  10. 481 mark

    Which phrases present human engineering as an attempt to give water a fixed route or limit?

    Select ALL that apply.

    Select ALL the answers that are correct.

    1. A'measured a clean course'
    2. B'cut away my bends'
    3. C'pressed high banks against my sides'
    4. D'gates delay it'
    5. E'the sea came nearer'
  11. 491 mark

    The river insists that it is patient rather than vengeful. Which statements directly build that self-portrait?

    Select ALL that apply.

    Select ALL the answers that are correct.

    1. AThe banks do not offend it.
    2. BIt accepts interruptions.
    3. CIt denies choosing revenge.
    4. DIt says it is not hurrying.
    5. EIt describes a road as a shining reach.
  12. 501 mark

    The river continues 'wherever the ground permits'.

    Select the TWO options closest to permits in this context.

    Select TWO answers.

    1. Aallows
    2. Bmakes possible
    3. Cmeasures
    4. Ddelays
    5. Eforbids

Section D: Comparing Text 1 and Text 2 (about 10 minutes)

Use both Text 1 and Text 2 to answer questions 51 to 62.

Some questions ask for all the answers that apply. Read the wording carefully.

  1. 511 mark

    The two accounts describe the same kind of fen flood from very different viewpoints. Which details are supported by BOTH texts?

    Select ALL that apply.

    Select ALL the answers that are correct.

    1. AThe landscape is identified as fen.
    2. BHuman-made equipment is meant to direct or remove water.
    3. CFloodwater covers a road.
    4. DPeople listen or wait for an engine.
    5. EThe narrator expresses anger at the flood.
  2. 521 mark

    Which storytelling features create the immediate family emergency in Text 1, rather than the river's reflective account?

    Select ALL that apply.

    Select ALL the answers that are correct.

    1. Aclock times within a single evening
    2. Bnamed relatives carrying assigned objects
    3. Cdirect speech between neighbours and family members
    4. Da first-person child experiencing events as they happen
    5. Ememories of the sea moving across long ages
  3. 531 mark

    Text 2 compresses the family's crisis into a few images. Which events in its fourth paragraph have clear counterparts in Text 1?

    Select ALL that apply.

    Select ALL the answers that are correct.

    1. AA road becomes covered with water.
    2. BChairs are taken upstairs.
    3. CPeople listen for an engine.
    4. DThe emergency lasts through one night.
    5. EA wheat field is harvested by torchlight.
  4. 541 mark

    How do the texts use different scales of time to shape the flood? Which comparisons are accurate?

    Select ALL that apply.

    Select ALL the answers that are correct.

    1. AText 1 marks change in minutes and hours.
    2. BText 2 measures change in seasons and generations.
    3. CText 1 makes waiting feel long because the family lacks a firm arrival time for help.
    4. DText 2 makes engineered control seem temporary beside the river's memory.
    5. EBoth narrators treat one night as the longest period they can imagine.
  5. 551 mark

    Uncertainty appears in both accounts, but the speakers respond differently. Which statements accurately compare those responses?

    Select ALL that apply.

    Select ALL the answers that are correct.

    1. AText 1's adults offer cautious possibilities about the distant engine.
    2. BText 1's narrator admits that hearing does not provide knowledge.
    3. CText 2 explains renewed flooding through ground level rather than guessing at a motive.
    4. DText 2 accepts that time will test human claims of containment.
    5. EBoth speakers demand an exact prediction of when the water will fall.
  6. 561 mark

    Both writers use boundaries to examine whether water can be kept in its assigned place. Which connections are supported?

    Select ALL that apply.

    Select ALL the answers that are correct.

    1. AText 1 shows water passing a door despite towels at the gap.
    2. BText 1 shows familiar divisions failing when the road vanishes and downstairs is surrendered.
    3. CText 2 describes a straight channel and high banks as imposed limits.
    4. DText 2 says old hollows can guide water beyond mapped lines.
    5. EBoth texts show every barrier holding successfully throughout the night.
  7. 571 mark

    Sound links the family's anxious present to the river's calmer account. Which observations about sound are accurate?

    Select ALL that apply.

    Select ALL the answers that are correct.

    1. AIn Text 1, rain, machinery and moving objects keep the danger audible.
    2. BIn Text 1, uncertain sounds cause the family to guess what is happening out of sight.
    3. CText 2 recalls people listening for engines as one brief event in a longer pattern.
    4. DText 2's final short sentence creates a quiet, unhurried ending.
    5. EBoth texts end with a loud crash that proves the banks have broken.
  8. 581 mark

    The texts distinguish useful preparation from complete control. Which details contribute to that shared distinction?

    Select ALL that apply.

    Select ALL the answers that are correct.

    1. AThe family saves medicine, information and ways to receive warnings.
    2. BTowels slow or absorb water without stopping its entry.
    3. CText 2 accepts that banks and gates can interrupt or delay flow.
    4. DText 2 denies that a straight channel can level land or stop rain.
    5. EBoth texts claim that preparation is pointless because flooding cannot be prevented forever.
  9. 591 mark

    Text 1 measures the night with clock times, while Text 2 measures memory in seasons and generations. Which difference between the speakers does that choice reveal most clearly?

    1. AThe child understands geological change, while the river knows only what happens during one night.
    2. BThe child has forgotten when the flood began, while the river predicts the exact hour when it will end.
    3. CThe child anxiously experiences each hour as urgent, while the ancient river calmly treats even long human periods as brief.
    4. DThe child is calm because help is certain, while the river is impatient with every delay.
    5. EThe child speaks from the distant future, while the river reports events only as they occur.
  10. 601 mark

    Which option best contrasts what one night means to each narrator?

    1. AFor the child, it is already a distant memory; for the river, it is an urgent surprise.
    2. BFor the child, it is an amusing break from school; for the river, it is the first flood it remembers.
    3. CFor the child, it proves the pumping station is useless; for the river, it proves all embankments have vanished.
    4. DFor the child, it is an immediate change to home and safety; for the river, it is a brief return to a pattern older than the fields.
    5. EFor both, the night matters only because a road cannot be used.
  11. 611 mark

    Text 1's adults avoid saying what will happen next, while Text 2 says, 'Given time, every line softens.'

    What is the most important contrast between these attitudes to the future?

    1. AThe adults care only about possessions, while the river cares only about the sea.
    2. BThe adults know exactly when help will arrive, while the river cannot remember what happened before fields.
    3. CThe adults expect the house to be destroyed, while the river promises to destroy every bank deliberately.
    4. DThe adults refuse all advice, while the river gives precise instructions for repairing the channel.
    5. EThe adults face a future too close and uncertain to name, while the river speaks confidently because its long timescale makes eventual change ordinary.
  12. 621 mark

    Text 1 ends with the family listening because they cannot know what the water will do. How does the ending of Text 2 most importantly change our view of that moment?

    1. AIt confirms that the sound they hear is definitely the replacement pump and that the kitchen will soon be dry.
    2. BIt sets the family's urgent uncertainty beside a natural process so slow and old that one frightening night is only a brief part of it.
    3. CIt suggests that the family should understand the river well enough to stop listening for official instructions.
    4. DIt proves that the river deliberately entered the house to punish people for building embankments.
    5. EIt makes the family's concern for medicine, documents and power seem foolish and unnecessary.
Answers, mark scheme and worked explanations
  1. 11 mark

    D

    Aggressive has double g, double s and the ending -ive: ag-gres-sive.

    A drops a g, B drops an s, C adds a third s, and E drops the final e.

  2. 21 mark

    B

    Amateur ends with -teur: ama-teur.

    A reverses the e and u, C uses the familiar but incorrect -ture ending, D changes the middle a to e, and E doubles the t.

  3. 31 mark

    A

    Ancient has the sequence -cient after an: an-cient.

    B reverses the i and e, C drops the n, D changes the final e to a, and E adds a second n.

  4. 41 mark

    E

    Apparent begins with double p and has one r: ap-par-ent.

    A and C lose a p, B changes the e to a, and D doubles the r.

  5. 51 mark

    D

    Average has the vowel pattern a-e-a-e: av-er-age.

    A changes the second vowel, B drops the middle a, C doubles v, and E doubles r.

  6. 61 mark

    C

    Community has double m and one t: com-mun-i-ty.

    A loses an m, B adds a third m, D doubles the t, and E inserts an extra i.

  7. 71 mark

    D

    Controversy has contro- at the start and ends -versy.

    A adds an e, B changes the first o after contr to a, C uses -sie, and E drops the first r.

  8. 81 mark

    E

    Develop has one l, one p and no final e.

    A adds a final e, B doubles l, C changes the middle e to o, and D doubles the final p.

  9. 91 mark

    D

    Familiar contains family without the y, followed by -iar: famil-iar.

    A doubles l, B changes the a in the ending to e, C drops the second i, and E doubles m.

  10. 101 mark

    E

    Government keeps govern intact before -ment: govern-ment.

    A drops the n, B changes the e in the ending to a, C adds a u, and D drops the r.

  11. 111 mark

    A

    The marker post shows three black stripes tonight, instead of the usual six.

    Six is the normal number visible, while two, four and five are not given.

  12. 121 mark

    A

    The stated tins are beans, peaches and tomato soup.

    Each other option replaces at least one of those three foods.

  13. 131 mark

    D

    The fourth paragraph lists the albums, letters, passports, Kit's asthma pump and Mum's blue work folder.

    The other groups mix those saved items with objects carried separately or left downstairs.

  14. 141 mark

    A

    Mum writes the number on the narrator's wrist in blue pen.

    The phone, folder, Dad and Kit all appear nearby, but none is where she records it.

  15. 151 mark

    A

    The passage states that the stove cannot be used inside, so taking it upstairs would not help.

    No shortage of fuel, weight problem, radio instruction or competition for space is mentioned.

  16. 161 mark

    E

    E joins the practical gesture to its emotional meaning: the water is already across the yard, yet Dad acts for a moment as though quietness could avoid its attention.

    A, B and C are true parts of the scene, while D explains the image. Only E includes both the pretence and what it reveals about Dad.

  17. 171 mark

    B

    B explains both halves of the exchange. Mr Bell cannot answer 'when', so he substitutes a limited but honest reassurance that help knows about them.

    A, C, D and E all fit the circumstances, but each gives only one part of why his reply comforts without supplying the requested information.

  18. 181 mark

    C

    C turns the small mistake into evidence of haste: carrying food looks helpful, but without the opener the tins cannot be used.

    A, B, D and E are all supported around the action. None explains the revealing gap between the narrator's first choice and Mum's correction as precisely.

  19. 191 mark

    B

    B accounts for the whole sequence: one sound acknowledges the piano's importance, and the closed lid ends the moment because it cannot be carried.

    A, C, D and E are partly true or plausible effects, but they miss either the farewell or the reluctant acceptance expressed by both actions together.

  20. 201 mark

    D

    D best explains why her words conflict with what everyone can see. Calling it a second trip lets her delay naming the bowl's loss.

    A, B, C and E all belong to the pressured choice, but D most precisely connects the bowl's family meaning, Mum's gesture and the narrator's correction.

  21. 211 mark

    B

    Kit laughs, so the joke works for him, but Mum does not. B captures both the comfort and its limit when Dad cannot honestly promise safety.

    A, C, D and E are all partly supported. They describe the reply or its setting without explaining as fully why humour is useful and inadequate at once.

  22. 221 mark

    C

    C combines practical preparation and restraint. The number stays with a person even in confusion, and Mum acts on the danger instead of explaining it dramatically.

    A, B, D and E are useful parts of the decision, but each is narrower than the double purpose captured by C.

  23. 231 mark

    B

    The counted items help the family wait, but they cannot answer the central unknowns. B explains why a sensible check fails to create safety.

    A, C, D and E are real features of the count and its timing. They contribute to unease, but do not identify the limit of every item listed.

  24. 241 mark

    B

    B explains the joke and the silence. Pretending to dislike the can should reduce the loss, yet its movement shows the flood's power, so nobody can accept the humour.

    A, C and D are parts of that effect, while E fits the tense silence. Only B connects all of them to the failed attempt at relief.

  25. 251 mark

    A and B

    A nudge is a small, gentle push, so A and B preserve both the contact and its slight force.

    The dustbin is not overturned or carried away, and flowing around it does not necessarily mean pushing it.

  26. 261 mark

    A and B

    The towels absorb or soak up water as if they were drinking it.

    Repel and release describe water moving away from the towels, while dry would mean removing moisture rather than taking it in.

  27. 271 mark

    B and C

    For a sound, bright suggests a sharp, ringing metallic note.

    Shining belongs to light, muffled is the opposite kind of sound, and the pan rings and rolls but the clang itself is not described as continuous.

  28. 281 mark

    A and B

    They are restrained because they control their words, and evasive because they repeatedly avoid naming losses, timings and worst outcomes.

    Their actions show anxiety rather than panic, they are unsure rather than certain, and the jokes fail to create genuine cheerfulness.

  29. 291 mark

    E

    Mum sets the china bowl back because the basket is full, and there is no second trip.

    The albums, letters, passports and asthma pump are all explicitly taken upstairs.

  30. 301 mark

    D

    Mum tells Dad to switch off the power before the water reaches the sockets, so D reverses the order.

    A, B and C trace the approach and entry, while the falling pan and knocking object support E later.

  31. 311 mark

    E

    A replacement engine is being brought by others; Dad never goes to or restarts the station.

    The microwave, chairs, electricity and watch at the window are all part of his actions at home.

  32. 321 mark

    D

    Dad returns the camping stove downstairs because it cannot be used indoors.

    The mattress, coats, radio, power banks and torch are all present upstairs.

  33. 331 mark

    A and B and C and D

    Albums and letters preserve memories, passports record identity, and the work folder contains important information.

    The microwave is moved for practical use, not for what it records or remembers.

  34. 341 mark

    A and B and C and D

    A to D all replace a feared fact with delay, reassurance or a limited possibility.

    The radio does the opposite: it gives an explicit instruction rather than avoiding what people should do.

  35. 351 mark

    A and B and C and D

    A and B cross the house boundary, C erases the road, and D carries a garden object beyond the gate.

    The microwave's movement is caused by Dad and does not show water breaking a boundary.

  36. 361 mark

    A and B and C and D

    The radio brings instructions, the asthma pump protects Kit, switching off power reduces electrical danger, and charged devices preserve communication.

    Raising the sofa tries to protect furniture, not the family's immediate safety or access to information.

  37. 371 mark

    A and B and C and D

    The piano and bowl are abandoned, the fridge remains below until it falls silent, and one shoe stays behind the washing machine.

    The photograph albums are among the first treasured items carried upstairs.

  38. 381 mark

    A and B and C

    They can only guess at the small object, cannot identify the distant engine, and hear the pan without seeing the water move it.

    The radio's message is clearly identified, while the watering can is a silent event they watch through the window.

  39. 391 mark

    B

    B captures the quiet criticism: an engineered line is treated as an order, but water responds to land and rain rather than human confidence.

    A, C, D and E are all true parts of the personification and setting. None states as precisely why the word 'expected' makes the instruction doubtful.

  40. 401 mark

    C

    C includes both timescale and viewpoint. Slow mud represents lasting physical form, while rapidly changed maps represent short human plans.

    A, B, D and E are supported consequences of that contrast, but each leaves out either the river's long measure of time or the shallowness of mapped change.

  41. 411 mark

    C

    C explains why the comparison follows 'do not offend me'. To the river, a bank is another material obstacle, not an enemy.

    A, B, D and E all accurately describe the comparison, but C most fully links those facts to the speaker's calm lack of anger.

  42. 421 mark

    A

    A follows the river's own explanation: 'The hollow remains, and water recognises depth.' Physical level, not revenge, determines the route.

    B, C and D help make the return possible, while E explains a human interpretation the river rejects. A alone identifies the direct cause and absence of motive.

  43. 431 mark

    C

    C joins the calm permission to the river's timescale. 'Contained' may describe a period, but generations are only a pause to this speaker.

    A, B, D and E are all supported around the ending. None explains as exactly why the river can accept the label while quietly outlasting its certainty.

  44. 441 mark

    E

    No stone houses or raised road appear in the river's early memory.

    Reeds, winter water, the slowly moved pebble and the changing sea are all stated in the second paragraph.

  45. 451 mark

    E

    The river is never sent through an underground pipe.

    The opening names cut bends and banks, and the third paragraph mentions both pumps and gates.

  46. 461 mark

    D

    The river repeatedly denies anger: the banks do not offend it, it chooses no revenge and it has no quarrel with 'contained'.

    Its long timescale, acceptance, trust in depth and expectation that lines soften support A, B, C and E.

  47. 471 mark

    A and B and C and D

    A to D range across changes in land, repeated seasons, sea movement and whole generations.

    The single night in E links the river to the flood, but does not by itself demonstrate a memory longer than one lifetime.

  48. 481 mark

    A and B and C and D

    Measurement, cutting, banks and gates are all deliberate human methods for routing or limiting flow.

    The sea's movement is a natural long-term change, not an engineering decision.

  49. 491 mark

    A and B and C and D

    A to D explicitly deny offence and revenge or affirm acceptance and patience.

    The shining road is an image of flooding, but it does not directly describe the river's motive or pace.

  50. 501 mark

    A and B

    The ground permits flow where its shape allows or makes movement possible.

    Measuring does not grant a route, delay is only a temporary slowing, and forbids is the opposite of permits.

  51. 511 mark

    A and B and C and D

    Text 1 names the fen, ditch, failed pump, vanished road and expected engine. Text 2 names the fen, pumps, a shining road and people listening for engines.

    The child is anxious and the river is calm, but neither narrator expresses anger at the flood, so E is not shared.

  52. 521 mark

    A and B and C and D

    Times, named family roles, dialogue and the child's present-tense viewpoint keep Text 1 inside one urgent night.

    The sea's repeated movement belongs only to the river's long memory in Text 2.

  53. 531 mark

    A and B and C and D

    Text 1's road vanishes, Dad carries chairs upstairs, the family hears an engine and the action lasts from evening towards midnight.

    The wheat field hides an old bend in Text 2, but nobody harvests it in either account.

  54. 541 mark

    A and B and C and D

    A and C create the family's stretched, uncertain night. B and D place that night and the banks inside a far longer natural history.

    Only the child is confined to the immediate wait. The river treats a generation, not one night, as brief, so E is wrong.

  55. 551 mark

    A and B and C and D

    Text 1 ends with competing guesses and the child's admission of not knowing. Text 2 calmly explains the old hollow and leaves containment to time.

    Dad asks when an engine will come, but neither narrator demands an exact prediction of when the flood will fall, so E is unsupported.

  56. 561 mark

    A and B and C and D

    The door, road and division between floors fail or change in Text 1. The channel, banks, maps and surviving hollow provide the larger version in Text 2.

    Water crosses the home's defences and revisits an old bend, so E contradicts both accounts.

  57. 571 mark

    A and B and C and D

    A and B show sound trapping the family in immediate uncertainty. C places that listening inside the river's memory, while 'I am not hurrying' gives D its calm close.

    Only Text 1 ends with a pan falling, and even that does not prove a bank has broken, so E is false.

  58. 581 mark

    A and B and C and D

    A shows worthwhile safety measures, while B shows their limits. Text 2 similarly grants engineering a delaying effect but denies that it controls land and rain completely.

    Neither text calls preparation pointless. The family benefits from it, and the river calls generations of protection a long promise to a family.

  59. 591 mark

    C

    Clock times tighten the child's anxious present, whereas seasons and generations express the river's unhurried, ancient scale.

    A reverses each speaker's range, B invents certainty, D reverses their emotions, and E reverses the texts' relation to time.

  60. 601 mark

    D

    The child's whole house and sense of safety are changing now. The river places the flooded road and climbing chairs within its repeated return to an old hollow.

    A reverses the time perspectives, B invents amusement and novelty, C overstates what one failure proves, and E reduces both accounts to one surface detail.

  61. 611 mark

    E

    E explains why silence and certainty can sit beside each other. Hours ahead are frighteningly unknown to the family, but slow change over generations is familiar to the river.

    A and D flatten the speakers into claims they never make, B contradicts both texts, and C turns uncertainty into certainty and patience into revenge.

  62. 621 mark

    B

    The child's listening remains frightening and sensible, but the river's generations, softened lines and lack of hurry place those unknown hours inside a much longer movement of land and water.

    A supplies certainty neither text gives, C dismisses useful advice, D contradicts the river's denial of revenge, and E wrongly mocks preparations that protect the family.

Sutton Selective Eligibility Test, Stage 1, English (multiple choice). Written by Revision Library on 2026-08-29, independent check pending.

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